Performance Practices in Classic Piano Music: Their Principles and Applications (Music: Scholarship & Performance)

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9780253206800: Performance Practices in Classic Piano Music: Their Principles and Applications (Music: Scholarship & Performance)
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"... is and will remain unsurpassed as 'the study' dealing with performance practice as it pertains to keyboard music of the Classical period." American Music Teacher "Rosenblum's monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." Journal of Musicological Research "The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." Early Keyboard Journal "Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." The Musical Times "Its importance to thoughtful musicians cannot be overstated." Choice " ... thoroughly musicological." Performance Practice Review " ... indispensable ... " New York Times

From the Publisher:

Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility. Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum's detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi.

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1.

Rsoenblum, Sandra
Editorial: Indiana University Press, United States (1991)
ISBN 10: 0253206804 ISBN 13: 9780253206800
Nuevos Paperback Cantidad: 1
Librería
The Book Depository
(London, Reino Unido)
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Descripción Indiana University Press, United States, 1991. Paperback. Estado de conservación: New. Reprint. 244 x 170 mm. Language: English . Brand New Book. Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility. Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum s detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi. .is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period. -American Music Teacher Rosenblum s monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses. -Journal of Musicological Research The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice. -Early Keyboard Journal Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated. -The Musical Times Its importance to thoughtful musicians cannot be overstated. -Choice .thoroughly musicological. -Performance Practice Review .indispensable. -New York Times. Nº de ref. de la librería AAJ9780253206800

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2.

Rsoenblum, Sandra
Editorial: Indiana University Press
ISBN 10: 0253206804 ISBN 13: 9780253206800
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Descripción Indiana University Press. PAPERBACK. Estado de conservación: New. 0253206804 *BRAND NEW* Ships Same Day or Next!. Nº de ref. de la librería SWATI2122350117

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3.

Rsoenblum, Sandra
Editorial: Indiana University Press, United States (1991)
ISBN 10: 0253206804 ISBN 13: 9780253206800
Nuevos Paperback Cantidad: 1
Librería
The Book Depository US
(London, Reino Unido)
Valoración
[?]

Descripción Indiana University Press, United States, 1991. Paperback. Estado de conservación: New. Reprint. 244 x 170 mm. Language: English . Brand New Book. Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility. Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum s detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi. .is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period. -American Music Teacher Rosenblum s monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses. -Journal of Musicological Research The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice. -Early Keyboard Journal Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated. -The Musical Times Its importance to thoughtful musicians cannot be overstated. -Choice .thoroughly musicological. -Performance Practice Review .indispensable. -New York Times. Nº de ref. de la librería AAJ9780253206800

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Rsoenblum, Sandra
ISBN 10: 0253206804 ISBN 13: 9780253206800
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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97802532068000000000

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5.

Rsoenblum, Sandra
Editorial: Indiana University Press (1988)
ISBN 10: 0253206804 ISBN 13: 9780253206800
Nuevos Cantidad: 1
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Books2Anywhere
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Descripción Indiana University Press, 1988. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería CA-9780253206800

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Rsoenblum, Sandra
Editorial: Indiana University Press
ISBN 10: 0253206804 ISBN 13: 9780253206800
Nuevos Paperback Cantidad: 5
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THE SAINT BOOKSTORE
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Descripción Indiana University Press. Paperback. Estado de conservación: new. BRAND NEW, Performance Practices in Classic Piano Music: Their Principles and Applications, Sandra P. Rosenblum, Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility. Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum's detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi. Nº de ref. de la librería B9780253206800

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7.

Rsoenblum, Sandra
Editorial: Indiana University Press (1988)
ISBN 10: 0253206804 ISBN 13: 9780253206800
Nuevos Tapa blanda Cantidad: 1
Librería
Book Deals
(Lewiston, NY, Estados Unidos de America)
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Descripción Indiana University Press, 1988. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility.Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum s detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi. .". is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period." American Music Teacher"Rosenblum s monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." Journal of Musicological Research"The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." Early Keyboard Journal"Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." The Musical Times"Its importance to thoughtful musicians cannot be overstated." Choice.". thoroughly musicological." Performance Practice Review.". indispensable. " New York Times". Nº de ref. de la librería ABE_book_new_0253206804

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Rsoenblum, Sandra
ISBN 10: 0253206804 ISBN 13: 9780253206800
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Descripción Paperback. Estado de conservación: New. This item is printed on demand. Item doesn't include CD/DVD. Nº de ref. de la librería 1724295

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Rsoenblum, Sandra
ISBN 10: 0253206804 ISBN 13: 9780253206800
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Descripción Estado de conservación: New. Bookseller Inventory # ST0253206804. Nº de ref. de la librería ST0253206804

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Rsoenblum, Sandra
Editorial: Indiana University Press (2000)
ISBN 10: 0253206804 ISBN 13: 9780253206800
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Descripción Indiana University Press, 2000. Estado de conservación: New. book. Nº de ref. de la librería ria9780253206800_rkm

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