Cuts: Texts 1959--2004 (Writing Art)

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9780262012157: Cuts: Texts 1959--2004 (Writing Art)
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Book by Andre Carl

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Críticas:

Such books are invaluable for the art historian, documenting ideas in gestation and formation, and for the general art reader in revealing something of the persona of the artist. * Detroit Metro Times * Andre's work, like his writing, is composed of separate pieces -- cuts -- reassembled in a playful and thoughtful way. * Afterimage *

Reseña del editor:

Statements, dialogue, letters, epigrams, and poems by sculptor Carl Andre, a central figure in minimalism.Just as Carl Andre's sculptures are "cuts" of elemental materials, his writings are condensed expressions, "cuts" of language that emphasize the part rather than the whole. Andre, a central figure in minimalism and one of the most influential sculptors of our time, does not produce the usual critical essay. He has said that he is "not a writer of prose," and the texts included in Cuts -- the most comprehensive collection of his writings yet published -- appear in a wide variety of forms that are pithy and poetic rather than prosaic. Some texts are statements, many of them fifty words or less, written for catalog entries and press releases. Others are Socratic dialogues, interwoven statements, or in the form of questionnaires and interviews. Still others are letters -- public and private, lengthy missives and postcards. Some are epigrams and maxims (for example, on Damian Hirst: I DON'T FEAR HIS SHARK. I FEAR HIS FORMALDEHYDE) and some are planar poems, words and letters arranged and rearranged into different patterns. They are organized alphabetically by subject, under such entries as "Art and Capitalism," "Childhood," "Entropy (After Smithson)," "Matter," "My Work," "Other Artists," and "Poetry," and they include Andre's reflections on Michelangelo and Duchamp, on Stein and Marx, and such contemporaries as Eva Hesse, Robert Smithson, Robert Morris, and Damien Hirst.Carl Andre's writing and its materiality -- its stress on the visual and tactile qualities of language -- takes its place beside his sculpture and its materiality, its revelation of "matter as matter rather than matter as symbol." Both assert the ethical and political primacy of matter in a culture that prizes the replica, the insubstantial, and the virtual. "I am not an idealist as an artist," says Andre. "I try to discover my visions in the conditions of the world. It's the conditions which are important."

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Carl Andre
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Andre, Carl
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Andre, Carl; Meyer, James (Edited by)
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Descripción MIT Press, Cambridge, MA, 2005. Hardcover. Condición: NEW. 1st. xxi, 317 pp., illus., biblio., index; 24 cm. BRAND NEW. Shrinkwrapped. OVERSIZE! No priority/air, except by special arrangement. "Just as Carl Andre's sculptures are 'cuts' of elemental materials, his writings are condensed expressions, 'cuts' of language that emphasize the part rather than the whole. Andre, a central figure in minimalism and one of the most influential sculptors of our time, does not produce the usual critical essay. He has said that he is 'not a writer of prose,' and the texts included in Cuts -- the most comprehensive collection of his writings yet published -- appear in a wide variety of forms that are pithy and poetic rather than prosaic. Some texts are statements, many of them fifty words or less, written for catalog entries and press releases. Others are Socratic dialogues, interwoven statements, or in the form of questionnaires and interviews. Still others are letters -- public and private, lengthy missives and postcards. Some are epigrams and maxims (for example, on Damian Hirst: I DON'T FEAR HIS SHARK. I FEAR HIS FORMALDEHYDE) and some are planar poems, words and letters arranged and rearranged into different patterns. They are organized alphabetically by subject, under such entries as 'Art and Capitalism,' 'Childhood,' 'Entropy (After Smithson),' 'Matter,' 'My Work,' 'Other Artists,' and 'Poetry,' and they include Andre's reflections on Michelangelo and Duchamp, on Stein and Marx, and such contemporaries as Eva Hesse, Robert Smithson, Robert Morris, and Damien Hirst. Carl Andre's writing and its materiality -- its stress on the visual and tactile qualities of language -- takes its place beside his sculpture and its materiality, its revelation of 'matter as matter rather than matter as symbol.' Both assert the ethical and political primacy of matter in a culture that prizes the replica, the insubstantial, and the virtual. 'I am not an idealist as an artist,' says Andre. 'I try to discover my visions in the conditions of the world. It's the conditions which are important.' / Carl Andre is a sculptor and poet. James Meyer is Associate Professor of Art History at Emory University. He is the author of Minimalism: Art and Polemics in the Sixties and the editor of The AIDS Crisis is Ridiculous and Other Writings 1986-2003 by Gregg Bordowitz (MIT Press, 2004)." - Publisher. Size: 8vo - over 7¾" - 9¾" tall. Collectible. Nº de ref. del artículo: 035409

