The End of Cinema?: A Medium in Crisis in the Digital Age (Film and Culture Series)

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9780231173568: The End of Cinema?: A Medium in Crisis in the Digital Age (Film and Culture Series)
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Anyone involved in the debates surrounding the shift from 35mm film stock to digital production practices and exhibition formats will need to confront Andre Gaudreault and Philippe Marion's arguments. A provocative and timely book, the authors remind viewers that the "cinema" has never been a static technology. -- Richard Neupert, University of Georgia Gaudreault and Marion make a nuanced argument for rethinking the very nature and impact of the digital revolution on cinema. Their book is an unusually thorough, balanced analysis as well as an original argument about the alleged "death of cinema." It should certainly be required reading. -- Richard Abel, University of Michigan

Reseña del editor:

Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," Andre Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next.

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Andre Gaudreault; Philippe Marion
ISBN 10: 0231173563 ISBN 13: 9780231173568
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Andre Gaudreault, PHILIPPE MARION
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Descripción Columbia University Press, United States, 2015. Hardback. Estado de conservación: New. 216 x 146 mm. Language: French,English . Brand New Book. Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the double birth of media, Andre Gaudreault and Philippe Marion take a positive look at cinema s ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the digitalphobes who lament the implosion of cinema and the digitalphiles who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next. Nº de ref. de la librería AAH9780231173568

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Andre Gaudreault, PHILIPPE MARION
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Descripción Columbia University Press, United States, 2015. Hardback. Estado de conservación: New. 216 x 146 mm. Language: English . Brand New Book. Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the double birth of media, Andre Gaudreault and Philippe Marion take a positive look at cinema s ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the digitalphobes who lament the implosion of cinema and the digitalphiles who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next. Nº de ref. de la librería AAH9780231173568

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Descripción Columbia University Press, 2015. HRD. Estado de conservación: New. New Book.Shipped from US within 10 to 14 business days.THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IP-9780231173568

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Andrand#233; Gaudreault
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GAUDREAULT
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Descripción 2015. Hardback. Estado de conservación: NEW. 9780231173568 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Nº de ref. de la librería HTANDREE01140540

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Gaudreault, André/ Marion, Philippe/ Barnard, Timothy (Translator)
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Descripción Columbia Univ Pr, 2015. Hardcover. Estado de conservación: Brand New. 256 pages. 8.50x5.75x0.75 inches. In Stock. Nº de ref. de la librería __0231173563

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Andre Gaudreault
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Descripción Columbia University Press. Hardcover. Estado de conservación: New. Hardcover. 256 pages. Dimensions: 8.3in. x 5.5in. x 0.6in.Is a film watched on a video screen still cinema Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft Rooted in their hypothesis of the double birth of media, Andr Gaudreault and Philippe Marion take a positive look at cinemas ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the digitalphobes who lament the implosion of cinema and the digitalphiles who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. Nº de ref. de la librería 9780231173568

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Gaudreault, André; Marion, Philippe
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Descripción Columbia University Press. Hardcover. Estado de conservación: New. 0231173563 Special order direct from the distributor. Nº de ref. de la librería ING9780231173568

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