Pop Song Piracy: Disobedient Music Distribution since 1929

4 valoración promedio
( 2 valoraciones por Goodreads )
 
9780226431833: Pop Song Piracy: Disobedient Music Distribution since 1929

The music industry’s ongoing battle against digital piracy is just the latest skirmish in a long conflict over who has the right to distribute music. Starting with music publishers’ efforts to stamp out bootleg compilations of lyric sheets in 1929, Barry Kernfeld’s Pop Song Piracy details nearly a century of disobedient music distribution from song sheets to MP3s. In the 1940s and ’50s, Kernfeld reveals, song sheets were succeeded by fake books, unofficial volumes of melodies and lyrics for popular songs that were a key tool for musicians. Music publishers attempted to wipe out fake books, but after their efforts proved unsuccessful they published their own. Pop Song Piracy shows that this pattern of disobedience, prohibition, and assimilation recurred in each conflict over unauthorized music distribution, from European pirate radio stations to bootlegged live shows. Beneath this pattern, Kernfeld argues, there exists a complex give and take between distribution methods that merely copy existing songs (such as counterfeit CDs) and ones that transform songs into new products (such as file sharing). Ultimately, he contends, it was the music industry’s persistent lagging behind in creating innovative products that led to the very piracy it sought to eliminate.

"Sinopsis" puede pertenecer a otra edición de este libro.

About the Author:

Barry Kernfeld is on the staff of the Special Collections Library of the Pennsylvania State University. He is the author of The Story of Fake Books: Bootlegging Songs to Musicians and What to Listen for in Jazz, and he is the editor of The New Grove Dictionary of Jazz.

Review:

“Barry Kernfeld’s rich and stimulating book makes a significant contribution to current debates over technology, copying, piracy, and the political economy of the music industry. He clarifies not just the history of legal and illegal music copying but also the arguments about these practices and the complicated relationships that have resulted among the law, corporations, entrepreneurs, consumers, and the media.”

(Simon Frith, University of Edinburgh)

"Kenfeld provides a welcome addition to the intellectual property rights debate in music. His book addresses the historical linkages between music piracy and the music business, and how both are deeply entangled. The fact that the author is a staff member at the special collections library at Pennsylvania State University is clear. The archival data used throughout this book is the result of a very thorough engagement with material spanning nearly a century." (Cultural Studies)

Pop Song Piracy is original, insightful, learned without being stuffy and, in the end, a profound investigation of the ways people have tried (and often succeeded) in getting the popular music they wanted without paying for it. Anyone interested in the business of music will want to learn what Barry Kernfeld has to tell us.”

(Howard S. Becker, coauthor of “Do You Know . . . ?”: The Jazz Repertoire in Action)

"Sobre este título" puede pertenecer a otra edición de este libro.

Comprar nuevo Ver libro

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America

Destinos, gastos y plazos de envío

Añadir al carrito

Los mejores resultados en AbeBooks

1.

Barry Kernfeld
Editorial: The University of Chicago Press, United States (2011)
ISBN 10: 0226431835 ISBN 13: 9780226431833
Nuevos Paperback Cantidad: 1
Librería
The Book Depository
(London, Reino Unido)
Valoración
[?]

Descripción The University of Chicago Press, United States, 2011. Paperback. Estado de conservación: New. Language: English . Brand New Book. The music industry s ongoing battle against digital piracy is just the latest skirmish in a long conflict over who has the right to distribute music. Starting with music publishers efforts to stamp out bootleg compilations of lyric sheets in 1929, Barry Kernfeld s Pop Song Piracy details nearly a century of disobedient music distribution, from song sheets to MP3s. In the 1940s and 50s, Kernfeld reveals, song sheets were succeeded by fake books, unofficial volumes of melodies and lyrics for popular songs that were a key tool for musicians. Music publishers attempted to wipe out fake books, but after their efforts proved unsuccessful they published their own. Pop Song Piracy shows that this pattern of disobedience, prohibition, and assimilation recurred in each conflict over unauthorized music distribution, from European pirate radio stations to bootlegged live shows. Beneath this pattern, Kernfeld argues, there exists a complex give and take between distribution methods that merely copy existing songs (such as counterfeit CDs) and ones that transform songs into new products (such as file sharing). Ultimately, he contends, it was the music industry s persistent lagging behind in creating innovative products that led to the very piracy it sought to eliminate. Nº de ref. de la librería AAH9780226431833

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 27,48
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

2.

Barry Kernfeld
Editorial: The University of Chicago Press, United States (2011)
ISBN 10: 0226431835 ISBN 13: 9780226431833
Nuevos Paperback Cantidad: 1
Librería
The Book Depository US
(London, Reino Unido)
Valoración
[?]

Descripción The University of Chicago Press, United States, 2011. Paperback. Estado de conservación: New. Language: English . Brand New Book. The music industry s ongoing battle against digital piracy is just the latest skirmish in a long conflict over who has the right to distribute music. Starting with music publishers efforts to stamp out bootleg compilations of lyric sheets in 1929, Barry Kernfeld s Pop Song Piracy details nearly a century of disobedient music distribution, from song sheets to MP3s. In the 1940s and 50s, Kernfeld reveals, song sheets were succeeded by fake books, unofficial volumes of melodies and lyrics for popular songs that were a key tool for musicians. Music publishers attempted to wipe out fake books, but after their efforts proved unsuccessful they published their own. Pop Song Piracy shows that this pattern of disobedience, prohibition, and assimilation recurred in each conflict over unauthorized music distribution, from European pirate radio stations to bootlegged live shows. Beneath this pattern, Kernfeld argues, there exists a complex give and take between distribution methods that merely copy existing songs (such as counterfeit CDs) and ones that transform songs into new products (such as file sharing). Ultimately, he contends, it was the music industry s persistent lagging behind in creating innovative products that led to the very piracy it sought to eliminate. Nº de ref. de la librería AAH9780226431833

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 31,53
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

3.

