Silent Film Sound (Film and Culture Series)

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9780231116633: Silent Film Sound (Film and Culture Series)

Book by Altman Rick

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Críticas:

Weighty and ambitious...This thoroughly researched and copiously illustrated book is recommended for large libraries and all cinema collections. -- Roy Liebman Library Journal Silent Film Soundis a bible of reference information and vintage photos. Bookwatch Feb. 1, 2005 Edison's pioneering work...is given a large amount of space in a fascinating new book. -- Steve Ramm Groove Magazine 4/1/05 Rather than reinventing the wheel or allowing for too many examples in his analysis, Altman successfully dispels notions of a homogenous turn-of-the-century soundscape and interweaves salient but ignored aspects of early cinema and its coinciding entertainments...Highly recommended. Choice 6/1/05 A magisterial effort of a type rarely seen in cinema today... Altman's history is precise, reflective, and human. Cinemas Journal January 2006 Rick Altman's Silent Film Sound is revisionist film history at its best. -- Marshall Deutelbaum New Review of Film and Television 4/1/2006 Nothing short of a classic, definitive work. -- Jacob Smith Nineteenth Century Theatre and Film Winter 2005 A major contribution to the history of early cinema. American Studies Vol. 40 His groundbreaking, encyclopedic book represents a crucial contribution to the scholarly understanding not only of early film sound, but also of the full range of film history. -- Kecia D. McBride Film Criticism Spring 2006 Rick Altman has given us a magnum opus... a stunningly original work of film history. -- Tom Gunning Film Quarterly Oct.-Dec. 2006 [A] majestic book... Readable as the most complete account of early American cinema. -- Dana Polan Screening The Past 11/20/06 Silent Film Sound is a superb contribution to many scholarly fields in addition to film history, including musicology, media studies, sound studies and American history. -- Katherine Spring Film International Issue 20 Silent Film Sound is a top pick for any serious college-level film library. California Bookwatch July 2007

Reseña del editor:

Because silent cinema is widely perceived as having been exactly that-silent-no one has fully examined how souns was used to accompany the films of this era. Silent Film Sound reconsiders all aspects of sound practices during the entire silent film period. Based on extensive origianl reserach and accompanied by gorgeous illustrations, the book challenges the assumptions of earlier histories of this period in film and reveals the complexity and swiftly changing nature of American silent cinema. Contrary to received opinion, silent films were not always accompanied, nor were accompaniments uniform. Beginning with sound practices before cinema's first decade and continuing through to the more familiar sound practices of the 1920s, Rick Altman discusses the variety of sound strategies and the way early cinema exhibitors used these strategies to differentiate their products. During the nickelodeon period prior to 1910, this variety reached its zenith, with theaters often deploying half a dozen competing sound strategies-from carniva-like music in the street, automatic pianos at the rear of the theater, and small orchestras in the pit to lecturers, synchronized sound systems, and voices behind the screen. During this period, musical accompaniment had not yet begun to support the story and its emotions as it would in later years. But in the 1910s, film sound acquiesced to the demands of the burgeoning cinema industry, who successfully argued that accompaniment should enhance film's narrative and emotional content rather than score points by burluesqiung or "kidding" the film. The large theaters and blockbuster productions of the mid-1910s provided a perfect crucible for new instruments, new music publication projects, and the development of a new style of film msuic. From that moment on, film music would become an integral part of the film rather than its adversary, and a new style of cinema sound would favor accompaniment that worked in concert with cinema story-telling. For the first time, Silent Film Sound details the ways in which these diverse intersts and industires cam together to produce an extraordinarily successful audiovisual art.

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Altman, Rick
Editorial: Columbia University Press (2007)
ISBN 10: 0231116632 ISBN 13: 9780231116633
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Descripción Columbia University Press, 2007. Estado de conservación: New. 2007. Paperback. Reconsiders various aspects of sound practices during the entire silent film period. This book challenges the assumptions of earlier histories of this period in film and reveals the complexity and swiftly changing nature of American silent cinema. Series: Film and Culture Series. Num Pages: 480 pages, 258 illustrations. BIC Classification: APF. Category: (P) Professional & Vocational. Dimension: 256 x 202 x 25. Weight in Grams: 1336. Series: Film and Culture Series. 480 pages, 258 illustrations. Reconsiders various aspects of sound practices during the entire silent film period. This book challenges the assumptions of earlier histories of this period in film and reveals the complexity and swiftly changing nature of American silent cinema. Cateogry: (P) Professional & Vocational. BIC Classification: APF. Dimension: 256 x 202 x 25. Weight: 1330. . . . . . . Nº de ref. de la librería V9780231116633

