Ingmar Bergman, Cinematic Philosopher (Irving Singer Library)

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9780262513234: Ingmar Bergman, Cinematic Philosopher (Irving Singer Library)
Review:

"A book that is not only informative but also insightful and illuminating." Robert E. Lauder Commonweal "Irving Singer's book is well grounded, clearly thought out, and lucidly written. Though the author is a professor of philosophy, it is neither academic nor esoteric, but plain-spoken and informative. The work of a man who has long lived with and often written about film, this concise volume on Bergman says more than many another long-winded and less stimulating one." John Simon Critic

Review:

A book that is not only informative but also insightful and illuminating. -- Robert E. Lauder Commonweal

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Singer
Editorial: MIT Press Ltd, United States (2009)
ISBN 10: 0262513234 ISBN 13: 9780262513234
Nuevos Paperback Cantidad: 1
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(London, Reino Unido)
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Descripción MIT Press Ltd, United States, 2009. Paperback. Estado de conservación: New. Reprint. 196 x 127 mm. Language: English . Brand New Book. Known for their repeating motifs and signature tropes, the films of Ingmar Bergman also contain extensive variation and development. In these reflections on Bergman s artistry and thought, Irving Singer discerns distinctive themes in Bergman s filmmaking, from first intimations in the early work to consummate resolutions in the later movies. Singer demonstrates that while Bergman s output is not philosophy on celluloid, it attains an expressive and purely aesthetic truthfulness that can be considered philosophical in a broader sense. Through analysis of both narrative and filmic effects, Singer probes Bergman s mythmaking and his reliance upon the magic inherent in his cinematic techniques. Singer traces throughout the evolution of Bergman s ideas about life and death, and about the possibility of happiness and interpersonal love. In the overtly self-referential films that he wrote or directed ( The Best Intentions, Fanny and Alexander, Sunday s Children) as well as the less obviously autobiographical ones (including Wild Strawberries, The Seventh Seal, and the triad that begins with Through a Glass Darkly) Bergman investigates problems in his existence and frequently reverts to childhood memories. In such movies as Smiles of a Summer Night, Scenes from a Marriage, and Saraband, Bergman draws upon his mature experience and depicts the troubled relationships between men who are often weak and women who are made to suffer by the damaged men with whom they live. In Persona, Cries and Whispers, and other works, his experiments with the camera are uniquely masterful. Inspecting the panorama of Bergman s art, Singer shows how the endless search for human contact motivates the content of his films and reflects Bergman s profound perspective on the world. Nº de ref. de la librería AAU9780262513234

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Singer
Editorial: MIT Press Ltd, United States (2009)
ISBN 10: 0262513234 ISBN 13: 9780262513234
Nuevos Paperback Cantidad: 1
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Descripción MIT Press Ltd, United States, 2009. Paperback. Estado de conservación: New. Reprint. 196 x 127 mm. Language: English . Brand New Book. Known for their repeating motifs and signature tropes, the films of Ingmar Bergman also contain extensive variation and development. In these reflections on Bergman s artistry and thought, Irving Singer discerns distinctive themes in Bergman s filmmaking, from first intimations in the early work to consummate resolutions in the later movies. Singer demonstrates that while Bergman s output is not philosophy on celluloid, it attains an expressive and purely aesthetic truthfulness that can be considered philosophical in a broader sense. Through analysis of both narrative and filmic effects, Singer probes Bergman s mythmaking and his reliance upon the magic inherent in his cinematic techniques. Singer traces throughout the evolution of Bergman s ideas about life and death, and about the possibility of happiness and interpersonal love. In the overtly self-referential films that he wrote or directed ( The Best Intentions, Fanny and Alexander, Sunday s Children) as well as the less obviously autobiographical ones (including Wild Strawberries, The Seventh Seal, and the triad that begins with Through a Glass Darkly) Bergman investigates problems in his existence and frequently reverts to childhood memories. In such movies as Smiles of a Summer Night, Scenes from a Marriage, and Saraband, Bergman draws upon his mature experience and depicts the troubled relationships between men who are often weak and women who are made to suffer by the damaged men with whom they live. In Persona, Cries and Whispers, and other works, his experiments with the camera are uniquely masterful. Inspecting the panorama of Bergman s art, Singer shows how the endless search for human contact motivates the content of his films and reflects Bergman s profound perspective on the world. Nº de ref. de la librería AAU9780262513234

