Conceptual Art and the Politics of Publicity

4,35 valoración promedio
( 26 valoraciones por GoodReads )
 
9780262511841: Conceptual Art and the Politics of Publicity
Críticas:

"A valuable contribution to the literature on conceptual art." Michael Dashkin Library Journal "Alberro does a surprisingly good job of putting into perspective and recording the Conceptual Art movement." Gina Vivinetto St. Petersburg Times "This is in many ways a bold and suggestive book." Peter Osborne Artforum "This scholarly text on a little-examined topic draws fascinating parallels between the art world and postindustrial capitalism and telecommunications." Gregg Sapp Library Journal

Reseña del editor:

Conceptual art was one of the most influential art movements of the second half of the twentieth century. In this book Alexander Alberro traces its origins to the mid-1960s, when its principles were first articulated by the artists Dan Graham, Joseph Kosuth, Sol LeWitt, Lawrence Weiner, and others. One of Alberro's central arguments is that the conceptual art movement was founded not just by the artists but also by the dealer Seth Siegelaub. Siegelaub promoted the artists, curated groundbreaking shows, organized symposia and publications, and in many ways set the stage for another kind of entrepreneur: the freelance curator. Alberro examines both Siegelaub's role in launching the careers of artists who were making "something from nothing" and his tactful business practices, particularly in marketing and advertising.Alberro draws on close readings of artworks produced by key conceptual artists in the mid- to late 1960s. He places the movement in the social context of the rebellion against existing cultural institutions, as well as the increased commercialization and globalization of the art world. The book ends with a discussion of one of Siegelaub's most material and least ephemeral contributions, the Artist's Reserved Rights Transfer and Sale Agreement, which he wrote between 1969 and 1971. Designed to limit the inordinate control of collectors, galleries, and museums by increasing the artist's rights, the Agreement unwittingly codified the overlap between capitalism and the arts.

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Alexander Alberro
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Alexander Alberro
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ISBN 10: 0262511843 ISBN 13: 9780262511841
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Descripción MIT Press Ltd, United States, 2004. Paperback. Estado de conservación: New. Fourth ed.. 226 x 175 mm. Language: English . Brand New Book. Conceptual art was one of the most influential art movements of the second half of the twentieth century. In this book Alexander Alberro traces its origins to the mid-1960s, when its principles were first articulated by the artists Dan Graham, Joseph Kosuth, Sol LeWitt, Lawrence Weiner, and others. One of Alberro s central arguments is that the conceptual art movement was founded not just by the artists but also by the dealer Seth Siegelaub. Siegelaub promoted the artists, curated groundbreaking shows, organized symposia and publications, and in many ways set the stage for another kind of entrepreneur: the freelance curator. Alberro examines both Siegelaub s role in launching the careers of artists who were making something from nothing and his tactful business practices, particularly in marketing and advertising. Alberro draws on close readings of artworks produced by key conceptual artists in the mid- to late 1960s. He places the movement in the social context of the rebellion against existing cultural institutions, as well as the increased commercialization and globalization of the art world. The book ends with a discussion of one of Siegelaub s most material and least ephemeral contributions, the Artist s Reserved Rights Transfer and Sale Agreement, which he wrote between 1969 and 1971. Designed to limit the inordinate control of collectors, galleries, and museums by increasing the artist s rights, the Agreement unwittingly codified the overlap between capitalism and the arts. Nº de ref. de la librería AAH9780262511841

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Alexander Alberro
Editorial: MIT Press Ltd, United States (2004)
ISBN 10: 0262511843 ISBN 13: 9780262511841
Nuevos Paperback Cantidad: 10
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Descripción MIT Press Ltd, United States, 2004. Paperback. Estado de conservación: New. Fourth ed.. 226 x 175 mm. Language: English . Brand New Book. Conceptual art was one of the most influential art movements of the second half of the twentieth century. In this book Alexander Alberro traces its origins to the mid-1960s, when its principles were first articulated by the artists Dan Graham, Joseph Kosuth, Sol LeWitt, Lawrence Weiner, and others. One of Alberro s central arguments is that the conceptual art movement was founded not just by the artists but also by the dealer Seth Siegelaub. Siegelaub promoted the artists, curated groundbreaking shows, organized symposia and publications, and in many ways set the stage for another kind of entrepreneur: the freelance curator. Alberro examines both Siegelaub s role in launching the careers of artists who were making something from nothing and his tactful business practices, particularly in marketing and advertising. Alberro draws on close readings of artworks produced by key conceptual artists in the mid- to late 1960s. He places the movement in the social context of the rebellion against existing cultural institutions, as well as the increased commercialization and globalization of the art world. The book ends with a discussion of one of Siegelaub s most material and least ephemeral contributions, the Artist s Reserved Rights Transfer and Sale Agreement, which he wrote between 1969 and 1971. Designed to limit the inordinate control of collectors, galleries, and museums by increasing the artist s rights, the Agreement unwittingly codified the overlap between capitalism and the arts. Nº de ref. de la librería AAH9780262511841

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Alberto Alberro
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Descripción MIT Press, 2004. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería WM-9780262511841

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Alberro, Alexander
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Descripción The MIT Press, 2004. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0262511843

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Descripción 2004. Paperback. Estado de conservación: NEW. 9780262511841 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Nº de ref. de la librería HTANDREE01141591

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Descripción 2004. Paperback. Estado de conservación: New. 172mm x 12mm x 221mm. Paperback. Conceptual art was one of the most influential art movements of the second half of the twentieth century. In this book Alexander Alberro traces its origins to the mid-1960s, when its princ.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 256 pages. 0.472. Nº de ref. de la librería 9780262511841

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Alberro, Alexander
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Descripción The MIT Press, 2004. Paperback. Estado de conservación: New. Nº de ref. de la librería P110262511843

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Descripción 2004. Paperback. Estado de conservación: New. 172mm x 12mm x 221mm. Paperback. Conceptual art was one of the most influential art movements of the second half of the twentieth century. In this book Alexander Alberro traces its origins to the mid-1960s, w.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 256 pages. 0.472. Nº de ref. de la librería 9780262511841

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Alberto Alberro
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Descripción MIT Press, 2004. Paperback. Estado de conservación: New. 17.8 x 22.5 cm. Our orders are sent from our warehouse locally or directly from our international distributors to allow us to offer you the best possible price and delivery time. Book. Nº de ref. de la librería MM-60086933

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