Raymond Bellour The Analysis of Film

ISBN 13: 9780253213648

The Analysis of Film

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9780253213648: The Analysis of Film
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Book by Bellour Raymond

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Written between 1969 and 1990, the essays in this collection remind the reader of what a brilliant film analyst Bellour was. Building on the work of Lacan, Metz, and Thierry Kuntzel, Bellour developed his own approach to analysis based primarily on a shot-by-shot study. This method enabled him to come as close as possible to surmounting what he perceived as the greatest difficulty in analyzing films-how to capture the moving image in words. Most of the essays here deal with Hitchcock films-The Birds, Psycho, Marnie, and North by Northwest. The last shows Bellour at his magisterial best: he couples a carefully worked out Oedipal interpretation of the plot with a close reading of the crop-duster sequence. The result is one of the best pieces ever written on Hitchcock. The other Hitchcock essays are also superb. The editor included pieces on other films-The Big Sleep, Gigi, The Lonedale Operator-but it is for the Hitchcock analyses that this book will be most valued. No serious student of film should miss the great work collected in this volume.W. A. Vincent, Michigan State University, Choice, November 2000

Reseña del editor:

The Analysis of Film is at once a book about the methods of close film analysis, the narrative structure of Hollywood film, Hitchcock's work--The Birds, Marnie, Psycho. North by Northwest--and the role of the woman in western representation. But, finally, it is a book about cinema itself and the love for cinema that drives the passion for analyzing the supreme art form of the twentieth centry.

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Bellour, Raymond
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Raymond Bellour
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Descripción Indiana University Press, United States, 2002. Paperback. Condición: New. Reprint. Language: English . Brand New Book ***** Print on Demand *****. No serious student of film should miss the great work collected in this volume. -W. A. Vincent, ChoiceWhen so much writing about film is based on overall impressions or shadowy memories, on notes scribbled in the dark or published shot breakdowns that are often overgeneralized or even inaccurate, it is refreshing to be confronted with such scholarly work, characterized by a genuinely attentive eye and a punctilious observation of detail. This long-awaited collection, gathering Bellour s ground breaking studies into one volume, will surely be a crucial source of inspiration for future generations of film scholars. -Peter Wollen, BookforumThe Analysis of Film brings together Raymonds Bellour s now classic studies of classic Hollywood film. It is at once a book about the methods of close film analysis, the narrative structure of Hollywood film, Hitchcock s work-The Birds, Marnie, Psycho, North by Northwest-and the role of the woman in western representation. But, finally, it is a book about cinema itself and the love for cinema that drives the passion for analyzing the supreme art form of the twentieth century.Bellour creatively reworks the ideas and methods of structuralism, semiology, and psychoanalysis to unravel the knot of significations that is the filmic text. The introductory chapter sketches out a history of the way the close analysis of film developed. And then, beginning with a study of the Bodega Bay sequence of The Birds, the book goes on to examine every aspect of that singular critical practice, the analysis of film. The book is also a model of how to write about the intricacies of film narrative, shot by shot, sequence by sequence, while addressing larger contextual issues of subjectivity, desire, and identification in Western cultural forms. A new, final chapter on D. W. Griffith s The Lonedale Operator brilliantly demonstrates that the dynamics of repetition and alternation that Bellour discovered to be the heartbeat o. Nº de ref. del artículo: AAV9780253213648

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Raymond Bellour
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Descripción Indiana University Press, United States, 2002. Paperback. Condición: New. Reprint. Language: English . Brand New Book ***** Print on Demand *****.No serious student of film should miss the great work collected in this volume. -W. A. Vincent, ChoiceWhen so much writing about film is based on overall impressions or shadowy memories, on notes scribbled in the dark or published shot breakdowns that are often overgeneralized or even inaccurate, it is refreshing to be confronted with such scholarly work, characterized by a genuinely attentive eye and a punctilious observation of detail. This long-awaited collection, gathering Bellour s ground breaking studies into one volume, will surely be a crucial source of inspiration for future generations of film scholars. -Peter Wollen, BookforumThe Analysis of Film brings together Raymonds Bellour s now classic studies of classic Hollywood film. It is at once a book about the methods of close film analysis, the narrative structure of Hollywood film, Hitchcock s work-The Birds, Marnie, Psycho, North by Northwest-and the role of the woman in western representation. But, finally, it is a book about cinema itself and the love for cinema that drives the passion for analyzing the supreme art form of the twentieth century.Bellour creatively reworks the ideas and methods of structuralism, semiology, and psychoanalysis to unravel the knot of significations that is the filmic text. The introductory chapter sketches out a history of the way the close analysis of film developed. And then, beginning with a study of the Bodega Bay sequence of The Birds, the book goes on to examine every aspect of that singular critical practice, the analysis of film. The book is also a model of how to write about the intricacies of film narrative, shot by shot, sequence by sequence, while addressing larger contextual issues of subjectivity, desire, and identification in Western cultural forms. A new, final chapter on D. W. Griffith s The Lonedale Operator brilliantly demonstrates that the dynamics of repetition and alternation that Bellour discovered to be the heartbeat o. Nº de ref. del artículo: AAV9780253213648

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Descripción Indiana University Press 10/3/2001, 2001. Paperback or Softback. Condición: New. Analysis of Film. Book. Nº de ref. del artículo: BBS-9780253213648

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Descripción 2001. PAP. Condición: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. del artículo: KB-9780253213648

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Raymond Bellour
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Descripción Indiana University Press. Paperback. Condición: New. 328 pages. Dimensions: 9.1in. x 6.1in. x 0.7in.No serious student of film should miss the great work collected in this volume. W. A. Vincent, ChoiceWhen so much writing about film is based on overall impressions or shadowy memories, on notes scribbled in the dark or published shot breakdowns that are often overgeneralized or even inaccurate, it is refreshing to be confronted with such scholarly work, characterized by a genuinely attentive eye and a punctilious observation of detail. This long-awaited collection, gathering Bellours ground breaking studies into one volume, will surely be a crucial source of inspiration for future generations of film scholars. Peter Wollen, BookforumThe Analysis of Film brings together Raymonds Bellours now classic studies of classic Hollywood film. It is at once a book about the methods of close film analysis, the narrative structure of Hollywood film, Hitchcocks workThe Birds, Marnie, Psycho, North by Northwestand the role of the woman in western representation. But, finally, it is a book about cinema itself and the love for cinema that drives the passion for analyzing the supreme art form of the twentieth century. Bellour creatively reworks the ideas and methods of structuralism, semiology, and psychoanalysis to unravel the knot of significations that is the filmic text. The introductory chapter sketches out a history of the way the close analysis of film developed. And then, beginning with a study of the Bodega Bay sequence of The Birds, the book goes on to examine every aspect of that singular critical practice, the analysis of film. The book is also a model of how to write about the intricacies of film narrative, shot by shot, sequence by sequence, while addressing larger contextual issues of subjectivity, desire, and identification in Western cultural forms. A new, final chapter on D. W. Griffiths The Lonedale Operator brilliantly demonstrates that the dynamics of repetition and alternation that Bellour discovered to be the heartbeat of Hollywood narrative film were already there in nascent form at the beginnings of cinema. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Nº de ref. del artículo: 9780253213648

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