Kernfeld
Editorial: Univ of Chicago
ISBN 10: 0226431835 ISBN 13: 9780226431833
Nuevos Tapa blanda Cantidad: 1
Librería
C. Clayton Thompson - Bookseller
(BOONE, NC, Estados Unidos de America)
Valoración
[?]

Descripción Univ of Chicago. Estado de conservación: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2551157

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 31,54
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío

4.

Barry Kernfeld
Editorial: University of Chicago press
ISBN 10: 0226431835 ISBN 13: 9780226431833
Nuevos Cantidad: > 20
Librería
INDOO
(Avenel, NJ, Estados Unidos de America)
Valoración
[?]

Descripción University of Chicago press. Estado de conservación: New. Brand New. Nº de ref. de la librería 0226431835

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 28,58
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 2,98
A Estados Unidos de America
Destinos, gastos y plazos de envío

5.

Kernfeld, Barry
ISBN 10: 0226431835 ISBN 13: 9780226431833
Nuevos Cantidad: 10
Librería
Paperbackshop-US
(Wood Dale, IL, Estados Unidos de America)
Valoración
[?]

Descripción 2011. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería TX-9780226431833

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 28,78
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 3,40
A Estados Unidos de America
Destinos, gastos y plazos de envío

6.

Kernfeld, Barry Dean
Editorial: University of Chicago Press (2011)
ISBN 10: 0226431835 ISBN 13: 9780226431833
Nuevos Cantidad: 2
Librería
Books2Anywhere
(Fairford, GLOS, Reino Unido)
Valoración
[?]

Descripción University of Chicago Press, 2011. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería WG-9780226431833

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 22,68
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 10,16
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

7.

Barry Kernfeld
Editorial: UNIVERSITY OF CHICAGO PRESS 2011-09-13, Chicago, [Ill.] |London (2011)
ISBN 10: 0226431835 ISBN 13: 9780226431833
Nuevos paperback Cantidad: 1
Librería
Blackwell's
(Oxford, OX, Reino Unido)
Valoración
[?]

Descripción UNIVERSITY OF CHICAGO PRESS 2011-09-13, Chicago, [Ill.] |London, 2011. paperback. Estado de conservación: New. Nº de ref. de la librería 9780226431833

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 26,27
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 6,77
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

8.

Kernfeld, Barry
Editorial: University Of Chicago Press
ISBN 10: 0226431835 ISBN 13: 9780226431833
Nuevos PAPERBACK Cantidad: 1
Librería
Textbookmom
(Lexington, SC, Estados Unidos de America)
Valoración
[?]

Descripción University Of Chicago Press. PAPERBACK. Estado de conservación: New. 0226431835 Great opportunity to save on this book. WE SHIP DAILY!!!. Nº de ref. de la librería Z0226431835ZN

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 29,36
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 4,09
A Estados Unidos de America
Destinos, gastos y plazos de envío

9.

Barry Kernfeld
Editorial: University of Chicago Press
ISBN 10: 0226431835 ISBN 13: 9780226431833
Nuevos Paperback Cantidad: 2
Librería
THE SAINT BOOKSTORE
(Southport, Reino Unido)
Valoración
[?]

Descripción University of Chicago Press. Paperback. Estado de conservación: New. New copy - Usually dispatched within 2 working days. Nº de ref. de la librería B9780226431833

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 26,42
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 7,83
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

10.

Barry Kernfeld
Editorial: The University of Chicago Press, United States (2011)
ISBN 10: 0226431835 ISBN 13: 9780226431833
Nuevos Paperback Cantidad: 10
Librería
Book Depository hard to find
(London, Reino Unido)
Valoración
[?]

Descripción The University of Chicago Press, United States, 2011. Paperback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. The music industry s ongoing battle against digital piracy is just the latest skirmish in a long conflict over who has the right to distribute music. Starting with music publishers efforts to stamp out bootleg compilations of lyric sheets in 1929, Barry Kernfeld s Pop Song Piracy details nearly a century of disobedient music distribution, from song sheets to MP3s. In the 1940s and 50s, Kernfeld reveals, song sheets were succeeded by fake books, unofficial volumes of melodies and lyrics for popular songs that were a key tool for musicians. Music publishers attempted to wipe out fake books, but after their efforts proved unsuccessful they published their own. Pop Song Piracy shows that this pattern of disobedience, prohibition, and assimilation recurred in each conflict over unauthorized music distribution, from European pirate radio stations to bootlegged live shows. Beneath this pattern, Kernfeld argues, there exists a complex give and take between distribution methods that merely copy existing songs (such as counterfeit CDs) and ones that transform songs into new products (such as file sharing). Ultimately, he contends, it was the music industry s persistent lagging behind in creating innovative products that led to the very piracy it sought to eliminate. Nº de ref. de la librería BTE9780226431833

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 37,39
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

Existen otras copia(s) de este libro

Ver todos los resultados de su búsqueda