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9780231117982: Experiencing Music Video: Aesthetics and Cultural Context
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Book by Vernallis Carol

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Vernallis has done what no one else has to date . . . she has seen beyond the surface of the music video and has found the true and unique language of the art form. "This book is the first to take music video seriously as a multimedia genre in its own right. Carol Vernallis not only has an intimate knowledge of the repertory, but also brings together perspectives that have in the past been pursued in isolation: the musical and the cinematic, the technical and the cultural. With its combination of theoretical topics and case studies, this book is the definitive one-stop solution for anybody who wants not just to experience, but to really understand, music videos." -- Nicholas Cook, Professor of Music, Royal Holloway, University of London, "Editor, Journal of the Royal Musical Association"
Reseña del editor:
Music videos have ranged from simple tableaux of a band playing its instruments to multimillion dollar, high-concept extravaganzas. Born of a sudden expansion in new broadcast channels, music videos continue to exert an enormous influence on popular music. They help to create an artist's identity, to affect a song's mood, to determine chart success: the music video has changed our idea of the popular song. Here at last is a study that treats music video as a distinct multimedia artistic genre, different from film, television, and indeed from the songs they illuminate-and sell. Carol Vernallis describes how verbal, musical, and visual codes combine in music video to create defining representations of race, class, gender, sexuality, and performance. The book explores the complex interactions of narrative, settings, props, costumes, lyrics, and much more. Three chapters contain close analyses of important videos: Madonna's "Cherish," Prince's "Gett Off," and Peter Gabriel's "Mercy St."

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  • EditorialColumbia University Press
  • Año de publicación2004
  • ISBN 10 0231117981
  • ISBN 13 9780231117982
  • EncuadernaciónTapa dura
  • Número de páginas480
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9780231117999: Experiencing Music Video: Aesthetics and Cultural Context

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ISBN 10:  023111799X ISBN 13:  9780231117999
Editorial: Columbia University Press, 2004
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Vernallis, Carol
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Descripción Condición: New. Here at last is a study that treats music video as a distinct multimedia artistic genre, different from film, television, and indeed from songs themselves. Carol Vernallis describes how musical, visual and verbal codes work together in music video and reveals modes of representing race, class, gender, and sexuality that characterize the music video form. Num Pages: 480 pages, 3 figs.; 62 halftones. BIC Classification: AVG; JFD. Category: (P) Professional & Vocational. Dimension: 254 x 178 x 19. Weight in Grams: 862. . 2004. . . . . Nº de ref. del artículo: V9780231117982

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Vernallis, Carol
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Vernallis, Carol
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Descripción Gebunden. Condición: New. Here at last is a study that treats music video as a distinct multimedia artistic genre, different from film, television, and indeed from songs themselves. Carol Vernallis describes how musical, visual and verbal codes work together in music video and revea. Nº de ref. del artículo: 594456884

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Descripción Hardcover. Condición: new. Hardcover. Music videos have ranged from simple tableaux of a band playing its instruments to multimillion dollar, high-concept extravaganzas. Born of a sudden expansion in new broadcast channels, music videos continue to exert an enormous influence on popular music. They help to create an artist's identity, to affect a song's mood, to determine chart success: the music video has changed our idea of the popular song.Here at last is a study that treats music video as a distinct multimedia artistic genre, different from film, television, and indeed from the songs they illuminate-and sell. Carol Vernallis describes how verbal, musical, and visual codes combine in music video to create defining representations of race, class, gender, sexuality, and performance. The book explores the complex interactions of narrative, settings, props, costumes, lyrics, and much more. Three chapters contain close analyses of important videos: Madonna's "Cherish," Prince's "Gett Off," and Peter Gabriel's "Mercy St." Here at last is a study that treats music video as a distinct multimedia artistic genre, different from film, television, and indeed from songs themselves. Carol Vernallis describes how musical, visual and verbal codes work together in music video and reveals modes of representing race, class, gender, and sexuality that characterize the music video form. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9780231117982

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Vernallis, Carol
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Descripción Condición: New. Here at last is a study that treats music video as a distinct multimedia artistic genre, different from film, television, and indeed from songs themselves. Carol Vernallis describes how musical, visual and verbal codes work together in music video and reveals modes of representing race, class, gender, and sexuality that characterize the music video form. Num Pages: 480 pages, 3 figs.; 62 halftones. BIC Classification: AVG; JFD. Category: (P) Professional & Vocational. Dimension: 254 x 178 x 19. Weight in Grams: 862. . 2004. . . . . Books ship from the US and Ireland. Nº de ref. del artículo: V9780231117982

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Descripción Hardcover. Condición: new. Hardcover. Music videos have ranged from simple tableaux of a band playing its instruments to multimillion dollar, high-concept extravaganzas. Born of a sudden expansion in new broadcast channels, music videos continue to exert an enormous influence on popular music. They help to create an artist's identity, to affect a song's mood, to determine chart success: the music video has changed our idea of the popular song.Here at last is a study that treats music video as a distinct multimedia artistic genre, different from film, television, and indeed from the songs they illuminate-and sell. Carol Vernallis describes how verbal, musical, and visual codes combine in music video to create defining representations of race, class, gender, sexuality, and performance. The book explores the complex interactions of narrative, settings, props, costumes, lyrics, and much more. Three chapters contain close analyses of important videos: Madonna's "Cherish," Prince's "Gett Off," and Peter Gabriel's "Mercy St." Here at last is a study that treats music video as a distinct multimedia artistic genre, different from film, television, and indeed from songs themselves. Carol Vernallis describes how musical, visual and verbal codes work together in music video and reveals modes of representing race, class, gender, and sexuality that characterize the music video form. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Nº de ref. del artículo: 9780231117982

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