John Heartfield and the Agitated Image: Photography, Persuasion, and the Rise of Avant-Garde Photomontage

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9780226981772: John Heartfield and the Agitated Image: Photography, Persuasion, and the Rise of Avant-Garde Photomontage
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"As John Heartfield's grandson, I'm constantly on the lookout for books that help reveal his motivations and illuminate his evolution from unsuccessful young oil painter to world-renowned artist. Andres Mario Zervigon's" John Heartfield and the Agitated Image: Photography, Persuasion, and the Rise of Avant-Garde Photomontage" is precisely such a book. Professor Zervigon's book shines with the type of research that informs the reader of the passion the author has for his subject. However, it's much more than a scholarly exercise. Professor Zervigon is a gifted writer as well as a respected art historian. He employs his vast knowledge of the Berlin Dada community of the early twentieth century to present fascinating theories regarding the vivid personas of its major players such as John Heartfield, Wieland Herzfelde, George Grosz, and many others. His descriptions of the times, the people, and their actions often read more like an engrossing novel than a work of nonfiction. He brings his subjects to life by presenting a wealth of informative quotations. In short, Professor Zervigon's book is a must read for anyone interested in John Heartfield, his life, his work, and his participation in the one of the most dynamic periods in modern art history."--John J Heartfield, Curator of the John Heartfield, Photomonteur: Official Internet Archive, http: //www.johnheartfield.com

Reseña del editor:

Working in Germany in the interwar era, John Heartfield (born Helmut Herzfeld, 1891-1968) developed an innovative method of appropriating and reusing photographs to powerful political effect. A pioneer of modern photomontage, he assembled images that transformed the meaning of the mass-media photos from which they were taken. In "John Heartfield and the Agitated Image", Andres Mario Zervigon explores this crucial period in the life and work of this brilliant, radical artist whose desire to disclose the truth obscured by the mainstream press and the propaganda of politicians made him a de facto prosecutor of Germany's visual culture. Zervigon charts the evolution of Heartfield's photomontage from an act of antiwar resistance into a formalized and widely disseminated political art in the Weimar Republic, when his work appeared on everything from campaign posters to book covers. He explains how Heartfield's engagement with montage arose from dissatisfaction with photography's capacity to represent the modern world, and the result was likely the most important combination of avantgarde art and politics in the twentieth century. A rare look at Heartfield's early and middle years as an artist and designer, this book provides a new understanding of photography's role at this critical juncture in history.

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Andrés Mario Zervigón
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ISBN 10: 0226981770 ISBN 13: 9780226981772
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Descripción University of Chicago press. Estado de conservación: New. Brand New. Nº de ref. de la librería 0226981770

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Zervigon, Andres Mario
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ANDRES MARIO ZERVIGON
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Descripción Univ of Chicago. Estado de conservación: BRAND NEW. BRAND NEW Hardcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2100209

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Descripción University of Chicago Press, 2012. HRD. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería WG-9780226981772

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Andres Mario Zervigon
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Descripción The University of Chicago Press, United States, 2012. Hardback. Estado de conservación: New. New.. 287 x 216 mm. Language: English . Brand New Book. Working in Germany in the interwar era, John Heartfield (born Helmut Herzfeld, 1891-1968) developed an innovative method of appropriating and reusing photographs to powerful political effect. A pioneer of modern photomontage, he assembled images that transformed the meaning of the mass-media photos from which they were taken. In John Heartfield and the Agitated Image , Andres Mario Zervigon explores this crucial period in the life and work of this brilliant, radical artist whose desire to disclose the truth obscured by the mainstream press and the propaganda of politicians made him a de facto prosecutor of Germany s visual culture. Zervigon charts the evolution of Heartfield s photomontage from an act of antiwar resistance into a formalized and widely disseminated political art in the Weimar Republic, when his work appeared on everything from campaign posters to book covers. He explains how Heartfield s engagement with montage arose from dissatisfaction with photography s capacity to represent the modern world, and the result was likely the most important combination of avantgarde art and politics in the twentieth century. A rare look at Heartfield s early and middle years as an artist and designer, this book provides a new understanding of photography s role at this critical juncture in history. Nº de ref. de la librería AAH9780226981772

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Andres Mario Zervigon
Editorial: The University of Chicago Press, United States (2012)
ISBN 10: 0226981770 ISBN 13: 9780226981772
Nuevos Tapa dura Cantidad: 10
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Descripción The University of Chicago Press, United States, 2012. Hardback. Estado de conservación: New. New.. 287 x 216 mm. Language: English . Brand New Book. Working in Germany in the interwar era, John Heartfield (born Helmut Herzfeld, 1891-1968) developed an innovative method of appropriating and reusing photographs to powerful political effect. A pioneer of modern photomontage, he assembled images that transformed the meaning of the mass-media photos from which they were taken. In John Heartfield and the Agitated Image , Andres Mario Zervigon explores this crucial period in the life and work of this brilliant, radical artist whose desire to disclose the truth obscured by the mainstream press and the propaganda of politicians made him a de facto prosecutor of Germany s visual culture. Zervigon charts the evolution of Heartfield s photomontage from an act of antiwar resistance into a formalized and widely disseminated political art in the Weimar Republic, when his work appeared on everything from campaign posters to book covers. He explains how Heartfield s engagement with montage arose from dissatisfaction with photography s capacity to represent the modern world, and the result was likely the most important combination of avantgarde art and politics in the twentieth century. A rare look at Heartfield s early and middle years as an artist and designer, this book provides a new understanding of photography s role at this critical juncture in history. Nº de ref. de la librería AAH9780226981772

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Zervigón, Andrés Mario
Editorial: Univ of Chicago
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Descripción Univ of Chicago. Estado de conservación: BRAND NEW. BRAND NEW Hardcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2265264

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ZERVIGÓN
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Descripción 2012. Hardback. Estado de conservación: NEW. 9780226981772 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Nº de ref. de la librería HTANDREE0906092

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Zervigon, Andres Mario
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Descripción Univ of Chicago Pr, 2012. Hardcover. Estado de conservación: Brand New. 309 pages. 11.25x9.00x1.25 inches. In Stock. Nº de ref. de la librería __0226981770

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Andres Mario Zervigon
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Descripción 2012. Hardcover. Estado de conservación: New. 224mm x 30mm x 287mm. Hardcover. Working in Germany in the interwar era, John Heartfield (born Helmut Herzfeld, 1891-1968) developed an innovative method of appropriating and reusing photographs to powerful political effe.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 336 pages. 1.619. Nº de ref. de la librería 9780226981772

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