Geometries of Silence: Three Approaches to Neoclassical Art (Italian Academy Lectures)

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9780231132084: Geometries of Silence: Three Approaches to Neoclassical Art (Italian Academy Lectures)

Based on little-known or hitherto unpublished material and enhanced by a wealth of rarely seen illustrations, this book offers access to the aesthetics of neoclassical Europe from a new perspective: landscape painting and interior decoration. The source documents, together with the nexus of relationships they helped to establish, reveal a world shaken by a series of epochal changes. This study of paintings, drawings, and documents touches on such themes as the rediscovery of the ancient world, aristocratic homes in the neoclassical period, and the birth of the rationalist landscape. While the most important artists are French, the chosen vantage point is Rome, because of the impact of antiquity on aesthetic perceptions toward the end of the century. The book insightfully analyzes the last years of the eighteenth century through the visual representation of that world, a world that has been handed down to us through the response of contemporary artists to momentous changes.

This book portrays drawing as an instrument of knowledge: an absolute experience, not merely an intermediate phase in the production of a painting. Anna Ottani Cavina leads us to modernity, which through the rarefaction of the image, silence, and emptiness attained heights of emotional and intellectual intensity that drawing was able to capture with extraordinary immediacy.

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Book Description:

Based on little-known or hitherto unpublished material, and enhanced by a wealth of rarely seen illustrations, this book offers access to the aesthetics of neoclassical Europe from a new perspective: landscape painting and interior decoration.

About the Author:

Anna Ottani Cavina heads the Fondazione Federico Zeri, a center for advanced studies in art history at the University of Bologna, and teaches at The Johns Hopkins University (Bologna Center). Awarded the Légion d'honneur in 2001, she has published books and curated exhibitions on Caravaggio and on the Neoclassical and Romantic periods. She also writes for the Italian daily newspaper La Repubblica. Under the direction of Umberto Eco, she created the visual arts program for a series of CD ROMs.

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Descripción Columbia University Press, 2004. Hardcover. Estado de conservación: New. Nº de ref. de la librería mon0001341350

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Descripción Columbia University Press, United States, 2004. Hardback. Estado de conservación: New. Language: English . Brand New Book. Based on little-known or hitherto unpublished material and enhanced by a wealth of rarely seen illustrations, this book offers access to the aesthetics of neoclassical Europe from a new perspective: landscape painting and interior decoration. The source documents, together with the nexus of relationships they helped to establish, reveal a world shaken by a series of epochal changes. This study of paintings, drawings, and documents touches on such themes as the rediscovery of the ancient world, aristocratic homes in the neoclassical period, and the birth of the rationalist landscape. While the most important artists are French, the chosen vantage point is Rome, because of the impact of antiquity on aesthetic perceptions toward the end of the century. The book insightfully analyzes the last years of the eighteenth century through the visual representation of that world, a world that has been handed down to us through the response of contemporary artists to momentous changes. This book portrays drawing as an instrument of knowledge: an absolute experience, not merely an intermediate phase in the production of a painting.Anna Ottani Cavina leads us to modernity, which through the rarefaction of the image, silence, and emptiness attained heights of emotional and intellectual intensity that drawing was able to capture with extraordinary immediacy. Nº de ref. de la librería AAH9780231132084

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Anna Ottani Cavina
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Descripción Columbia University Press, United States, 2004. Hardback. Estado de conservación: New. Language: English . Brand New Book. Based on little-known or hitherto unpublished material and enhanced by a wealth of rarely seen illustrations, this book offers access to the aesthetics of neoclassical Europe from a new perspective: landscape painting and interior decoration. The source documents, together with the nexus of relationships they helped to establish, reveal a world shaken by a series of epochal changes. This study of paintings, drawings, and documents touches on such themes as the rediscovery of the ancient world, aristocratic homes in the neoclassical period, and the birth of the rationalist landscape. While the most important artists are French, the chosen vantage point is Rome, because of the impact of antiquity on aesthetic perceptions toward the end of the century. The book insightfully analyzes the last years of the eighteenth century through the visual representation of that world, a world that has been handed down to us through the response of contemporary artists to momentous changes.This book portrays drawing as an instrument of knowledge: an absolute experience, not merely an intermediate phase in the production of a painting. Anna Ottani Cavina leads us to modernity, which through the rarefaction of the image, silence, and emptiness attained heights of emotional and intellectual intensity that drawing was able to capture with extraordinary immediacy. Nº de ref. de la librería AAH9780231132084

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Descripción Columbia University Press. Hardback. Estado de conservación: new. BRAND NEW, Geometries of Silence: Three Approaches to Neoclassical Art, Anna Ottani Cavina, Based on little-known or hitherto unpublished material and enhanced by a wealth of rarely seen illustrations, this book offers access to the aesthetics of neoclassical Europe from a new perspective: landscape painting and interior decoration. The source documents, together with the nexus of relationships they helped to establish, reveal a world shaken by a series of epochal changes. This study of paintings, drawings, and documents touches on such themes as the rediscovery of the ancient world, aristocratic homes in the neoclassical period, and the birth of the rationalist landscape. While the most important artists are French, the chosen vantage point is Rome, because of the impact of antiquity on aesthetic perceptions toward the end of the century. The book insightfully analyzes the last years of the eighteenth century through the visual representation of that world, a world that has been handed down to us through the response of contemporary artists to momentous changes. This book portrays drawing as an instrument of knowledge: an absolute experience, not merely an intermediate phase in the production of a painting. Anna Ottani Cavina leads us to modernity, which through the rarefaction of the image, silence, and emptiness attained heights of emotional and intellectual intensity that drawing was able to capture with extraordinary immediacy. Nº de ref. de la librería B9780231132084

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Anna Ottani Cavina
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Descripción Columbia University Press, United States, 2004. Hardback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Based on little-known or hitherto unpublished material and enhanced by a wealth of rarely seen illustrations, this book offers access to the aesthetics of neoclassical Europe from a new perspective: landscape painting and interior decoration. The source documents, together with the nexus of relationships they helped to establish, reveal a world shaken by a series of epochal changes. This study of paintings, drawings, and documents touches on such themes as the rediscovery of the ancient world, aristocratic homes in the neoclassical period, and the birth of the rationalist landscape. While the most important artists are French, the chosen vantage point is Rome, because of the impact of antiquity on aesthetic perceptions toward the end of the century. The book insightfully analyzes the last years of the eighteenth century through the visual representation of that world, a world that has been handed down to us through the response of contemporary artists to momentous changes.This book portrays drawing as an instrument of knowledge: an absolute experience, not merely an intermediate phase in the production of a painting. Anna Ottani Cavina leads us to modernity, which through the rarefaction of the image, silence, and emptiness attained heights of emotional and intellectual intensity that drawing was able to capture with extraordinary immediacy. Nº de ref. de la librería BTE9780231132084

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