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Altman, Rick
Editorial: Columbia University Press
ISBN 10: 0231116632 ISBN 13: 9780231116633
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Descripción Columbia University Press. Estado de conservación: New. 2007. Paperback. Reconsiders various aspects of sound practices during the entire silent film period. This book challenges the assumptions of earlier histories of this period in film and reveals the complexity and swiftly changing nature of American silent cinema. Series: Film and Culture Series. Num Pages: 480 pages, 258 illustrations. BIC Classification: APF. Category: (P) Professional & Vocational. Dimension: 256 x 202 x 25. Weight in Grams: 1336. Series: Film and Culture Series. 480 pages, 258 illustrations. Reconsiders various aspects of sound practices during the entire silent film period. This book challenges the assumptions of earlier histories of this period in film and reveals the complexity and swiftly changing nature of American silent cinema. Cateogry: (P) Professional & Vocational. BIC Classification: APF. Dimension: 256 x 202 x 25. Weight: 1330. . . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780231116633

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Rick Altman
Editorial: Columbia University Press, United States (2007)
ISBN 10: 0231116632 ISBN 13: 9780231116633
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Descripción Columbia University Press, United States, 2007. Paperback. Estado de conservación: New. 254 x 203 mm. Language: English . Brand New Book. Because silent cinema is widely perceived as having been exactly that-silent-no one has fully examined how souns was used to accompany the films of this era. Silent Film Sound reconsiders all aspects of sound practices during the entire silent film period. Based on extensive origianl reserach and accompanied by gorgeous illustrations, the book challenges the assumptions of earlier histories of this period in film and reveals the complexity and swiftly changing nature of American silent cinema. Contrary to received opinion, silent films were not always accompanied, nor were accompaniments uniform. Beginning with sound practices before cinema s first decade and continuing through to the more familiar sound practices of the 1920s, Rick Altman discusses the variety of sound strategies and the way early cinema exhibitors used these strategies to differentiate their products. During the nickelodeon period prior to 1910, this variety reached its zenith, with theaters often deploying half a dozen competing sound strategies-from carniva-like music in the street, automatic pianos at the rear of the theater, and small orchestras in the pit to lecturers, synchronized sound systems, and voices behind the screen. During this period, musical accompaniment had not yet begun to support the story and its emotions as it would in later years. But in the 1910s, film sound acquiesced to the demands of the burgeoning cinema industry, who successfully argued that accompaniment should enhance film s narrative and emotional content rather than score points by burluesqiung or kidding the film. The large theaters and blockbuster productions of the mid-1910s provided a perfect crucible for new instruments, new music publication projects, and the development of a new style of film msuic. From that moment on, film music would become an integral part of the film rather than its adversary, and a new style of cinema sound would favor accompaniment that worked in concert with cinema story-telling. For the first time, Silent Film Sound details the ways in which these diverse intersts and industires cam together to produce an extraordinarily successful audiovisual art. Nº de ref. de la librería AAU9780231116633

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Rick Altman
Editorial: Columbia University Press 2007-03-09 (2007)
ISBN 10: 0231116632 ISBN 13: 9780231116633
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Descripción Columbia University Press 2007-03-09, 2007. Estado de conservación: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-GRD-04838811

