Duchamp and the Aesthetics of Chance (Columbia Themes in Philosophy, Social Criticism, and the Arts)

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9780231147620: Duchamp and the Aesthetics of Chance (Columbia Themes in Philosophy, Social Criticism, and the Arts)

Book by Molderings Herbert

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...charming, erudite, and academically thorough volume... Cerise Press Vol 3, No 9

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...charming, erudite, and academically thorough volume... Cerise Press

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1.

Herbert Molderings
Editorial: Columbia University Press, United States (2010)
ISBN 10: 0231147627 ISBN 13: 9780231147620
Nuevos Tapa dura Cantidad: 1
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Descripción Columbia University Press, United States, 2010. Hardback. Estado de conservación: New. 213 x 140 mm. Language: English . Brand New Book. Marcel Duchamp is often viewed as an artist-engineer-scientist, a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincare. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and experimental vision. Unlike the Dadaists, Duchamp did more than dismiss or negate the authority of science. He pushed scientific rationalism to the point where its claims broke down and alternative truths were allowed to emerge. With humor and irony, Duchamp undertook a method of artistic research, reflection, and visual thought that focused less on beauty than on the notion of the possible. He became a passionate advocate of the power of invention and thinking things that had never been thought before. The 3 Standard Stoppages is the ultimate realization of the play between chance and dimension, visibility and invisibility, high and low art, and art and anti-art.Situating Duchamp firmly within the literature and philosophy of his time, Herbert Molderings recaptures the spirit of a frequently misread artist-and his thrilling aesthetic of chance. Nº de ref. de la librería AAU9780231147620

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2.

Herbert Molderings, John Brogden
Editorial: Columbia University Press
ISBN 10: 0231147627 ISBN 13: 9780231147620
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Descripción Columbia University Press. Hardback. Estado de conservación: new. BRAND NEW, Duchamp and the Aesthetics of Chance: Art as Experiment, Herbert Molderings, John Brogden, Marcel Duchamp is often viewed as an "artist-engineer-scientist," a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincar . Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and experimental vision. Unlike the Dadaists, Duchamp did more than dismiss or negate the authority of science. He pushed scientific rationalism to the point where its claims broke down and alternative truths were allowed to emerge. With humor and irony, Duchamp undertook a method of artistic research, reflection, and visual thought that focused less on beauty than on the notion of the "possible." He became a passionate advocate of the power of invention and thinking things that had never been thought before. The 3 Standard Stoppages is the ultimate realization of the play between chance and dimension, visibility and invisibility, high and low art, and art and anti-art. Situating Duchamp firmly within the literature and philosophy of his time, Herbert Molderings recaptures the spirit of a frequently misread artist-and his thrilling aesthetic of chance. Nº de ref. de la librería B9780231147620

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3.

Herbert Molderings
Editorial: Columbia University Press, United States (2010)
ISBN 10: 0231147627 ISBN 13: 9780231147620
Nuevos Tapa dura Cantidad: 1
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Descripción Columbia University Press, United States, 2010. Hardback. Estado de conservación: New. 213 x 140 mm. Language: English . Brand New Book. Marcel Duchamp is often viewed as an artist-engineer-scientist, a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincare. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and experimental vision. Unlike the Dadaists, Duchamp did more than dismiss or negate the authority of science. He pushed scientific rationalism to the point where its claims broke down and alternative truths were allowed to emerge. With humor and irony, Duchamp undertook a method of artistic research, reflection, and visual thought that focused less on beauty than on the notion of the possible. He became a passionate advocate of the power of invention and thinking things that had never been thought before. The 3 Standard Stoppages is the ultimate realization of the play between chance and dimension, visibility and invisibility, high and low art, and art and anti-art.Situating Duchamp firmly within the literature and philosophy of his time, Herbert Molderings recaptures the spirit of a frequently misread artist-and his thrilling aesthetic of chance. Nº de ref. de la librería AAU9780231147620

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4.

