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9780262517768: Memory (Whitechapel: Documents of Contemporary Art)
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Reseña del editor:
This anthology investigates the turn in art not only towards archives and histories, the relics of modernities past, but toward the phenomena, in themselves, of "haunting" and the activation of memory. It looks at a wide array of artistic relationships to memory association, repetition and reappearance, as well as forms of "active" forgetting. Its discussions encompass artworks from the late 1940s onward, ranging from reperformances such as Marina Abramovic's Seven Easy Pieces (embodied resurrections of decades-removed performance pieces by her contemporaries) to the inanimate trace of "memory" Robert Morris assigns to his free-form felt pieces, which "forget" in their present configurations their previous slides and falls. Contextualizing memory's role in visual theory and aesthetic politics--from Marcel Proust's optics to Bernard Stiegler's analysis of memory's "industrialization"--this collection also surveys the diversity of situations and registers in which contemporary artists explore memory. Art that engages with memory embodied in material and spatial conditions is examined beside works that reflect upon memory's effects through time, and yet others that enlist the agency of remembrance or forgetting to work through aspects of the numerous pasts by which the present is always haunted.
Biografía del autor:
Ian Farr is commissioning editor for Documents of Contemporary Art. He was formerly an editor of Phaidon's Contemporary Artists and Themes & Movements series.

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  • EditorialMIT PR
  • Año de publicación2012
  • ISBN 10 0262517760
  • ISBN 13 9780262517768
  • EncuadernaciónTapa blanda
  • Número de páginas240
  • EditorFarr Ian
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      74 calificaciones proporcionadas por Goodreads

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9780854882045: Memory: (Documents of Contemporary Art)

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ISBN 10:  0854882049 ISBN 13:  9780854882045
Editorial: Whitechapel Gallery, 2012
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Farr,Ian
Publicado por The MIT Press (2012)
ISBN 10: 0262517760 ISBN 13: 9780262517768
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Descripción Blanda. Condición: New. Estado de la sobrecubierta: Nuevo. No Aplica Ilustrador. 0. This anthology investigates the turn in art not only towards archives and histories, the relics of modernities past, but toward the phenomena, in themselves, of ?haunting? and the activation of memory. It looks at a wide array of artistic relationships to memory association, repetition and reappearance, as well as forms of ?active? forgetting. Its discussions encompass artworks from the late 1940s onward, ranging from reperformances such as Marina Abramovic's Seven Easy Pieces (embodied resurrections of decades-removed performance pieces by her contemporaries) to the inanimate trace of ?memory? Robert Morris assigns to his free-form felt pieces, which ?forget? in their present configurations their previous slides and falls. Contextualizing memory's role in visual theory and aesthetic politics?from Marcel Proust's optics to Bernard Stiegler's analysis of memory's ?industrialization??this collection also surveys the diversity of situations and registers in which contemporary artists explore memory. Art that engages with memory embodied in material and spatial conditions is examined beside works that reflect upon memory's effects through time, and yet others that enlist the agency of remembrance or forgetting to work through aspects of the numerous pasts by which the present is always haunted. 560 gr. Libro. Nº de ref. del artículo: 9780262517768LEA115544

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Publicado por The MIT Press (2012)
ISBN 10: 0262517760 ISBN 13: 9780262517768
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Descripción Paperback. Condición: New. Brand New!. Nº de ref. del artículo: VIB0262517760

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