Music, Race, and Nation: Musica Tropical in Colombia (Chicago Studies in Ethnomusicology)

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9780226868455: Music, Race, and Nation: Musica Tropical in Colombia (Chicago Studies in Ethnomusicology)

Long a favorite on dance floors in Latin America, the porro, cumbia, and vallenato styles that make up Colombia's música tropical are now enjoying international success. How did this music—which has its roots in a black, marginal region of the country—manage, from the 1940s onward, to become so popular in a nation that had prided itself on its white heritage? Peter Wade explores the history of música tropical, analyzing its rise in the context of the development of the broadcast media, rapid urbanization, and regional struggles for power. Using archival sources and oral histories, Wade shows how big band renditions of cumbia and porro in the 1940s and 1950s suggested both old traditions and new liberties, especially for women, speaking to a deeply rooted image of black music as sensuous. Recently, nostalgic, "whitened" versions of música tropical have gained popularity as part of government-sponsored multiculturalism.

Wade's fresh look at the way music transforms and is transformed by ideologies of race, nation, sexuality, tradition, and modernity is the first book-length study of Colombian popular music.

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Peter Wade
Editorial: The University of Chicago Press, United States (2000)
ISBN 10: 0226868451 ISBN 13: 9780226868455
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Descripción The University of Chicago Press, United States, 2000. Paperback. Estado de conservación: New. 2nd ed.. Language: English . Brand New Book. Long a favourite on dance floors in Latin America, the porro , cumbia and vallenato styles that make up Colombia s musica tropical are now enjoying international success. How did music - which has its roots in a black, marginal region of the country - manage, from the 1940s onward, to become so popular in a nation that had prided itself on its white heritage? Peter Wade explores the history of musica tropical , analyzing its rise in the context of the development of the broadcast media, rapid urbanization and regional struggles for power. Using archival sources and oral histories, Wade shows how big band renditions of cumbia and porro in the 1940s and 1950s suggested both old traditions and new liberties, especially for women, speaking to a deeply rooted image of black music as sensuous. Recently, nostalgic, whitened versions of musica tropical have gained popularity as part of government-sponsored multiculturalism. Wade s fresh look at the way music transforms and is transformed by ideologies of race, nation, sexuality, tradition and modernity is the first book-length study of Colombian popular music. Nº de ref. de la librería AAH9780226868455

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Peter Wade
Editorial: The University of Chicago Press, United States (2000)
ISBN 10: 0226868451 ISBN 13: 9780226868455
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Descripción The University of Chicago Press, United States, 2000. Paperback. Estado de conservación: New. 2nd ed.. Language: English . Brand New Book. Long a favourite on dance floors in Latin America, the porro , cumbia and vallenato styles that make up Colombia s musica tropical are now enjoying international success. How did music - which has its roots in a black, marginal region of the country - manage, from the 1940s onward, to become so popular in a nation that had prided itself on its white heritage? Peter Wade explores the history of musica tropical , analyzing its rise in the context of the development of the broadcast media, rapid urbanization and regional struggles for power. Using archival sources and oral histories, Wade shows how big band renditions of cumbia and porro in the 1940s and 1950s suggested both old traditions and new liberties, especially for women, speaking to a deeply rooted image of black music as sensuous. Recently, nostalgic, whitened versions of musica tropical have gained popularity as part of government-sponsored multiculturalism. Wade s fresh look at the way music transforms and is transformed by ideologies of race, nation, sexuality, tradition and modernity is the first book-length study of Colombian popular music. Nº de ref. de la librería AAH9780226868455

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Descripción Univ of Chicago. Estado de conservación: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2553679

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Descripción 2000. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería TX-9780226868455

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Descripción University of Chicago Press, 2000. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería WG-9780226868455

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Descripción 2000. PAP. Estado de conservación: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería IB-9780226868455

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Descripción University of Chicago Press 2000-08-23, Chicago, 2000. paperback. Estado de conservación: New. Nº de ref. de la librería 9780226868455

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Peter Wade
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Descripción The University of Chicago Press, United States, 2000. Paperback. Estado de conservación: New. 2nd ed.. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Long a favourite on dance floors in Latin America, the porro , cumbia and vallenato styles that make up Colombia s musica tropical are now enjoying international success. How did music - which has its roots in a black, marginal region of the country - manage, from the 1940s onward, to become so popular in a nation that had prided itself on its white heritage? Peter Wade explores the history of musica tropical , analyzing its rise in the context of the development of the broadcast media, rapid urbanization and regional struggles for power. Using archival sources and oral histories, Wade shows how big band renditions of cumbia and porro in the 1940s and 1950s suggested both old traditions and new liberties, especially for women, speaking to a deeply rooted image of black music as sensuous. Recently, nostalgic, whitened versions of musica tropical have gained popularity as part of government-sponsored multiculturalism. Wade s fresh look at the way music transforms and is transformed by ideologies of race, nation, sexuality, tradition and modernity is the first book-length study of Colombian popular music. Nº de ref. de la librería BTE9780226868455

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