Molderings, Herbert
Editorial: Columbia University Press (2010)
ISBN 10: 0231147627 ISBN 13: 9780231147620
Nuevos Tapa dura Cantidad: 1
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Descripción Columbia University Press, 2010. Estado de conservación: New. 2010. Hardcover. Originally published: Kunst als Experiment: Marcel Duchamps "3 Kunststopf-Normalmasse." Munich: Deutscher Kunstverlag, 2006. Translator(s): Brogden, John. Series: Columbia Themes in Philosophy, Social Criticism, and the Arts. Num Pages: 240 pages, 37 black & white illustrations. BIC Classification: ACX; HPN. Category: (P) Professional & Vocational. Dimension: 222 x 149 x 20. Weight in Grams: 406. Art as Experiment. Series: Columbia Themes in Philosophy, Social Criticism, and the Arts S. 240 pages, 37 black & white illustrations. Originally published: Kunst als Experiment: Marcel Duchamps "3 Kunststopf-Normalmasse." Munich: Deutscher Kunstverlag, 2006. Cateogry: (P) Professional & Vocational. BIC Classification: ACX; HPN. Dimension: 222 x 149 x 20. Weight: 406. Translator(s): Brogden, John. . . . . . . Nº de ref. de la librería V9780231147620

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Herbert Molderings
Editorial: Columbia University Press (2010)
ISBN 10: 0231147627 ISBN 13: 9780231147620
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Descripción Columbia University Press, 2010. HRD. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería WI-9780231147620

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Molderings, Herbert
Editorial: Columbia University Press
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Descripción Columbia University Press. Estado de conservación: New. 2010. Hardcover. Originally published: Kunst als Experiment: Marcel Duchamps "3 Kunststopf-Normalmasse." Munich: Deutscher Kunstverlag, 2006. Translator(s): Brogden, John. Series: Columbia Themes in Philosophy, Social Criticism, and the Arts. Num Pages: 240 pages, 37 black & white illustrations. BIC Classification: ACX; HPN. Category: (P) Professional & Vocational. Dimension: 222 x 149 x 20. Weight in Grams: 406. Art as Experiment. Series: Columbia Themes in Philosophy, Social Criticism, and the Arts S. 240 pages, 37 black & white illustrations. Originally published: Kunst als Experiment: Marcel Duchamps "3 Kunststopf-Normalmasse." Munich: Deutscher Kunstverlag, 2006. Cateogry: (P) Professional & Vocational. BIC Classification: ACX; HPN. Dimension: 222 x 149 x 20. Weight: 406. Translator(s): Brogden, John. . . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780231147620

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Herbert Molderings
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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97802311476200000000

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Herbert Molderings
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ISBN 10: 0231147627 ISBN 13: 9780231147620
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Descripción Columbia University Press, 2010. Estado de conservación: New. book. Nº de ref. de la librería ria9780231147620_rkm

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Herbert Molderings
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ISBN 10: 0231147627 ISBN 13: 9780231147620
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Descripción University Press Group Ltd, 2010. Estado de conservación: New. Nº de ref. de la librería EH9780231147620

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Herbert Molderings
Editorial: Columbia University Press, United States (2010)
ISBN 10: 0231147627 ISBN 13: 9780231147620
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Descripción Columbia University Press, United States, 2010. Hardback. Estado de conservación: New. 213 x 140 mm. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Marcel Duchamp is often viewed as an artist-engineer-scientist, a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincare. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and experimental vision. Unlike the Dadaists, Duchamp did more than dismiss or negate the authority of science. He pushed scientific rationalism to the point where its claims broke down and alternative truths were allowed to emerge. With humor and irony, Duchamp undertook a method of artistic research, reflection, and visual thought that focused less on beauty than on the notion of the possible. He became a passionate advocate of the power of invention and thinking things that had never been thought before. The 3 Standard Stoppages is the ultimate realization of the play between chance and dimension, visibility and invisibility, high and low art, and art and anti-art.Situating Duchamp firmly within the literature and philosophy of his time, Herbert Molderings recaptures the spirit of a frequently misread artist-and his thrilling aesthetic of chance. Nº de ref. de la librería BTE9780231147620

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