Extremely Loud and Incredibly Close

3,97 valoración promedio
( 322.487 valoraciones por Goodreads )
9780241142134: Extremely Loud and Incredibly Close

Nine-year-old Oskar Schell is an inventor, amateur entomologist, Francophile, letter writer, pacifist, natural historian, percussionist, romantic, Great Explorer, jeweller, detective, vegan, and collector of butterflies. When his father is killed in the September 11th attacks on the World Trade Centre, Oskar sets out to solve the mystery of a key he discovers in his father's closet. It is a search which leads him into the lives of strangers, through the five boroughs of New York, into history, to the bombings of Dresden and Hiroshima, and on an inward journey which brings him ever closer to some kind of peace.

"Sinopsis" puede pertenecer a otra edición de este libro.

About the Author:

Jonathan Safran Foer is the author of Everything Is Illuminated, Extremely Loud and Incredibly Close, Eating Animals and Here I Am. He has also edited a new modern edition of the sacred Jewish Haggadah. Everything Is Illuminated won several literary prizes, including the National Jewish Book Award and the Guardian First Book Award. He edited the anthology A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell, and his stories have been published in the Paris Review, Conjunctions and the New Yorker. Jonathan Safran Foer teaches Creative Writing at New York University.

Excerpt. © Reprinted by permission. All rights reserved.:

What The?

What about a teakettle? What if the
spout opened and closed when the
steam came out, so it would become a
mouth, and it could whistle pretty
melodies, or do Shakespeare, or just
crack up with me? I could invent a
teakettle that reads in Dad's voice, so
I could fall asleep, or maybe a set of
kettles that sings the chorus of "Yellow
Submarine," which is a song by the
Beatles, who I love, because entomology
is one of my raisons d'être, which
is a French expression that I know.
Another good thing is that I could train
my anus to talk when I farted. If I
wanted to be extremely hilarious, I'd
train it
to say, "Wasn't me!" every time I made
an incredibly bad fart. And if I ever
made an incredibly bad fart in the Hall
of Mirrors, which is in Versailles,
which is outside of Paris, which is in
France, obviously, my anus would
say, "Ce n'étais pas moi!"
What about little microphones? What if
everyone swallowed them,
and they played the sounds of our hearts
through little speakers, which could
be in the pouches of our overalls? When
you skateboarded down the street at
night you could hear everyone's
heartbeat, and they could hear yours,
sort of
like sonar. One weird thing is, I wonder
if everyone's hearts would start to
beat at the same time, like how women
who live together have their
menstrual periods at the same time,
which I know about, but don't really
want to know about. That would be so
weird, except that the place in the
hospital where babies are born would
sound like a crystal chandelier in a
houseboat, because the babies wouldn't
have had time to match up their
heartbeats yet. And at the finish line
at the end of the New York City
Marathon it would sound like war.
And also, there are so many times when
you need to make a
quick escape, but humans don't have
their own wings, or not yet, anyway, so
what about a birdseed shirt?
My first jujitsu class was three and a
half months ago. Self-
defense was something that I was
extremely curious about, for obvious
reasons, and Mom thought it would be
good for me to have a physical activity
besides tambourining, so my first
jujitsu class was three and a half months
ago. There were fourteen kids in the
class, and we all had on neat white
robes. We practiced bowing, and then we
were all sitting down Native
American style, and then Sensei Mark
asked me to go over to him. "Kick my
privates," he told me. That made me feel
self-conscious. "Excusez-moi?" I
told him. He spread his legs and told
me, "I want you to kick my privates as
hard as you can." He put his hands at
his sides, and took a breath in, and
closed his eyes, and that's how I knew
that actually he meant
business. "Jose," I told him, and inside
I was thinking, What the? He told
me, "Go on, guy. Destroy my privates."
"Destroy your privates?" With his
eyes still closed he cracked up a lot
and said, "You couldn't destroy my
privates if you tried. That's what's
going on here. This is a demonstration of
the well-trained body's ability to
absorb a direct blow. Now destroy my
privates." I told him, "I'm a pacifist,"
and since most people my age don't
know what that means, I turned around
and told the others, "I don't think it's
right to destroy people's privates.
Ever." Sensei Mark said, "Can I ask you
something?" I turned back around and
told him, " 'Can I ask you something?'
is asking me something." He said, "Do
you have dreams of becoming a
jujitsu master?" "No," I told him, even
though I don't have dreams of running
the family jewelry business anymore. He
said, "Do you want to know how a
jujitsu student becomes a jujitsu
master?" "I want to know everything," I
him, but that isn't true anymore either.
He told me, "A jujitsu student
becomes a jujitsu master by destroying
his master's privates." I told
him, "That's fascinating." My last
jujitsu class was three and a half months
I desperately wish I had my tambourine
with me now, because
even after everything I'm still wearing
heavy boots, and sometimes it helps to
play a good beat. My most impressive
song that I can play on my tambourine
is "The Flight of the Bumblebee," by
Nicolai Rimsky-Korsakov, which is also
the ring tone I downloaded for the cell
phone I got after Dad died. It's pretty
amazing that I can play "The Flight of
the Bumblebee," because you have to
hit incredibly fast in parts, and that's
extremely hard for me, because I don't
really have wrists yet. Ron offered to
buy me a five-piece drum set. Money
can't buy me love, obviously, but I
asked if it would have Zildjian cymbals. He
said, "Whatever you want," and then he
took my yo-yo off my desk and
started to walk the dog with it. I know
he just wanted to be friendly, but it
made me incredibly angry. "Yo-yo moi!" I
told him, grabbing it back. What I
really wanted to tell him was "You're
not my dad, and you never will be."
Isn't it so weird how the number of
dead people is increasing even
though the earth stays the same size, so
that one day there isn't going to be
room to bury anyone anymore? For my
ninth birthday last year, Grandma
gave me a subscription to National
Geographic, which she calls "the National
Geographic." She also gave me a white
blazer, because I only wear white
clothes, and it's too big to wear so it
will last me a long time. She also gave
me Grandpa's camera, which I loved for
two reasons. I asked why he didn't
take it with him when he left her. She
said, "Maybe he wanted you to have it."
I said, "But I was negative-thirty years
old." She said, "Still." Anyway, the
fascinating thing was that I read in
National Geographic that there are more
people alive now than have died in all
of human history. In other words, if
everyone wanted to play Hamlet at once,
they couldn't, because there aren't
enough skulls!
So what about skyscrapers for dead
people that were built down?
They could be underneath the skyscrapers
for living people that are built up.
You could bury people one hundred floors
down, and a whole dead world
could be underneath the living one.
Sometimes I think it would be weird if
there were a skyscraper that moved up
and down while its elevator stayed in
place. So if you wanted to go to the
ninety-fifth floor, you'd just press the 95
button and the ninety-fifth floor would
come to you. Also, that could be
extremely useful, because if you're on
the ninety-fifth floor, and a plane hits
below you, the building could take you
to the ground, and everyone could be
safe, even if you left your birdseed
shirt at home that day.
I've only been in a limousine twice
ever. The first time was terrible,
even though the limousine was wonderful.
I'm not allowed to watch TV at
home, and I'm not allowed to watch TV in
limousines either, but it was still
neat that there was a TV there. I asked
if we could go by school, so
Toothpaste and The Minch could see me in
a limousine. Mom said that
school wasn't on the way, and we
couldn't be late to the cemetery. "Why
not?" I asked, which I actually thought
was a good question, because if you
think about it, why not? Even though I'm
not anymore, I used to be an
atheist, which means I didn't believe in
things that couldn't be observed. I
believed that once you're dead, you're
dead forever, and you don't feel
anything, and you don't even dream. It's
not that I believe in things that can't
be observed now, because I don't. It's
that I believe that things are extremely
complicated. And anyway, it's not like
we were actually burying him, anyway.
Even though I was trying hard for it
not to, it was annoying me
how Grandma kept touching me, so I
climbed into the front seat and poked
the driver's shoulder until he gave me
some attention. "What. Is. Your.
Designation." I asked in Stephen Hawking
voice. "Say what?" "He wants to
know your name," Grandma said from the
back seat. He handed me his card.

