The End of Cinema?: A Medium in Crisis in the Digital Age (Film and Culture Series)

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9780231173568: The End of Cinema?: A Medium in Crisis in the Digital Age (Film and Culture Series)

Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape.

The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next.

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Book Description:

Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion support cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. They engage with the major arguments of the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new incarnation. Throughout, Gaudreault and Marion show how cinema has always been a fast-evolving, dynamic art and that the digital revolution is just another disruption in the history of motion pictures, with more to come. Emphasizing the cultural practice of cinema over rigid claims on its identity, Gaudreault and Marion advance a fresh conception of cinema that better reflects its essential vitality.

About the Author:

André Gaudreault is a professor in the department of art history and cinema studies at the Université de Montréal, where he is director of GRAFICS and director of the journal Cinémas. His books include From Plato to Lumière: Narration and Monstration in Literature and Cinema; Film and Attraction: From Kinematography to Cinema; American Cinema, 1890-1909: Themes and Variations; and A Companion to Early Cinema.

Philippe Marion is a professor at the Université catholique de Louvain. His research focuses on the fields of media narratology and the comparative analysis of media and media discourses. His books include Traces en cases: travail graphique, figuration narrative et participation du lecteur; L'Année des médias 1996, L'Année des médias 1997 and L'Année des médias 1998; and Schuiten filiation.

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André Gaudreault; Philippe Marion
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Descripción Columbia University Press, United States, 2015. Hardback. Estado de conservación: New. Language: English . Brand New Book. Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the double birth of media, Andre Gaudreault and Philippe Marion take a positive look at cinema s ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape.The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the digitalphobes who lament the implosion of cinema and the digitalphiles who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next. Nº de ref. de la librería AAH9780231173568

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Descripción Columbia University Press, United States, 2015. Hardback. Estado de conservación: New. Language: English . Brand New Book. Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the double birth of media, Andre Gaudreault and Philippe Marion take a positive look at cinema s ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the digitalphobes who lament the implosion of cinema and the digitalphiles who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next. Nº de ref. de la librería AAH9780231173568

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Descripción Columbia University Press, United States, 2015. Hardback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the double birth of media, Andre Gaudreault and Philippe Marion take a positive look at cinema s ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the digitalphobes who lament the implosion of cinema and the digitalphiles who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next. Nº de ref. de la librería BTE9780231173568

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