Temperley, David Music and Probability

ISBN 13: 9780262515191

Music and Probability

3,83 valoración promedio
( 18 valoraciones por GoodReads )
 
9780262515191: Music and Probability
Review:

As he did in The Cognition of Basic Musical Structures, Temperley here challenges the frontiers of the definition of music theory and cognition. Choice

From the Publisher:

In Music and Probability, David Temperley explores issues in music perception and cognition from a probabilistic perspective. The application of probabilistic ideas to music has been pursued only sporadically over the past four decades, but the time is ripe, Temperley argues, for a reconsideration of how probabilities shape music perception and even music itself. Recent advances in the application of probability theory to other domains of cognitive modeling, coupled with new evidence and theoretical insights about the working of the musical mind, have laid the groundwork for more fruitful investigations. Temperley proposes computational models for two basic cognitive processes, the perception of key and the perception of meter, using techniques of Bayesian probabilistic modeling. Drawing on his own research and surveying recent work by others, Temperley explores a range of further issues in music and probability, including transcription, phrase perception, pattern perception, harmony, improvisation, and musical styles. Music and Probability -- the first full-length book to explore the application of probabilistic techniques to musical issues -- includes a concise survey of probability theory, with simple examples and a discussion of its application in other domains. Temperley relies most heavily on a Bayesian approach, which not only allows him to model the perception of meter and tonality but also sheds light on such perceptual processes as error detection, expectation, and pitch identification. Bayesian techniques also provide insights into such subtle and advanced issues as musical ambiguity, tension, and "grammaticality," and lead to interesting and novel predictions about compositional practice and differences between musical styles.

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Temperley, David
Editorial: MIT Press Ltd, United States (2010)
ISBN 10: 0262515199 ISBN 13: 9780262515191
Nuevos Paperback Cantidad: 1
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The Book Depository US
(London, Reino Unido)
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Descripción MIT Press Ltd, United States, 2010. Paperback. Estado de conservación: New. 226 x 178 mm. Language: English . Brand New Book. In Music and Probability, David Temperley explores issues in music perception and cognition from a probabilistic perspective. The application of probabilistic ideas to music has been pursued only sporadically over the past four decades, but the time is ripe, Temperley argues, for a reconsideration of how probabilities shape music perception and even music itself. Recent advances in the application of probability theory to other domains of cognitive modeling, coupled with new evidence and theoretical insights about the working of the musical mind, have laid the groundwork for more fruitful investigations. Temperley proposes computational models for two basic cognitive processes, the perception of key and the perception of meter, using techniques of Bayesian probabilistic modeling. Drawing on his own research and surveying recent work by others, Temperley explores a range of further issues in music and probability, including transcription, phrase perception, pattern perception, harmony, improvisation, and musical styles. Music and Probability -- the first full-length book to explore the application of probabilistic techniques to musical issues -- includes a concise survey of probability theory, with simple examples and a discussion of its application in other domains. Temperley relies most heavily on a Bayesian approach, which not only allows him to model the perception of meter and tonality but also sheds light on such perceptual processes as error detection, expectation, and pitch identification. Bayesian techniques also provide insights into such subtle and advanced issues as musical ambiguity, tension, and grammaticality, and lead to interesting and novel predictions about compositional practice and differences between musical styles. Nº de ref. de la librería AAC9780262515191

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Temperley, David
Editorial: MIT Press Ltd, United States (2010)
ISBN 10: 0262515199 ISBN 13: 9780262515191
Nuevos Paperback Cantidad: 1
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(London, Reino Unido)
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Descripción MIT Press Ltd, United States, 2010. Paperback. Estado de conservación: New. 226 x 178 mm. Language: English . Brand New Book. In Music and Probability, David Temperley explores issues in music perception and cognition from a probabilistic perspective. The application of probabilistic ideas to music has been pursued only sporadically over the past four decades, but the time is ripe, Temperley argues, for a reconsideration of how probabilities shape music perception and even music itself. Recent advances in the application of probability theory to other domains of cognitive modeling, coupled with new evidence and theoretical insights about the working of the musical mind, have laid the groundwork for more fruitful investigations. Temperley proposes computational models for two basic cognitive processes, the perception of key and the perception of meter, using techniques of Bayesian probabilistic modeling. Drawing on his own research and surveying recent work by others, Temperley explores a range of further issues in music and probability, including transcription, phrase perception, pattern perception, harmony, improvisation, and musical styles. Music and Probability -- the first full-length book to explore the application of probabilistic techniques to musical issues -- includes a concise survey of probability theory, with simple examples and a discussion of its application in other domains. Temperley relies most heavily on a Bayesian approach, which not only allows him to model the perception of meter and tonality but also sheds light on such perceptual processes as error detection, expectation, and pitch identification. Bayesian techniques also provide insights into such subtle and advanced issues as musical ambiguity, tension, and grammaticality, and lead to interesting and novel predictions about compositional practice and differences between musical styles. Nº de ref. de la librería AAC9780262515191

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Temperley, David
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Descripción Estado de conservación: New. Nº de ref. de la librería 9094419-n

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Descripción 2010. Paperback. Estado de conservación: NEW. 9780262515191 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Nº de ref. de la librería HTANDREE01142580

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Descripción MIT Press. Estado de conservación: New. Brand New. Nº de ref. de la librería 0262515199

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Descripción MIT Press Ltd. Paperback. Estado de conservación: new. BRAND NEW, Music and Probability, David Temperley, In Music and Probability, David Temperley explores issues in music perception and cognition from a probabilistic perspective. The application of probabilistic ideas to music has been pursued only sporadically over the past four decades, but the time is ripe, Temperley argues, for a reconsideration of how probabilities shape music perception and even music itself. Recent advances in the application of probability theory to other domains of cognitive modeling, coupled with new evidence and theoretical insights about the working of the musical mind, have laid the groundwork for more fruitful investigations. Temperley proposes computational models for two basic cognitive processes, the perception of key and the perception of meter, using techniques of Bayesian probabilistic modeling. Drawing on his own research and surveying recent work by others, Temperley explores a range of further issues in music and probability, including transcription, phrase perception, pattern perception, harmony, improvisation, and musical styles. Music and Probability -- the first full-length book to explore the application of probabilistic techniques to musical issues -- includes a concise survey of probability theory, with simple examples and a discussion of its application in other domains. Temperley relies most heavily on a Bayesian approach, which not only allows him to model the perception of meter and tonality but also sheds light on such perceptual processes as error detection, expectation, and pitch identification. Bayesian techniques also provide insights into such subtle and advanced issues as musical ambiguity, tension, and "grammaticality," and lead to interesting and novel predictions about compositional practice and differences between musical styles. Nº de ref. de la librería B9780262515191

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Temperley, David
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Descripción The MIT Press. PAPERBACK. Estado de conservación: New. 0262515199 Brand New Book. Ships from the United States. 30 Day Satisfaction Guarantee!. Nº de ref. de la librería 14287472

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Temperley, David
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Descripción The MIT Press, 2010. Paperback. Estado de conservación: New. Nº de ref. de la librería DADAX0262515199

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Descripción MIT Press. Estado de conservación: New. Nº de ref. de la librería 7082596

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Descripción Mit Pr, 2010. Paperback. Estado de conservación: Brand New. 244 pages. 9.25x7.25x0.75 inches. In Stock. Nº de ref. de la librería x-0262515199

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