A Theory of Parody: The Teachings of Twentieth-Century Art Forms

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9780252069383: A Theory of Parody: The Teachings of Twentieth-Century Art Forms
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"Linda Hutcheon's thoughtful engagement with the theory of parody picks its way meticulously through this conceptual minefield, to emerge with a convincing map of the terrain... [A] scrupulously reasoned case made more persuasive by the tenacity with which its details have been pursued." -- Terence Hawkes, Times Literary Supplement

From the Publisher:

In this major study of a flexible and multifaceted mode of expression, Linda Hutcheon looks at works of modern literature, visual art, music, film, theater, and architecture to arrive at a comprehensive assessment of what parody is and what it does. Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode of coming to terms with the texts and discourses of the past. Looking at works as diverse as Tom Stoppard's "Rosenkrantz and Guildenstern Are Dead", Brian de Palma's "Dressed to Kill", Woody Allen's "Zelig", Karlheinz Stockhausen's "Hymnen", James Joyce's "Ulysses", and Magritte's "This Is Not a Pipe", Hutcheon discusses the remarkable range of intent in modern parody while distinguishing it from pastiche, burlesque, travesty, and satire.She shows how parody, through ironic playing with multiple conventions, combines creative expression with critical commentary. Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity. In a new introduction, Hutcheon discusses why parody continues to fascinate her and why it is commonly viewed as suspect - for being either too ideologically shifty or too much of a threat to the ownership of intellectual and creative property.

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Hutcheon, Linda
Editorial: University of Illinois Press, United States (2000)
ISBN 10: 0252069382 ISBN 13: 9780252069383
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Descripción University of Illinois Press, United States, 2000. Paperback. Estado de conservación: New. Reprint. 224 x 145 mm. Language: English . Brand New Book. Examines the historical development of parody in order to examine its place, purpose and practice in the postmodern world of contemporary artforms. Nº de ref. de la librería AAJ9780252069383

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Hutcheon, Linda
Editorial: University of Illinois Press, United States (2000)
ISBN 10: 0252069382 ISBN 13: 9780252069383
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Descripción University of Illinois Press, United States, 2000. Paperback. Estado de conservación: New. Reprint. 224 x 145 mm. Language: English . Brand New Book. Examines the historical development of parody in order to examine its place, purpose and practice in the postmodern world of contemporary artforms. Nº de ref. de la librería AAJ9780252069383

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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97802520693830000000

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Descripción University of Illinois Press. Paperback. Estado de conservación: new. BRAND NEW, A Theory of Parody: The Teachings of Twentieth-Century Art Forms, Linda Hutcheon, In this major study of a flexible and multifaceted mode of expression, Linda Hutcheon looks at works of modern literature, visual art, music, film, theater, and architecture to arrive at a comprehensive assessment of what parody is and what it does. Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode of coming to terms with the texts and discourses of the past. Looking at works as diverse as Tom Stoppard's "Rosenkrantz and Guildenstern Are Dead", Brian de Palma's "Dressed to Kill", Woody Allen's "Zelig", Karlheinz Stockhausen's "Hymnen", James Joyce's "Ulysses", and Magritte's "This Is Not a Pipe", Hutcheon discusses the remarkable range of intent in modern parody while distinguishing it from pastiche, burlesque, travesty, and satire.She shows how parody, through ironic playing with multiple conventions, combines creative expression with critical commentary. Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity. In a new introduction, Hutcheon discusses why parody continues to fascinate her and why it is commonly viewed as suspect - for being either too ideologically shifty or too much of a threat to the ownership of intellectual and creative property. Nº de ref. de la librería B9780252069383

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Descripción Univ Illinois Press. Estado de conservación: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 1240739

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Hutcheon, Linda
Editorial: University of Illinois Press (2000)
ISBN 10: 0252069382 ISBN 13: 9780252069383
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Descripción University of Illinois Press, 2000. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: In this major study of a flexible and multifaceted mode of expression, Linda Hutcheon looks at works of modern literature, visual art, music, film, theater, and architecture to arrive at a comprehensive assessment of what parody is and what it does.Hutcheon identifies parody as a major form of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode for coming to terms with the texts and discourses of the past. Looking at works as diverse as Tom Stoppard's Rosenkrantz and Guildenstern Are Dead, Brian de Palma's Dressed to Kill, Woody Allen's Zelig, Karlheinz Stockhausen's Hymnen, James Joyce's Ulysses, and Magritte's This Is Not a Pipe, Hutcheon discusses the remarkable range of intent in modern parody while distinguishing it from pastiche, burlesque, travesty, and satire. She shows how parody, through ironic playing with multiple conventions, combines creative expression with critical commentary. Its productive-creative approach to tradition results,in a modern recoding that establishes difference at the heart of similarity.In a new introduction, Hutcheon discusses why parody continues to fascinate her and why it is commonly viewed as suspect -- for being either too ideologically shifty or too much of a threat to the ownership of intellectual and creative property. Nº de ref. de la librería ABE_book_new_0252069382

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Descripción 2000. Paperback. Estado de conservación: New. 152mm x 13mm x 229mm. Paperback. In this major study of a flexible and multifaceted mode of expression, Linda Hutcheon looks at works of modern literature, visual art, music, film, theater, and architecture to arrive at a.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 168 pages. 0.227. Nº de ref. de la librería 9780252069383

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Hutcheon, Linda
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Descripción University of Chicago press. Estado de conservación: New. Brand New. Nº de ref. de la librería 0252069382

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Descripción Univ Illinois Press. Estado de conservación: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2353232

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