Pop Song Piracy: Disobedient Music Distribution since 1929

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9780226431833: Pop Song Piracy: Disobedient Music Distribution since 1929

Book by Kernfeld Barry

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"Kernfeld's rich and stimulating book makes a significant contribution to current debates over technology, copying, piracy, and the political economy of the music industry. He clarifies not just the history of legal and illegal music copying but also the arguments about these practices and the complicated relationships that have resulted among the law, corporations, entrepreneurs, consumers, and the media." (Simon Frith, University of Edinburgh)"

Reseña del editor:

The music industry's ongoing battle against digital piracy is just the latest skirmish in a long conflict over who has the right to distribute music. Starting with music publishers' efforts to stamp out bootleg compilations of lyric sheets in 1929, Barry Kernfeld's "Pop Song Piracy" details nearly a century of disobedient music distribution, from song sheets to MP3s. In the 1940s and '50s, Kernfeld reveals, song sheets were succeeded by fake books, unofficial volumes of melodies and lyrics for popular songs that were a key tool for musicians. Music publishers attempted to wipe out fake books, but after their efforts proved unsuccessful they published their own. "Pop Song Piracy" shows that this pattern of disobedience, prohibition, and assimilation recurred in each conflict over unauthorized music distribution, from European pirate radio stations to bootlegged live shows. Beneath this pattern, Kernfeld argues, there exists a complex give and take between distribution methods that merely copy existing songs (such as counterfeit CDs) and ones that transform songs into new products (such as file sharing). Ultimately, he contends, it was the music industry's persistent lagging behind in creating innovative products that led to the very piracy it sought to eliminate.

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Barry Kernfeld
Editorial: The University of Chicago Press, United States (2011)
ISBN 10: 0226431835 ISBN 13: 9780226431833
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Descripción The University of Chicago Press, United States, 2011. Paperback. Estado de conservación: New. 224 x 150 mm. Language: English . Brand New Book. The music industry s ongoing battle against digital piracy is just the latest skirmish in a long conflict over who has the right to distribute music. Starting with music publishers efforts to stamp out bootleg compilations of lyric sheets in 1929, Barry Kernfeld s Pop Song Piracy details nearly a century of disobedient music distribution, from song sheets to MP3s. In the 1940s and 50s, Kernfeld reveals, song sheets were succeeded by fake books, unofficial volumes of melodies and lyrics for popular songs that were a key tool for musicians. Music publishers attempted to wipe out fake books, but after their efforts proved unsuccessful they published their own. Pop Song Piracy shows that this pattern of disobedience, prohibition, and assimilation recurred in each conflict over unauthorized music distribution, from European pirate radio stations to bootlegged live shows. Beneath this pattern, Kernfeld argues, there exists a complex give and take between distribution methods that merely copy existing songs (such as counterfeit CDs) and ones that transform songs into new products (such as file sharing).Ultimately, he contends, it was the music industry s persistent lagging behind in creating innovative products that led to the very piracy it sought to eliminate. Nº de ref. de la librería AAH9780226431833

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Kernfeld, Barry
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ISBN 10: 0226431835 ISBN 13: 9780226431833
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Descripción University Of Chicago Press. PAPERBACK. Estado de conservación: New. 0226431835 Great opportunity to save on this book. WE SHIP DAILY!!!. Nº de ref. de la librería Z0226431835ZN

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Barry Kernfeld
Editorial: The University of Chicago Press, United States (2011)
ISBN 10: 0226431835 ISBN 13: 9780226431833
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Descripción The University of Chicago Press, United States, 2011. Paperback. Estado de conservación: New. 224 x 150 mm. Language: English . Brand New Book. The music industry s ongoing battle against digital piracy is just the latest skirmish in a long conflict over who has the right to distribute music. Starting with music publishers efforts to stamp out bootleg compilations of lyric sheets in 1929, Barry Kernfeld s Pop Song Piracy details nearly a century of disobedient music distribution, from song sheets to MP3s. In the 1940s and 50s, Kernfeld reveals, song sheets were succeeded by fake books, unofficial volumes of melodies and lyrics for popular songs that were a key tool for musicians. Music publishers attempted to wipe out fake books, but after their efforts proved unsuccessful they published their own. Pop Song Piracy shows that this pattern of disobedience, prohibition, and assimilation recurred in each conflict over unauthorized music distribution, from European pirate radio stations to bootlegged live shows. Beneath this pattern, Kernfeld argues, there exists a complex give and take between distribution methods that merely copy existing songs (such as counterfeit CDs) and ones that transform songs into new products (such as file sharing).Ultimately, he contends, it was the music industry s persistent lagging behind in creating innovative products that led to the very piracy it sought to eliminate. Nº de ref. de la librería AAH9780226431833

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Descripción Univ of Chicago. Estado de conservación: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2551157

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Descripción University of Chicago press. Estado de conservación: New. Brand New. Nº de ref. de la librería 0226431835

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Descripción 2011. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería TX-9780226431833

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Descripción University of Chicago Press, 2011. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería WG-9780226431833

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Descripción Univ of Chicago Pr, 2011. Paperback. Estado de conservación: Brand New. eleventh printing edition. 288 pages. 9.00x6.00x5.00 inches. In Stock. Nº de ref. de la librería __0226431835

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Descripción 2011. Paperback. Estado de conservación: NEW. 9780226431833 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Nº de ref. de la librería HTANDREE0905964

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Barry Kernfeld
Editorial: The University of Chicago Press
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Descripción The University of Chicago Press. Paperback. Estado de conservación: new. BRAND NEW, Pop Song Piracy: Disobedient Music Distribution Since 1929, Barry Kernfeld, The music industry's ongoing battle against digital piracy is just the latest skirmish in a long conflict over who has the right to distribute music. Starting with music publishers' efforts to stamp out bootleg compilations of lyric sheets in 1929, Barry Kernfeld's "Pop Song Piracy" details nearly a century of disobedient music distribution, from song sheets to MP3s. In the 1940s and '50s, Kernfeld reveals, song sheets were succeeded by fake books, unofficial volumes of melodies and lyrics for popular songs that were a key tool for musicians. Music publishers attempted to wipe out fake books, but after their efforts proved unsuccessful they published their own. "Pop Song Piracy" shows that this pattern of disobedience, prohibition, and assimilation recurred in each conflict over unauthorized music distribution, from European pirate radio stations to bootlegged live shows. Beneath this pattern, Kernfeld argues, there exists a complex give and take between distribution methods that merely copy existing songs (such as counterfeit CDs) and ones that transform songs into new products (such as file sharing). Ultimately, he contends, it was the music industry's persistent lagging behind in creating innovative products that led to the very piracy it sought to eliminate. Nº de ref. de la librería B9780226431833

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