The Sonic Self: Musical Subjectivity and Signification (Advances in Semiotics)

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9780253337542: The Sonic Self: Musical Subjectivity and Signification (Advances in Semiotics)
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Book by Cumming Naomi

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Semioticians began by looking at literature but have gradually applied their techniques to other disciplines, including music. The late Naomi Cumming, violinist and music theorist, based this consideration of the sources of musical expression on her experiences as a performer-with interesting, if rarely surprising, results. Cumming argues from the musical score and from the physical attributes of the performer toward a theory of musical analysis relying on C.S. Peirce's groundbreaking philosophy. It is worth noting, as musical theorists generally do not, that there is no such thing as analysis in music. There is only interpretation, because alternative conclusions about even the simplest music are inherent in its study. Total agreement concerning the meaning of any music is impossible. Although Cumming's arguments are on the whole reasonable, toward the end she veers off into a defense of some of the new musicology's more preposterous practitioners. Although the world of contemporary humanities scholarship is highly contentious, her book would have been better without the polemic. With appendix and notes, this volume is for upper-division undergraduates through professionals.F. Goossen, emeritus, University of Alabama, Choice, September 2001

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Semioticians began by looking at literature but have gradually applied their techniques to other disciplines, including music. The late Naomi Cumming... based this consideration of the sources of musical expression on her experiences as a performer-with interesting, if rarely surprising, results." -ChoiceUsing classical violin music as her principal laboratory, the author examines how a performance incorporates distinctive features not only of the work, but of the performer as well-and how the listener goes about interpreting not only the composer's work and the performer's rendering of the work, but also of the performer's and listener's identities. A richly interdisciplinary approach to a very common, yet persistently mysterious, part of our lives.

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Naomi Cumming
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Descripción Indiana University Press, United States, 2001. Hardback. Condición: New. Indiana Univ PR. Language: English . Brand New Book. Semioticians began by looking at literature but have gradually applied their techniques to other disciplines, including music. The late Naomi Cumming. based this consideration of the sources of musical expression on her experiences as a performer-with interesting, if rarely surprising, results. -ChoiceUsing classical violin music as her principal laboratory, the author examines how a performance incorporates distinctive features not only of the work, but of the performer as well-and how the listener goes about interpreting not only the composer s work and the performer s rendering of the work, but also of the performer s and listener s identities. A richly interdisciplinary approach to a very common, yet persistently mysterious, part of our lives. Nº de ref. del artículo: AAJ9780253337542

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Descripción Indiana University Press, United States, 2001. Hardback. Condición: New. Indiana Univ PR. Language: English . Brand New Book. Semioticians began by looking at literature but have gradually applied their techniques to other disciplines, including music. The late Naomi Cumming. based this consideration of the sources of musical expression on her experiences as a performer-with interesting, if rarely surprising, results. -ChoiceUsing classical violin music as her principal laboratory, the author examines how a performance incorporates distinctive features not only of the work, but of the performer as well-and how the listener goes about interpreting not only the composer s work and the performer s rendering of the work, but also of the performer s and listener s identities. A richly interdisciplinary approach to a very common, yet persistently mysterious, part of our lives. Nº de ref. del artículo: AAJ9780253337542

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Descripción Indiana University Press 1/22/2001, 2001. Hardback or Cased Book. Condición: New. The Sonic Self: Musical Subjectivity and Signification. Book. Nº de ref. del artículo: BBS-9780253337542

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Descripción Indiana University Press. Hardcover. Condición: New. 392 pages. Dimensions: 9.6in. x 6.5in. x 1.2in.Semioticians began by looking at literature but have gradually applied their techniques to other disciplines, including music. The late Naomi Cumming. . . based this consideration of the sources of musical expression on her experiences as a performerwith interesting, if rarely surprising, results. ChoiceUsing classical violin music as her principal laboratory, the author examines how a performance incorporates distinctive features not only of the work, but of the performer as welland how the listener goes about interpreting not only the composers work and the performers rendering of the work, but also of the performers and listeners identities. A richly interdisciplinary approach to a very common, yet persistently mysterious, part of our lives. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. Nº de ref. del artículo: 9780253337542

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