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Rick Altman
Editorial: Columbia University Press, United States (2007)
ISBN 10: 0231116632 ISBN 13: 9780231116633
Nuevos Paperback Cantidad: 1
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Descripción Columbia University Press, United States, 2007. Paperback. Estado de conservación: New. 254 x 203 mm. Language: English . Brand New Book. Because silent cinema is widely perceived as having been exactly that-silent-no one has fully examined how souns was used to accompany the films of this era. Silent Film Sound reconsiders all aspects of sound practices during the entire silent film period. Based on extensive origianl reserach and accompanied by gorgeous illustrations, the book challenges the assumptions of earlier histories of this period in film and reveals the complexity and swiftly changing nature of American silent cinema. Contrary to received opinion, silent films were not always accompanied, nor were accompaniments uniform. Beginning with sound practices before cinema s first decade and continuing through to the more familiar sound practices of the 1920s, Rick Altman discusses the variety of sound strategies and the way early cinema exhibitors used these strategies to differentiate their products.During the nickelodeon period prior to 1910, this variety reached its zenith, with theaters often deploying half a dozen competing sound strategies-from carniva-like music in the street, automatic pianos at the rear of the theater, and small orchestras in the pit to lecturers, synchronized sound systems, and voices behind the screen. During this period, musical accompaniment had not yet begun to support the story and its emotions as it would in later years. But in the 1910s, film sound acquiesced to the demands of the burgeoning cinema industry, who successfully argued that accompaniment should enhance film s narrative and emotional content rather than score points by burluesqiung or kidding the film. The large theaters and blockbuster productions of the mid-1910s provided a perfect crucible for new instruments, new music publication projects, and the development of a new style of film msuic. From that moment on, film music would become an integral part of the film rather than its adversary, and a new style of cinema sound would favor accompaniment that worked in concert with cinema story-telling.For the first time, Silent Film Sound details the ways in which these diverse intersts and industires cam together to produce an extraordinarily successful audiovisual art. Because silent cinema is widely perceived as having been exactly that-silent-no one has fully examined how sound was used to accompany the films of this era. Silent Film Sound reconsiders all aspects of sound practices during the entire silent film period. Based on extensive original research and accompanied by gorgeous illustrations, the book challenges the assumptions of earlier histories of this period in film and reveals the complexity and swiftly changing nature of American silent cinema. Contrary to received opinion, silent films were not always accompanied, nor were accompaniments uniform. Beginning with sound practices before cinema s first decade and continuing through to the more familiar sound practices of the 1920s, Rick Altman discusses the variety of sound strategies and the way early cinema exhibitors used these strategies to differentiate their products.During the nickelodeon period prior to 1910, this variety reached its zenith, with theaters often deploying half a dozen competing sound strategies-from carnival-like music in the street, automatic pianos at the rear of the theater, and small orchestras in the pit to lecturers, synchronized sound systems, and voices behind the screen. During this period, musical accompaniment had not yet begun to support the story and its emotions as it would in later years. But in the 1910s, film sound acquiesced to the demands of captains of the burgeoning cinema industry, who successfully argued that accompaniment should enhance the film s narrative and emotional content rather than score points by burlesquing or kidding the film. The large theaters and blockbuster productions of the mid-1910s provided a perfect crucible for new instruments, new music-publication projects, and the development of a new style of fil. Nº de ref. de la librería AAU9780231116633

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Rick Altman
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ISBN 10: 0231116632 ISBN 13: 9780231116633
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Descripción Columbia University Press, 2007. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería BB-9780231116633

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Descripción Columbia University Press 2007-03-09, New York |Chichester, 2007. paperback. Estado de conservación: New. Nº de ref. de la librería 9780231116633

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Descripción Columbia University Press. Paperback. Estado de conservación: new. BRAND NEW, Silent Film Sound, Rick Altman, Because silent cinema is widely perceived as having been exactly that-silent-no one has fully examined how souns was used to accompany the films of this era. Silent Film Sound reconsiders all aspects of sound practices during the entire silent film period. Based on extensive origianl reserach and accompanied by gorgeous illustrations, the book challenges the assumptions of earlier histories of this period in film and reveals the complexity and swiftly changing nature of American silent cinema. Contrary to received opinion, silent films were not always accompanied, nor were accompaniments uniform. Beginning with sound practices before cinema's first decade and continuing through to the more familiar sound practices of the 1920s, Rick Altman discusses the variety of sound strategies and the way early cinema exhibitors used these strategies to differentiate their products. During the nickelodeon period prior to 1910, this variety reached its zenith, with theaters often deploying half a dozen competing sound strategies-from carniva-like music in the street, automatic pianos at the rear of the theater, and small orchestras in the pit to lecturers, synchronized sound systems, and voices behind the screen. During this period, musical accompaniment had not yet begun to support the story and its emotions as it would in later years. But in the 1910s, film sound acquiesced to the demands of the burgeoning cinema industry, who successfully argued that accompaniment should enhance film's narrative and emotional content rather than score points by burluesqiung or "kidding" the film. The large theaters and blockbuster productions of the mid-1910s provided a perfect crucible for new instruments, new music publication projects, and the development of a new style of film msuic. From that moment on, film music would become an integral part of the film rather than its adversary, and a new style of cinema sound would favor accompaniment that worked in concert with cinema story-telling. For the first time, Silent Film Sound details the ways in which these diverse intersts and industires cam together to produce an extraordinarily successful audiovisual art. Nº de ref. de la librería B9780231116633

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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97802311166330000000

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