Theatre-Making: Interplay Between Text and Performance in the 21st Century

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9780230343115: Theatre-Making: Interplay Between Text and Performance in the 21st Century

An exciting new book that examines the relationship between text and performance and considers how it has developed in contemporary theatre

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Críticas:

"Theatre-Making puts to rest some outdated binaries between text-oriented and "alternative" approaches. It is subtle in exploring the complexities and interrelationships of different modes of practise, and carefully attends to how apprently similar practises have evolved in different areas and traditions. This volume, which charts the history and dynamics of how practises emerge and overlap, will be invaluable to teachers and students of contemporary theatre." - Greath White, Central School of Speech and Drama, University of London, UK "By focusing on work like Tim Crouch's The Author, Ontroerend Goed's Internal and Simon Stephens's Three Kingdoms, Theatre-Making presents the notion of audience as co-creators, so that by the end of this hugely readable study, the title takes on a whole new meaning; all of us are discovered to be theatre-makers, no matter what our relationship is to the piece in question." - Dan Hutton, A Younger Theatre, UK "Theatre-Making lays out its most important intervention in its very title: Radosavljevic proposes this term as the foundation of a new vocabulary for discussing contemporary theatre, bringing it all under the inclusive umbrella of making." - Catherine Love, Exeunt "History and theory are pretty much the biggest battlegrounds in any culture war. While barely acknowledging that there's 'an enemy' at all, Duska's book effortlessly hands recent theatre history to the good guys." - Andrew Haydon, Postcards from the Gods

Reseña del editor:

Exploring modes of authorship in contemporary theatre, Theatre-Making: Interplay Between Text and Performance in the 21st Century seeks to transcend the heritage of binaries from the twentieth century, such as: text-based vs. devised theatre, East vs. West, theatre vs. performance - with reference to genealogies through which these categories have been constructed in the English-speaking world.
Based on substantial original research, Theatre-Making is innovative in that it brings together text-based and performance-based theatre, and offers their consideration with reference to different cultures (European and Anglo-American). Amongst other things, this book argues that devising has now become a historical category, that playwrights in the twenty-first century are more akin to music composers and that contemporary performance-makers are finally beginning to understand Brecht. Examples under discussion range from the Royal Shakespeare Company's kinaesthetic approach to Shakespeare, to the Belgian company Ontroerend Goed's interactive shows. Drawing on interviews with leading contemporary practitioners and companies, such as Tim Crouch, Kneehigh and Simon Stephens, amongst others, this book usefully bridges the gap between dramatic theatre and devised performance by exploring the role of the theatre writer, writing and text in all of these diverse manifestations of theatre and performance-making.
Formalizing the increasing currency of the terms 'theatre-making' and 'theatre-maker', the book also acknowledges changing trends in the de/professionalization of theatre artists in the English-speaking world in the twenty-first century.
In addition, despite various forms of conservatism within the critical establishments all over Europe, this volume finds that in the twenty-first century, the notion of theatrical authorship in its own right is gaining significance through the globalized blogosphere.

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1.

Duska Radosavljevic
Editorial: Palgrave MacMillan, United Kingdom (2013)
ISBN 10: 0230343112 ISBN 13: 9780230343115
Nuevos Paperback Cantidad: 1
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Descripción Palgrave MacMillan, United Kingdom, 2013. Paperback. Estado de conservación: New. 2013 ed.. 214 x 138 mm. Language: English . Brand New Book. Theatre-Making explores modes of authorship in contemporary theatre seeking to transcend the heritage of binaries from the Twentieth century such as text-based vs. devised theatre, East vs. West, theatre vs. performance - with reference to genealogies though which these categories have been constructed in the English-speaking world. Nº de ref. de la librería AAU9780230343115

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Duska Radosavljevic
Editorial: Palgrave MacMillan, United Kingdom (2013)
ISBN 10: 0230343112 ISBN 13: 9780230343115
Nuevos Paperback Cantidad: 1
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Descripción Palgrave MacMillan, United Kingdom, 2013. Paperback. Estado de conservación: New. 2013 ed.. 214 x 138 mm. Language: English . Brand New Book. Theatre-Making explores modes of authorship in contemporary theatre seeking to transcend the heritage of binaries from the Twentieth century such as text-based vs. devised theatre, East vs. West, theatre vs. performance - with reference to genealogies though which these categories have been constructed in the English-speaking world. Nº de ref. de la librería AAU9780230343115

