Nearly everyone collects something, even those who don’t think of themselves as collectors. William Davies King, on the other hand, has devoted decades to collecting nothing—and a lot of it. With Collections of Nothing, he takes a hard look at this habitual hoarding to see what truths it can reveal about the impulse to accumulate.
Part memoir, part reflection on the mania of acquisition, Collections of Nothing begins with the stamp collection that King was given as a boy. In the following years, rather than rarity or pedigree, he found himself searching out the lowly and the lost, the cast-off and the undesired: objects that, merely by gathering and retaining them, he could imbue with meaning, even value. As he relates the story of his burgeoning collections, King also offers a fascinating meditation on the human urge to collect. This wry, funny, even touching appreciation and dissection of the collector’s art as seen through the life of a most unusual specimen will appeal to anyone who has ever felt the unappeasable power of that acquisitive fever.
"What makes this book, bred of a midlife crisis, extraordinary is the way King weaves his autobiography into the account of his collection, deftly demonstrating that the two stories are essentially one. . . . His hard-won self-awareness gives his disclosures an intensity that will likely resonate with all readers, even those whose collections of nothing contain nothing at all."—New Yorker
"King's extraordinary book is a memoir served up on the backs of all things he collects. . . . His story starts out sounding odd and singular—who is this guy?—but by the end, you recognize yourself in a lot of what he does."—Julia Keller, Chicago Tribune
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Amazon Best of the Month, December 2008: One of the oddest memoirs of the year may well be the best. William Davies King is a theater professor who over his fifty-plus years has gathered, in countless binders and boxes, a vast collection of things nobody else wants: cat-food labels, chain letters, skeleton keys, cereal boxes, chopstick wrappers, the "Place Stamp Here" squares from the corners of envelopes. It's an obsession you might think was inexplicable--least of all by the one obsessed--but in Collections of Nothing King makes his mania seem nearly rational, and the personal drama of it wryly fascinating. (Imagine if Henry Darger had written witty, self-aware essays that analyzed his obsessions without puncturing their mystery.) King is an academic and he's been through therapy, but he writes free of the clots and cliches of both of those disciplines, contemplating what he calls "the cumbersummation of me" with the myopic elegance of Nicholson Baker and a moving understanding that this strange, apparently worthless collection--and now this lovely and wise book about it--are what he has to offer the world. --Tom NissleyAbout the Author:
William Davies King has explored numerous odd corners of theater history in books and articles, including Henry Irving’s “Waterloo”, which won the Joe A. Calloway Prize. He is professor in the Department of Theater and Dance at University of California, Santa Barbara.
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Descripción University Of Chicago Press, 2008. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería M0226437000
Descripción Estado de conservación: New. Gift Quality Book in Excellent Condition. Nº de ref. de la librería 36SFFI0006KB
Descripción University Of Chicago Press, 2008. Hardcover. Estado de conservación: New. Nº de ref. de la librería DADAX0226437000
Descripción University Of Chicago Press, 2008. Hardcover. Estado de conservación: New. Never used!. Nº de ref. de la librería P110226437000