Alien Agency: Experimental Encounters with Art in the Making

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9780262028462: Alien Agency: Experimental Encounters with Art in the Making
Reseña del editor:

In Alien Agency, Chris Salter tells three stories of art in the making. Salter examines three works in which the materials of art -- the "stuff of the world" -- behave and perform in ways beyond the creator's intent, becoming unknown, surprising, alien. Studying these works -- all three deeply embroiled in and enabled by science and technology -- allows him to focus on practice through the experiential and affective elements of creation. Drawing on extensive ethnographic observation and on his own experience as an artist, Salter investigates how researcher-creators organize the conditions for these experimental, performative assemblages -- assemblages that sidestep dichotomies between subjects and objects, human and nonhuman, mind and body, knowing and experiencing. Salter reports on the sound artists Bruce Odland and Sam Auinger (O+A) and their efforts to capture and then project unnoticed urban sounds; tracks the multi-year project TEMA (Tissue Engineered Muscle Actuators) at the art research lab SymbioticA and its construction of a hybrid "semi-living" machine from specially grown mouse muscle cells; and describes a research-creation project (which he himself initiated) that uses light, vibration, sound, smell, and other sensory stimuli to enable audiences to experience other cultures' "ways of sensing." Combining theory, diary, history, and ethnography, Salter also explores a broader question: How do new things emerge into the world and what do they do?

Biografía del autor:

Chris Salter is an artist, Codirector of the Hexagram network and University Research Chair in New Media, Technology, and the Senses at Concordia University, Montreal. He is the author of Entangled: Technology and the Transformation of Performance (MIT Press).

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Descripción MIT Press Ltd, United States, 2015. Hardback. Estado de conservación: New. 231 x 178 mm. Language: English . Brand New Book. In Alien Agency, Chris Salter tells three stories of art in the making. Salter examines three works in which the materials of art -- the stuff of the world -- behave and perform in ways beyond the creator s intent, becoming unknown, surprising, alien. Studying these works -- all three deeply embroiled in and enabled by science and technology -- allows him to focus on practice through the experiential and affective elements of creation. Drawing on extensive ethnographic observation and on his own experience as an artist, Salter investigates how researcher-creators organize the conditions for these experimental, performative assemblages -- assemblages that sidestep dichotomies between subjects and objects, human and nonhuman, mind and body, knowing and experiencing. Salter reports on the sound artists Bruce Odland and Sam Auinger (O+A) and their efforts to capture and then project unnoticed urban sounds; tracks the multi-year project TEMA (Tissue Engineered Muscle Actuators) at the art research lab SymbioticA and its construction of a hybrid semi-living machine from specially grown mouse muscle cells; and describes a research-creation project (which he himself initiated) that uses light, vibration, sound, smell, and other sensory stimuli to enable audiences to experience other cultures ways of sensing. Combining theory, diary, history, and ethnography, Salter also explores a broader question: How do new things emerge into the world and what do they do?. Nº de ref. de la librería AAZ9780262028462

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Descripción MIT Press Ltd, United States, 2015. Hardback. Estado de conservación: New. 231 x 178 mm. Language: English . Brand New Book. In Alien Agency, Chris Salter tells three stories of art in the making. Salter examines three works in which the materials of art -- the stuff of the world -- behave and perform in ways beyond the creator s intent, becoming unknown, surprising, alien. Studying these works -- all three deeply embroiled in and enabled by science and technology -- allows him to focus on practice through the experiential and affective elements of creation. Drawing on extensive ethnographic observation and on his own experience as an artist, Salter investigates how researcher-creators organize the conditions for these experimental, performative assemblages -- assemblages that sidestep dichotomies between subjects and objects, human and nonhuman, mind and body, knowing and experiencing. Salter reports on the sound artists Bruce Odland and Sam Auinger (O+A) and their efforts to capture and then project unnoticed urban sounds; tracks the multi-year project TEMA (Tissue Engineered Muscle Actuators) at the art research lab SymbioticA and its construction of a hybrid semi-living machine from specially grown mouse muscle cells; and describes a research-creation project (which he himself initiated) that uses light, vibration, sound, smell, and other sensory stimuli to enable audiences to experience other cultures ways of sensing. Combining theory, diary, history, and ethnography, Salter also explores a broader question: How do new things emerge into the world and what do they do?. Nº de ref. de la librería AAZ9780262028462

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Descripción MIT Press Ltd. Hardback. Estado de conservación: new. BRAND NEW, Alien Agency: Experimental Encounters with Art in the Making, Chris Salter, Andrew Pickering, In Alien Agency, Chris Salter tells three stories of art in the making. Salter examines three works in which the materials of art -- the "stuff of the world" -- behave and perform in ways beyond the creator's intent, becoming unknown, surprising, alien. Studying these works -- all three deeply embroiled in and enabled by science and technology -- allows him to focus on practice through the experiential and affective elements of creation. Drawing on extensive ethnographic observation and on his own experience as an artist, Salter investigates how researcher-creators organize the conditions for these experimental, performative assemblages -- assemblages that sidestep dichotomies between subjects and objects, human and nonhuman, mind and body, knowing and experiencing. Salter reports on the sound artists Bruce Odland and Sam Auinger (O+A) and their efforts to capture and then project unnoticed urban sounds; tracks the multi-year project TEMA (Tissue Engineered Muscle Actuators) at the art research lab SymbioticA and its construction of a hybrid "semi-living" machine from specially grown mouse muscle cells; and describes a research-creation project (which he himself initiated) that uses light, vibration, sound, smell, and other sensory stimuli to enable audiences to experience other cultures' "ways of sensing." Combining theory, diary, history, and ethnography, Salter also explores a broader question: How do new things emerge into the world and what do they do?. Nº de ref. de la librería B9780262028462

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Descripción Hardback. Estado de conservación: New. Not Signed; In Alien Agency, Chris Salter tells three stories of art in the making. Salter examines three works in which the materials of art -- the stuff of the world -- behave and perform in ways beyond the creator's intent, becoming unknown, surprising, alien. Studying these works -- all three deeply emb. book. Nº de ref. de la librería ria9780262028462_rkm

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