Duchamp and the Aesthetics of Chance: Art as Experiment (Columbia Themes in Philosophy, Social Criticism, and the Arts)

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9780231147620: Duchamp and the Aesthetics of Chance: Art as Experiment (Columbia Themes in Philosophy, Social Criticism, and the Arts)

Marcel Duchamp is often viewed as an "artist-engineer-scientist," a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincaré. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and experimental vision.

Unlike the Dadaists, Duchamp did more than dismiss or negate the authority of science. He pushed scientific rationalism to the point where its claims broke down and alternative truths were allowed to emerge. With humor and irony, Duchamp undertook a method of artistic research, reflection, and visual thought that focused less on beauty than on the notion of the "possible." He became a passionate advocate of the power of invention and thinking things that had never been thought before.

The 3 Standard Stoppages is the ultimate realization of the play between chance and dimension, visibility and invisibility, high and low art, and art and anti-art. Situating Duchamp firmly within the literature and philosophy of his time, Herbert Molderings recaptures the spirit of a frequently misread artist-and his thrilling aesthetic of chance.

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About the Author:

Herbert Molderings is a freelance scholar and professor of art history at the Ruhr-University Bochum, Germany. The author of eleven books, he specializes in the history of modern and contemporary art, European photography of the twentieth century, and the works of Marcel Duchamp, Man Ray, Lászlo Moholy-Nagy, and Umbo. Molderings is a former fellow of the Institute for Advanced Study in Berlin and a former director of a research program at the Centre allemand d'histoire de l'art in Paris. He divides his time beween Cologne and Paris.

John Brogden lives in Dortmund, Germany, and specializes in the translation of art historical subjects.

Review:

...charming, erudite, and academically thorough volume... (Cerise Press)

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1.

Herbert Molderings
Editorial: Columbia University Press, United States (2010)
ISBN 10: 0231147627 ISBN 13: 9780231147620
Nuevos Tapa dura Cantidad: 1
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Descripción Columbia University Press, United States, 2010. Hardback. Estado de conservación: New. Language: English . Brand New Book. Marcel Duchamp is often viewed as an artist-engineer-scientist, a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincare. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and experimental vision.Unlike the Dadaists, Duchamp did more than dismiss or negate the authority of science. He pushed scientific rationalism to the point where its claims broke down and alternative truths were allowed to emerge. With humor and irony, Duchamp undertook a method of artistic research, reflection, and visual thought that focused less on beauty than on the notion of the possible. He became a passionate advocate of the power of invention and thinking things that had never been thought before. The 3 Standard Stoppages is the ultimate realization of the play between chance and dimension, visibility and invisibility, high and low art, and art and anti-art. Situating Duchamp firmly within the literature and philosophy of his time, Herbert Molderings recaptures the spirit of a frequently misread artist-and his thrilling aesthetic of chance. Nº de ref. de la librería AAU9780231147620

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Molderings, Herbert
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Descripción Columbia University Press, 2010. Estado de conservación: New. 2010. Hardcover. Originally published: Kunst als Experiment: Marcel Duchamps "3 Kunststopf-Normalmasse." Munich: Deutscher Kunstverlag, 2006. Translator(s): Brogden, John. Series: Columbia Themes in Philosophy, Social Criticism, and the Arts. Num Pages: 240 pages, 37 black & white illustrations. BIC Classification: ACX; HPN. Category: (P) Professional & Vocational. Dimension: 222 x 149 x 20. Weight in Grams: 406. Art as Experiment. Series: Columbia Themes in Philosophy, Social Criticism, and the Arts S. 240 pages, 37 black & white illustrations. Originally published: Kunst als Experiment: Marcel Duchamps "3 Kunststopf-Normalmasse." Munich: Deutscher Kunstverlag, 2006. Cateogry: (P) Professional & Vocational. BIC Classification: ACX; HPN. Dimension: 222 x 149 x 20. Weight: 406. Translator(s): Brogden, John. . . . . . . Nº de ref. de la librería V9780231147620

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Herbert Molderings
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Descripción Columbia University Press, United States, 2010. Hardback. Estado de conservación: New. Language: English . Brand New Book. Marcel Duchamp is often viewed as an artist-engineer-scientist, a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincare. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and experimental vision. Unlike the Dadaists, Duchamp did more than dismiss or negate the authority of science. He pushed scientific rationalism to the point where its claims broke down and alternative truths were allowed to emerge. With humor and irony, Duchamp undertook a method of artistic research, reflection, and visual thought that focused less on beauty than on the notion of the possible. He became a passionate advocate of the power of invention and thinking things that had never been thought before. The 3 Standard Stoppages is the ultimate realization of the play between chance and dimension, visibility and invisibility, high and low art, and art and anti-art. Situating Duchamp firmly within the literature and philosophy of his time, Herbert Molderings recaptures the spirit of a frequently misread artist-and his thrilling aesthetic of chance. Nº de ref. de la librería AAU9780231147620

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Descripción Columbia University Press. Estado de conservación: New. 2010. Hardcover. Originally published: Kunst als Experiment: Marcel Duchamps "3 Kunststopf-Normalmasse." Munich: Deutscher Kunstverlag, 2006. Translator(s): Brogden, John. Series: Columbia Themes in Philosophy, Social Criticism, and the Arts. Num Pages: 240 pages, 37 black & white illustrations. BIC Classification: ACX; HPN. Category: (P) Professional & Vocational. Dimension: 222 x 149 x 20. Weight in Grams: 406. Art as Experiment. Series: Columbia Themes in Philosophy, Social Criticism, and the Arts S. 240 pages, 37 black & white illustrations. Originally published: Kunst als Experiment: Marcel Duchamps "3 Kunststopf-Normalmasse." Munich: Deutscher Kunstverlag, 2006. Cateogry: (P) Professional & Vocational. BIC Classification: ACX; HPN. Dimension: 222 x 149 x 20. Weight: 406. Translator(s): Brogden, John. . . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780231147620

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Descripción Columbia University Press, 2010. HRD. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería BB-9780231147620

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Descripción Columbia University Press, United States, 2010. Hardback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Marcel Duchamp is often viewed as an artist-engineer-scientist, a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincare. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and experimental vision. Unlike the Dadaists, Duchamp did more than dismiss or negate the authority of science. He pushed scientific rationalism to the point where its claims broke down and alternative truths were allowed to emerge. With humor and irony, Duchamp undertook a method of artistic research, reflection, and visual thought that focused less on beauty than on the notion of the possible. He became a passionate advocate of the power of invention and thinking things that had never been thought before. The 3 Standard Stoppages is the ultimate realization of the play between chance and dimension, visibility and invisibility, high and low art, and art and anti-art. Situating Duchamp firmly within the literature and philosophy of his time, Herbert Molderings recaptures the spirit of a frequently misread artist-and his thrilling aesthetic of chance. Nº de ref. de la librería BTE9780231147620

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Descripción Columbia University Press, 2010. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería M0231147627

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Descripción Columbia University Press, 2010. Hardcover. Estado de conservación: New. Nº de ref. de la librería DADAX0231147627

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