Pop Song Piracy: Disobedient Music Distribution Since 1929

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9780226431833: Pop Song Piracy: Disobedient Music Distribution Since 1929
Review:

"Kernfeld's rich and stimulating book makes a significant contribution to current debates over technology, copying, piracy, and the political economy of the music industry. He clarifies not just the history of legal and illegal music copying but also the arguments about these practices and the complicated relationships that have resulted among the law, corporations, entrepreneurs, consumers, and the media." (Simon Frith, University of Edinburgh)"

From the Publisher:

The music industry's ongoing battle against digital piracy is just the latest skirmish in a long conflict over who has the right to distribute music. Starting with music publishers' efforts to stamp out bootleg compilations of lyric sheets in 1929, Barry Kernfeld's "Pop Song Piracy" details nearly a century of disobedient music distribution, from song sheets to MP3s. In the 1940s and '50s, Kernfeld reveals, song sheets were succeeded by fake books, unofficial volumes of melodies and lyrics for popular songs that were a key tool for musicians. Music publishers attempted to wipe out fake books, but after their efforts proved unsuccessful they published their own. "Pop Song Piracy" shows that this pattern of disobedience, prohibition, and assimilation recurred in each conflict over unauthorized music distribution, from European pirate radio stations to bootlegged live shows. Beneath this pattern, Kernfeld argues, there exists a complex give and take between distribution methods that merely copy existing songs (such as counterfeit CDs) and ones that transform songs into new products (such as file sharing). Ultimately, he contends, it was the music industry's persistent lagging behind in creating innovative products that led to the very piracy it sought to eliminate.

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Kernfeld, Barry Dean
ISBN 10: 0226431835 ISBN 13: 9780226431833
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Kernfeld, Barry Dean
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Descripción The University of Chicago Press, United States, 2011. Paperback. Estado de conservación: New. 224 x 150 mm. Language: English . Brand New Book. The music industry s ongoing battle against digital piracy is just the latest skirmish in a long conflict over who has the right to distribute music. Starting with music publishers efforts to stamp out bootleg compilations of lyric sheets in 1929, Barry Kernfeld s Pop Song Piracy details nearly a century of disobedient music distribution, from song sheets to MP3s. In the 1940s and 50s, Kernfeld reveals, song sheets were succeeded by fake books, unofficial volumes of melodies and lyrics for popular songs that were a key tool for musicians. Music publishers attempted to wipe out fake books, but after their efforts proved unsuccessful they published their own. Pop Song Piracy shows that this pattern of disobedience, prohibition, and assimilation recurred in each conflict over unauthorized music distribution, from European pirate radio stations to bootlegged live shows. Beneath this pattern, Kernfeld argues, there exists a complex give and take between distribution methods that merely copy existing songs (such as counterfeit CDs) and ones that transform songs into new products (such as file sharing). Ultimately, he contends, it was the music industry s persistent lagging behind in creating innovative products that led to the very piracy it sought to eliminate. Nº de ref. de la librería AAH9780226431833

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Descripción Univ of Chicago. Estado de conservación: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2097346

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Descripción The University of Chicago Press, United States, 2011. Paperback. Estado de conservación: New. 224 x 150 mm. Language: English . Brand New Book. The music industry s ongoing battle against digital piracy is just the latest skirmish in a long conflict over who has the right to distribute music. Starting with music publishers efforts to stamp out bootleg compilations of lyric sheets in 1929, Barry Kernfeld s Pop Song Piracy details nearly a century of disobedient music distribution, from song sheets to MP3s. In the 1940s and 50s, Kernfeld reveals, song sheets were succeeded by fake books, unofficial volumes of melodies and lyrics for popular songs that were a key tool for musicians. Music publishers attempted to wipe out fake books, but after their efforts proved unsuccessful they published their own. Pop Song Piracy shows that this pattern of disobedience, prohibition, and assimilation recurred in each conflict over unauthorized music distribution, from European pirate radio stations to bootlegged live shows. Beneath this pattern, Kernfeld argues, there exists a complex give and take between distribution methods that merely copy existing songs (such as counterfeit CDs) and ones that transform songs into new products (such as file sharing). Ultimately, he contends, it was the music industry s persistent lagging behind in creating innovative products that led to the very piracy it sought to eliminate. