Music and Narrative Since 1900 (Musical Meaning and Interpretation)

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9780253006448: Music and Narrative Since 1900 (Musical Meaning and Interpretation)
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"A triumphant demonstration of structuralism as a living force in contemporary music studies, this volume assembles some of the brightest and best to illuminate the narrative in music and the music in narrative. Klein & Reyland's rich and varied collection marks an important step for music theory's narrative turn." -Michael Spitzer, author of Music as Philosophy: Adorno and Beethoven's Late Style (IUP, 2006) "Narrative is the hot topic in musical analysis these days, and with 19 substantial pieces, the book can be recommended with enthusiasm to libraries that have holdings in music theory and analysis... Highly recommended." -Choice "[P]romotes the value of narrative analysis-and the impulse to do it-as simple common sense." -Music Theory Online

Reseña del editor:

This comprehensive volume offers a wide-ranging perspective on the stories that art music has told since the start of the 20th century. Contributors challenge the broadly held opinion that the loss of tonality in some music after 1900 also meant the loss of narrative in that music. To the contrary, the editors and essayists in this book demonstrate how experiments in approaching narrative in other media, such as fiction and cinema, suggested fresh possibilities for musical narrative, which composers were quick to exploit. The new conceptions of time, narrative voice, plot, and character that accompanied these experiments also had a significant impact on contemporary music. The repertoire explored in the collection ranges across a wide variety of genres and includes composers from Charles Ives and the Pet Shop Boys to Thomas Ades and Dmitri Shostakovich.

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eds. Michael L. Klein & Nicholas Reyland
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Descripción Indiana. Condición: New. Fine. Cloth, D-j. 2013. Originally published at $50. Nº de ref. del artículo: W101800b

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Publicado por Indiana University Press (2012)
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Edited by Michael L Klein and Nicholas R
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Klein, Michael L.
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Descripción Indiana University Press 11/26/2012, 2012. Hardback or Cased Book. Condición: New. Music and Narrative Since 1900. Book. Nº de ref. del artículo: BBS-9780253006448

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Descripción Indiana University Press, 2018. Hardcover. Condición: New. Never used! This item is printed on demand. Nº de ref. del artículo: 0253006449

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Edited by Michael L Klein and Nicholas R
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Publicado por Indiana University Press, United States (2012)
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Descripción Indiana University Press, United States, 2012. Hardback. Condición: New. Language: English . Brand New Book ***** Print on Demand *****. This comprehensive volume offers a wide-ranging perspective on the stories that art music has told since the start of the 20th century. Contributors challenge the broadly held opinion that the loss of tonality in some music after 1900 also meant the loss of narrative in that music. To the contrary, the editors and essayists in this book demonstrate how experiments in approaching narrative in other media, such as fiction and cinema, suggested fresh possibilities for musical narrative, which composers were quick to exploit. The new conceptions of time, narrative voice, plot, and character that accompanied these experiments also had a significant impact on contemporary music. The repertoire explored in the collection ranges across a wide variety of genres and includes composers from Charles Ives and the Pet Shop Boys to Thomas Ades and Dmitri Shostakovich. Nº de ref. del artículo: APC9780253006448

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Publicado por Indiana University Press, United States (2012)
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Descripción Indiana University Press, United States, 2012. Hardback. Condición: New. Language: English . Brand New Book ***** Print on Demand *****.This comprehensive volume offers a wide-ranging perspective on the stories that art music has told since the start of the 20th century. Contributors challenge the broadly held opinion that the loss of tonality in some music after 1900 also meant the loss of narrative in that music. To the contrary, the editors and essayists in this book demonstrate how experiments in approaching narrative in other media, such as fiction and cinema, suggested fresh possibilities for musical narrative, which composers were quick to exploit. The new conceptions of time, narrative voice, plot, and character that accompanied these experiments also had a significant impact on contemporary music. The repertoire explored in the collection ranges across a wide variety of genres and includes composers from Charles Ives and the Pet Shop Boys to Thomas Ades and Dmitri Shostakovich. Nº de ref. del artículo: APC9780253006448

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Descripción Indiana University Press. Hardcover. Condición: New. 0253006449 Special order direct from the distributor. Nº de ref. del artículo: ING9780253006448

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Publicado por Indiana University Press
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Descripción Indiana University Press. Hardcover. Condición: New. 444 pages. Dimensions: 9.2in. x 6.2in. x 1.3in.This comprehensive volume offers a wide-ranging perspective on the stories that art music has told since the start of the 20th century. Contributors challenge the broadly held opinion that the loss of tonality in some music after 1900 also meant the loss of narrative in that music. To the contrary, the editors and essayists in this book demonstrate how experiments in approaching narrative in other media, such as fiction and cinema, suggested fresh possibilities for musical narrative, which composers were quick to exploit. The new conceptions of time, narrative voice, plot, and character that accompanied these experiments also had a significant impact on contemporary music. The repertoire explored in the collection ranges across a wide variety of genres and includes composers from Charles Ives and the Pet Shop Boys to Thomas Ads and Dmitri Shostakovich. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. Nº de ref. del artículo: 9780253006448

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