Music and Probability (The MIT Press)

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9780262515191: Music and Probability (The MIT Press)
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Book by Temperley David

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As he did in The Cognition of Basic Musical Structures, Temperley here challenges the frontiers of the definition of music theory and cognition. -Choice As he did in The Cognition of Basic Musical Structures, Temperley here challenges the frontiers of the definition of music theory and cognition. -Choice * Reviews *

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Exploring the application of Bayesian probabilistic modeling techniques to musical issues, including the perception of key and meter. In Music and Probability, David Temperley explores issues in music perception and cognition from a probabilistic perspective. The application of probabilistic ideas to music has been pursued only sporadically over the past four decades, but the time is ripe, Temperley argues, for a reconsideration of how probabilities shape music perception and even music itself. Recent advances in the application of probability theory to other domains of cognitive modeling, coupled with new evidence and theoretical insights about the working of the musical mind, have laid the groundwork for more fruitful investigations. Temperley proposes computational models for two basic cognitive processes, the perception of key and the perception of meter, using techniques of Bayesian probabilistic modeling. Drawing on his own research and surveying recent work by others, Temperley explores a range of further issues in music and probability, including transcription, phrase perception, pattern perception, harmony, improvisation, and musical styles. Music and Probability-the first full-length book to explore the application of probabilistic techniques to musical issues-includes a concise survey of probability theory, with simple examples and a discussion of its application in other domains. Temperley relies most heavily on a Bayesian approach, which not only allows him to model the perception of meter and tonality but also sheds light on such perceptual processes as error detection, expectation, and pitch identification. Bayesian techniques also provide insights into such subtle and advanced issues as musical ambiguity, tension, and "grammaticality," and lead to interesting and novel predictions about compositional practice and differences between musical styles.

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9780262201667: Music and Probability (The MIT Press)

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ISBN 10:  0262201666 ISBN 13:  9780262201667
Editorial: MIT Press, 2007
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David Temperley
Publicado por MIT Press Ltd, United States (2010)
ISBN 10: 0262515199 ISBN 13: 9780262515191
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Descripción MIT Press Ltd, United States, 2010. Paperback. Condición: New. Language: English. Brand new Book. Exploring the application of Bayesian probabilistic modeling techniques to musical issues, including the perception of key and meter.In Music and Probability, David Temperley explores issues in music perception and cognition from a probabilistic perspective. The application of probabilistic ideas to music has been pursued only sporadically over the past four decades, but the time is ripe, Temperley argues, for a reconsideration of how probabilities shape music perception and even music itself. Recent advances in the application of probability theory to other domains of cognitive modeling, coupled with new evidence and theoretical insights about the working of the musical mind, have laid the groundwork for more fruitful investigations. Temperley proposes computational models for two basic cognitive processes, the perception of key and the perception of meter, using techniques of Bayesian probabilistic modeling. Drawing on his own research and surveying recent work by others, Temperley explores a range of further issues in music and probability, including transcription, phrase perception, pattern perception, harmony, improvisation, and musical styles.Music and Probability-the first full-length book to explore the application of probabilistic techniques to musical issues-includes a concise survey of probability theory, with simple examples and a discussion of its application in other domains. Temperley relies most heavily on a Bayesian approach, which not only allows him to model the perception of meter and tonality but also sheds light on such perceptual processes as error detection, expectation, and pitch identification. Bayesian techniques also provide insights into such subtle and advanced issues as musical ambiguity, tension, and "grammaticality," and lead to interesting and novel predictions about compositional practice and differences between musical styles. Nº de ref. del artículo: AAH9780262515191

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Descripción MIT Press, 2010. PAP. Condición: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. del artículo: WM-9780262515191

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David Temperley
Publicado por MIT Press Ltd, United States (2010)
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Descripción MIT Press Ltd, United States, 2010. Paperback. Condición: New. Language: English. Brand new Book. Exploring the application of Bayesian probabilistic modeling techniques to musical issues, including the perception of key and meter.In Music and Probability, David Temperley explores issues in music perception and cognition from a probabilistic perspective. The application of probabilistic ideas to music has been pursued only sporadically over the past four decades, but the time is ripe, Temperley argues, for a reconsideration of how probabilities shape music perception and even music itself. Recent advances in the application of probability theory to other domains of cognitive modeling, coupled with new evidence and theoretical insights about the working of the musical mind, have laid the groundwork for more fruitful investigations. Temperley proposes computational models for two basic cognitive processes, the perception of key and the perception of meter, using techniques of Bayesian probabilistic modeling. Drawing on his own research and surveying recent work by others, Temperley explores a range of further issues in music and probability, including transcription, phrase perception, pattern perception, harmony, improvisation, and musical styles.Music and Probability-the first full-length book to explore the application of probabilistic techniques to musical issues-includes a concise survey of probability theory, with simple examples and a discussion of its application in other domains. Temperley relies most heavily on a Bayesian approach, which not only allows him to model the perception of meter and tonality but also sheds light on such perceptual processes as error detection, expectation, and pitch identification. Bayesian techniques also provide insights into such subtle and advanced issues as musical ambiguity, tension, and "grammaticality," and lead to interesting and novel predictions about compositional practice and differences between musical styles. Nº de ref. del artículo: AAH9780262515191

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Temperley, David
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Descripción 2010. PAP. Condición: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. del artículo: IB-9780262515191

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Descripción The MIT Press 2010-08-31, Cambridge, Mass. |London, 2010. paperback. Condición: New. Nº de ref. del artículo: 9780262515191

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Descripción MIT Press Ltd, United States, 2010. Paperback. Condición: New. Language: English. Brand new Book. Exploring the application of Bayesian probabilistic modeling techniques to musical issues, including the perception of key and meter.In Music and Probability, David Temperley explores issues in music perception and cognition from a probabilistic perspective. The application of probabilistic ideas to music has been pursued only sporadically over the past four decades, but the time is ripe, Temperley argues, for a reconsideration of how probabilities shape music perception and even music itself. Recent advances in the application of probability theory to other domains of cognitive modeling, coupled with new evidence and theoretical insights about the working of the musical mind, have laid the groundwork for more fruitful investigations. Temperley proposes computational models for two basic cognitive processes, the perception of key and the perception of meter, using techniques of Bayesian probabilistic modeling. Drawing on his own research and surveying recent work by others, Temperley explores a range of further issues in music and probability, including transcription, phrase perception, pattern perception, harmony, improvisation, and musical styles.Music and Probability-the first full-length book to explore the application of probabilistic techniques to musical issues-includes a concise survey of probability theory, with simple examples and a discussion of its application in other domains. Temperley relies most heavily on a Bayesian approach, which not only allows him to model the perception of meter and tonality but also sheds light on such perceptual processes as error detection, expectation, and pitch identification. Bayesian techniques also provide insights into such subtle and advanced issues as musical ambiguity, tension, and "grammaticality," and lead to interesting and novel predictions about compositional practice and differences between musical styles. Nº de ref. del artículo: BTE9780262515191

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David Temperley
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Descripción 2010. Paperback. Condición: New. Paperback. In Music and Probability, David Temperley explores issues in music perception and cognition from a probabilistic perspective. The application of probabilistic ideas to music has been pursu.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 256 pages. 0.490. Nº de ref. del artículo: 9780262515191

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Temperley, David
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Descripción The MIT Press, 2010. Paperback. Condición: New. Never used!. Nº de ref. del artículo: 0262515199

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