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Descripción MIT Press Ltd, 2009. Estado de conservación: New. The development of themes, motifs, and techniques in Bergman's films, from the first intimations in the early work to the consummate resolutions in the final movies. Series: Irving Singer Library. Num Pages: 256 pages. BIC Classification: AJRD. Category: (G) General (US: Trade). Dimension: 204 x 140 x 17. Weight in Grams: 280. . 2009. Reprint. Paperback. . . . . . Nº de ref. de la librería V9780262513234

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Descripción MIT Press Ltd. Paperback. Estado de conservación: new. BRAND NEW, Ingmar Bergman, Cinematic Philosopher: Reflections on His Creativity, Irving Singer, Known for their repeating motifs and signature tropes, the films of Ingmar Bergman also contain extensive variation and development. In these reflections on Bergman's artistry and thought, Irving Singer discerns distinctive themes in Bergman's filmmaking, from first intimations in the early work to consummate resolutions in the later movies. Singer demonstrates that while Bergman's output is not philosophy on celluloid, it attains an expressive and purely aesthetic truthfulness that can be considered philosophical in a broader sense. Through analysis of both narrative and filmic effects, Singer probes Bergman's mythmaking and his reliance upon the magic inherent in his cinematic techniques. Singer traces throughout the evolution of Bergman's ideas about life and death, and about the possibility of happiness and interpersonal love. In the overtly self-referential films that he wrote or directed (The Best Intentions, Fanny and Alexander, Sunday's Children) as well as the less obviously autobiographical ones (including Wild Strawberries, The Seventh Seal, and the triad that begins with Through a Glass Darkly) Bergman investigates problems in his existence and frequently reverts to childhood memories. In such movies as Smiles of a Summer Night, Scenes from a Marriage, and Saraband, Bergman draws upon his mature experience and depicts the troubled relationships between men who are often weak and women who are made to suffer by the damaged men with whom they live. In Persona, Cries and Whispers, and other works, his experiments with the camera are uniquely masterful. Inspecting the panorama of Bergman's art, Singer shows how the endless search for human contact motivates the content of his films and reflects Bergman's profound perspective on the world. Irving Singer is Professor of Philosophy at MIT. He is the author of Reality Transformed: Film as Meaning and Technique, Three Philosophical Filmmakers: Hitchcock, Welles, Renoir (both published by The MIT Press), and many other books. Nº de ref. de la librería B9780262513234

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Singer
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ISBN 10: 0262513234 ISBN 13: 9780262513234
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Descripción MIT Press Ltd. Estado de conservación: New. The development of themes, motifs, and techniques in Bergman's films, from the first intimations in the early work to the consummate resolutions in the final movies. Series: Irving Singer Library. Num Pages: 256 pages. BIC Classification: AJRD. Category: (G) General (US: Trade). Dimension: 204 x 140 x 17. Weight in Grams: 280. . 2009. Reprint. Paperback. . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780262513234

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Descripción MIT Press, 2009. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería BB-9780262513234

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Descripción Paperback. Estado de conservación: New. Not Signed; Known for their repeating motifs and signature tropes, the films of Ingmar Bergman also contain extensive variation and development. In these reflections on Bergman's artistry and thought, Irving Singer discerns distinctive themes in Bergman's filmmaking, from first intimations in the early work to. book. Nº de ref. de la librería ria9780262513234_rkm

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Descripción Mit University Press Group Ltd, 2009. Estado de conservación: New. Nº de ref. de la librería EA9780262513234

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Descripción MIT Press. Estado de conservación: New. Brand New. Nº de ref. de la librería 0262513234

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Descripción 2009. Paperback. Estado de conservación: NEW. 9780262513234 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Nº de ref. de la librería HTANDREE01142334

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