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Duska Radosavljevic
Editorial: Palgrave Macmillan 2013-06-24, Basingstoke (2013)
ISBN 10: 0230343112 ISBN 13: 9780230343115
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Descripción Palgrave Macmillan 2013-06-24, Basingstoke, 2013. paperback. Estado de conservación: New. Nº de ref. de la librería 9780230343115

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Duska Radosavljevic
Editorial: Palgrave Macmillan
ISBN 10: 0230343112 ISBN 13: 9780230343115
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Descripción Palgrave Macmillan. Paperback. Estado de conservación: new. BRAND NEW, Theatre-Making: Interplay Between Text and Performance in the 21st Century, Duska Radosavljevic, Exploring modes of authorship in contemporary theatre, Theatre-Making: Interplay Between Text and Performance in the 21st Century seeks to transcend the heritage of binaries from the twentieth century, such as: text-based vs. devised theatre, East vs. West, theatre vs. performance - with reference to genealogies through which these categories have been constructed in the English-speaking world. Based on substantial original research, Theatre-Making is innovative in that it brings together text-based and performance-based theatre, and offers their consideration with reference to different cultures (European and Anglo-American). Amongst other things, this book argues that devising has now become a historical category, that playwrights in the twenty-first century are more akin to music composers and that contemporary performance-makers are finally beginning to understand Brecht. Examples under discussion range from the Royal Shakespeare Company's kinaesthetic approach to Shakespeare, to the Belgian company Ontroerend Goed's interactive shows. Drawing on interviews with leading contemporary practitioners and companies, such as Tim Crouch, Kneehigh and Simon Stephens, amongst others, this book usefully bridges the gap between dramatic theatre and devised performance by exploring the role of the theatre writer, writing and text in all of these diverse manifestations of theatre and performance-making. Formalizing the increasing currency of the terms 'theatre-making' and 'theatre-maker', the book also acknowledges changing trends in the de/professionalization of theatre artists in the English-speaking world in the twenty-first century. In addition, despite various forms of conservatism within the critical establishments all over Europe, this volume finds that in the twenty-first century, the notion of theatrical authorship in its own right is gaining significance through the globalized blogosphere. Nº de ref. de la librería B9780230343115

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Radosavljevic, Duska
Editorial: Palgrave Macmillan (2013)
ISBN 10: 0230343112 ISBN 13: 9780230343115
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Descripción Palgrave Macmillan, 2013. Estado de conservación: New. 2013. Paperback. Theatre-Making explores modes of authorship in contemporary theatre seeking to transcend the heritage of binaries from the Twentieth century such as text-based vs. devised theatre, East vs. West, theatre vs. performance - with reference to genealogies though which these categories have been constructed in the English-speaking world. Num Pages: 288 pages, 23 black & white illustrations. BIC Classification: 3JM; ANF; DSBH; DSG. Category: (P) Professional & Vocational. Dimension: 216 x 138 x 17. Weight in Grams: 376. . . . . . . Nº de ref. de la librería V9780230343115

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Du?ka Radosavljevic
Editorial: Palgrave Macmillan (2013)
ISBN 10: 0230343112 ISBN 13: 9780230343115
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Descripción Palgrave Macmillan, 2013. PAP. Estado de conservación: New. New Book. Delivered from our US warehouse in 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND.Established seller since 2000. Nº de ref. de la librería IP-9780230343115

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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97802303431150000000

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Radosavljevic, Duska
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Descripción Palgrave Macmillan. Estado de conservación: New. 2013. Paperback. Theatre-Making explores modes of authorship in contemporary theatre seeking to transcend the heritage of binaries from the Twentieth century such as text-based vs. devised theatre, East vs. West, theatre vs. performance - with reference to genealogies though which these categories have been constructed in the English-speaking world. Num Pages: 288 pages, 23 black & white illustrations. BIC Classification: 3JM; ANF; DSBH; DSG. Category: (P) Professional & Vocational. Dimension: 216 x 138 x 17. Weight in Grams: 376. . . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780230343115

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Du?ka Radosavljevic
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Descripción Palgrave Macmillan, 2013. PAP. Estado de conservación: New. New Book.Shipped from US within 10 to 14 business days.THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IP-9780230343115

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Du?ka Radosavljevic
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ISBN 10: 0230343112 ISBN 13: 9780230343115
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Descripción Palgrave Macmillan, 2013. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería GB-9780230343115

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