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Carl Andre
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Descripción MIT Press Ltd, United States, 2005. Hardback. Condición: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Statements, dialogue, letters, epigrams, and poems by sculptor Carl Andre, a central figure in minimalism. Just as Carl Andre s sculptures are cuts of elemental materials, his writings are condensed expressions, cuts of language that emphasize the part rather than the whole. Andre, a central figure in minimalism and one of the most influential sculptors of our time, does not produce the usual critical essay. He has said that he is not a writer of prose, and the texts included in Cuts -- the most comprehensive collection of his writings yet published -- appear in a wide variety of forms that are pithy and poetic rather than prosaic. Some texts are statements, many of them fifty words or less, written for catalog entries and press releases. Others are Socratic dialogues, interwoven statements, or in the form of questionnaires and interviews. Still others are letters -- public and private, lengthy missives and postcards. Some are epigrams and maxims (for example, on Damian Hirst: I DON T FEAR HIS SHARK. I FEAR HIS FORMALDEHYDE) and some are planar poems, words and letters arranged and rearranged into different patterns. They are organized alphabetically by subject, under such entries as Art and Capitalism, Childhood, Entropy (After Smithson), Matter, My Work, Other Artists, and Poetry, and they include Andre s reflections on Michelangelo and Duchamp, on Stein and Marx, and such contemporaries as Eva Hesse, Robert Smithson, Robert Morris, and Damien Hirst. Carl Andre s writing and its materiality -- its stress on the visual and tactile qualities of language -- takes its place beside his sculpture and its materiality, its revelation of matter as matter rather than matter as symbol. Both assert the ethical and political primacy of matter in a culture that prizes the replica, the insubstantial, and the virtual. I am not an idealist as an artist, says Andre. I try to discover my visions in the conditions of the world. It s the conditions which are important. Nº de ref. del artículo: BTE9780262012157

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Carl Andre
Publicado por MIT Press Ltd, United States (2005)
ISBN 10: 0262012154 ISBN 13: 9780262012157
Nuevo Tapa dura Cantidad disponible: 10
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Descripción MIT Press Ltd, United States, 2005. Hardback. Condición: New. Language: English . Brand New Book. Statements, dialogue, letters, epigrams, and poems by sculptor Carl Andre, a central figure in minimalism. Just as Carl Andre s sculptures are cuts of elemental materials, his writings are condensed expressions, cuts of language that emphasize the part rather than the whole. Andre, a central figure in minimalism and one of the most influential sculptors of our time, does not produce the usual critical essay. He has said that he is not a writer of prose, and the texts included in Cuts -- the most comprehensive collection of his writings yet published -- appear in a wide variety of forms that are pithy and poetic rather than prosaic. Some texts are statements, many of them fifty words or less, written for catalog entries and press releases. Others are Socratic dialogues, interwoven statements, or in the form of questionnaires and interviews. Still others are letters -- public and private, lengthy missives and postcards. Some are epigrams and maxims (for example, on Damian Hirst: I DON T FEAR HIS SHARK. I FEAR HIS FORMALDEHYDE) and some are planar poems, words and letters arranged and rearranged into different patterns. They are organized alphabetically by subject, under such entries as Art and Capitalism, Childhood, Entropy (After Smithson), Matter, My Work, Other Artists, and Poetry, and they include Andre s reflections on Michelangelo and Duchamp, on Stein and Marx, and such contemporaries as Eva Hesse, Robert Smithson, Robert Morris, and Damien Hirst. Carl Andre s writing and its materiality -- its stress on the visual and tactile qualities of language -- takes its place beside his sculpture and its materiality, its revelation of matter as matter rather than matter as symbol. Both assert the ethical and political primacy of matter in a culture that prizes the replica, the insubstantial, and the virtual. I am not an idealist as an artist, says Andre. I try to discover my visions in the conditions of the world. It s the conditions which are important. Nº de ref. del artículo: BZV9780262012157

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Carl Andre
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Descripción Mit Press Writing Art, 2005. Condición: New. Nº de ref. del artículo: TV9780262012157

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Carl Andre
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Descripción The MIT Press, 2005. Condición: New. book. Nº de ref. del artículo: M0262012154

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Carl Andre, James Meyer (Editor)
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Descripción The MIT Press, 2005. Hardcover. Condición: New. Nº de ref. del artículo: DADAX0262012154

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Andre, Carl
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Descripción The MIT Press. Hardcover. Condición: New. 0262012154 Special order direct from the distributor. Nº de ref. del artículo: ING9780262012157

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Descripción 2005. Hardcover. Condición: New. Hardcover. Just as Carl Andre's sculptures are cuts of elemental materials, his writings are condensed expressions, cuts of language that emphasise the part rather than the whole. Andre, a central fi.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 317 pages. 1.089. Nº de ref. del artículo: 9780262012157

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