Sunshine Limousine
serving the five boroughs
(212) 570-7249

I handed him my card and told him,
"Greetings. Gerald. I. Am.
Oskar." He asked me why I was talking
like that. I told him, "Oskar's CPU is
a neural-net processor. A learning
computer. The more contact he has with
humans, the more he learns." Gerald
said, "O" and then he said "K." I
couldn't tell if he liked me or not, so
I told him, "Your sunglasses are one
hundred dollars." He said, "One
seventy-five." "Do you know a lot of curse
words?" "I know a couple." "I'm not
allowed to use curse
words." "Bummer." "What's 'bummer'? "
"It's a bad thing." "Do you
know 'shit'?" "That's a curse, isn't
it?" "Not if you say 'shiitake.' " "Guess
not." "Succotash my Balzac,
dipshiitake." Gerald shook his head and...

"Sobre este título" puede pertenecer a otra edición de este libro.

Los mejores resultados en AbeBooks


Jonathan Safran Foer
Editorial: Hamish Hamilton Ltd (2005)
ISBN 10: 024114213X ISBN 13: 9780241142134
Nuevos Tapa dura Primera edición Cantidad: 1
Irish Booksellers
(Rumford, ME, Estados Unidos de America)

Descripción Hamish Hamilton Ltd, 2005. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería M024114213X

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 119,57
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío


Editorial: Hamish Hamilton London (2005)
ISBN 10: 024114213X ISBN 13: 9780241142134
Nuevos Tapa dura Ejemplar firmado Cantidad: 1
(Lewes, East Sussex, Reino Unido)

Descripción Hamish Hamilton London, 2005. Hardcover. Estado de conservación: New. Limited Edition... SIGNED AND NUMBERED, slipcased special limited edition, 1000 copies only, of which this is number 449. The second - brilliant - novel by the author of EVERYTHING IS ILLUMINATED, the story of a nine-year-old boy who is searching through the five boroughs of New York to find a lock that fits a key which belonged to his father, who died in the despicable and fanatical fascistic Islamic attack on the New York World Trade Center on 9/11. Basis for the remarkable Stephen Daldry film. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0. Signed by Author(s). Nº de ref. de la librería ABE-6645906701

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 128,52
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 11,38
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío