Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema; 1930-1934

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9780231110952: Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema; 1930-1934

Pre-Code Hollywood explores the fascinating period in American motion picture history from 1930 to 1934 when the commandments of the Production Code Administration were violated with impunity in a series of wildly unconventional films―a time when censorship was lax and Hollywood made the most of it. Though more unbridled, salacious, subversive, and just plain bizarre than what came afterwards, the films of the period do indeed have the look of Hollywood cinema―but the moral terrain is so off-kilter that they seem imported from a parallel universe.

In a sense, Doherty avers, the films of pre-Code Hollywood are from another universe. They lay bare what Hollywood under the Production Code attempted to cover up and push offscreen: sexual liaisons unsanctified by the laws of God or man, marriage ridiculed and redefined, ethnic lines crossed and racial barriers ignored, economic injustice exposed and political corruption assumed, vice unpunished and virtue unrewarded―in sum, pretty much the raw stuff of American culture, unvarnished and unveiled.

No other book has yet sought to interpret the films and film-related meanings of the pre-Code era―what defined the period, why it ended, and what its relationship was to the country as a whole during the darkest years of the Great Depression... and afterward.

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Review:

Who says the world of classic Hollywood moviemaking was never risqué? We tend to think of black-and-white movies as representing a sanitized world, where crime never paid, ladies of the evening had hearts of gold, and married couples slept in separate beds. But in fact, censorship in American cinema didn't begin in earnest until 1934, when Will Hays and Joseph Breen began enforcing the legendary Hollywood production code. In this revelatory book, Thomas Doherty looks at sound movies of 1930-34--what is now known as the "pre-code" era.

This was a Hollywood of loose dames, hot whoopee, and coked-up killers who'd do anything for a pot of jack. It was a world that was often amoral and anarchic--an industry that allowed James Cagney and Paul Muni wild orgies of violence, openly flaunted the sexuality of Marlene Dietrich and Mae West, gave King Kong permission to crush cars and eat people, and allowed Tod Browning to make Freaks, one of the ghastliest, most sensationalistic, and greatest American movies.

Doherty's book captures this mad universe beautifully, describing films in such delightful detail that you may find yourself tossing it on your couch and racing to the video store. He also documents the downfall of the period, the outrage that was leveled against early sound films, and the emerging code that repressed American movies for almost 30 years. Film fans reveling in the debauchery of Hollywood's naughtiest era will also want to see Mark A. Vieira's Sin in Soft Focus. --Raphael Shargel

Book Description:

This book explores the four-year interval between 1930 and 1934, a time when censorship was lax and Hollywood made the most of it. Doherty chronicles how the freewheeling films of an unrestricted Hollywood inform the culture of America in the 1930s.

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Descripción 1999. PAP. Estado de conservación: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería IB-9780231110952

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Descripción Columbia University Press, United States, 1999. Paperback. Estado de conservación: New. Language: English . Brand New Book. Pre-Code Hollywood explores the fascinating period in American motion picture history from 1930 to 1934 when the commandments of the Production Code Administration were violated with impunity in a series of wildly unconventional films-a time when censorship was lax and Hollywood made the most of it. Though more unbridled, salacious, subversive, and just plain bizarre than what came afterwards, the films of the period do indeed have the look of Hollywood cinema-but the moral terrain is so off-kilter that they seem imported from a parallel universe.In a sense, Doherty avers, the films of pre-Code Hollywood are from another universe. They lay bare what Hollywood under the Production Code attempted to cover up and push offscreen: sexual liaisons unsanctified by the laws of God or man, marriage ridiculed and redefined, ethnic lines crossed and racial barriers ignored, economic injustice exposed and political corruption assumed, vice unpunished and virtue unrewarded-in sum, pretty much the raw stuff of American culture, unvarnished and unveiled.No other book has yet sought to interpret the films and film-related meanings of the pre-Code era-what defined the period, why it ended, and what its relationship was to the country as a whole during the darkest years of the Great Depression. and afterward. Nº de ref. de la librería AAC9780231110952

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Thomas Doherty
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Descripción Columbia University Press, United States, 1999. Paperback. Estado de conservación: New. Language: English . Brand New Book. Pre-Code Hollywood explores the fascinating period in American motion picture history from 1930 to 1934 when the commandments of the Production Code Administration were violated with impunity in a series of wildly unconventional films-a time when censorship was lax and Hollywood made the most of it. Though more unbridled, salacious, subversive, and just plain bizarre than what came afterwards, the films of the period do indeed have the look of Hollywood cinema-but the moral terrain is so off-kilter that they seem imported from a parallel universe.In a sense, Doherty avers, the films of pre-Code Hollywood are from another universe. They lay bare what Hollywood under the Production Code attempted to cover up and push offscreen: sexual liaisons unsanctified by the laws of God or man, marriage ridiculed and redefined, ethnic lines crossed and racial barriers ignored, economic injustice exposed and political corruption assumed, vice unpunished and virtue unrewarded-in sum, pretty much the raw stuff of American culture, unvarnished and unveiled.No other book has yet sought to interpret the films and film-related meanings of the pre-Code era-what defined the period, why it ended, and what its relationship was to the country as a whole during the darkest years of the Great Depression. and afterward. Nº de ref. de la librería AAC9780231110952

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Thomas Doherty
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Descripción Columbia University Press, United States, 1999. Paperback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Pre-Code Hollywood explores the fascinating period in American motion picture history from 1930 to 1934 when the commandments of the Production Code Administration were violated with impunity in a series of wildly unconventional films-a time when censorship was lax and Hollywood made the most of it. Though more unbridled, salacious, subversive, and just plain bizarre than what came afterwards, the films of the period do indeed have the look of Hollywood cinema-but the moral terrain is so off-kilter that they seem imported from a parallel universe.In a sense, Doherty avers, the films of pre-Code Hollywood are from another universe. They lay bare what Hollywood under the Production Code attempted to cover up and push offscreen: sexual liaisons unsanctified by the laws of God or man, marriage ridiculed and redefined, ethnic lines crossed and racial barriers ignored, economic injustice exposed and political corruption assumed, vice unpunished and virtue unrewarded-in sum, pretty much the raw stuff of American culture, unvarnished and unveiled.No other book has yet sought to interpret the films and film-related meanings of the pre-Code era-what defined the period, why it ended, and what its relationship was to the country as a whole during the darkest years of the Great Depression. and afterward. Nº de ref. de la librería BTE9780231110952

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Doherty, Thomas
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ISBN 10: 0231110952 ISBN 13: 9780231110952
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Descripción Columbia Univ. Pr., New York. Softcover. Estado de conservación: New. Estado de la sobrecubierta: None issued. Book Description: Black and white illustrations. This book explores the four-year interval between 1930 and 1934, a time when censorship was lax and Hollywood made the most of it. Doherty chronicles how the freewheeling films of an unrestricted Hollywood inform the culture of America in the 1930s. Book ships from Silver Plume, CO. Nº de ref. de la librería BD020

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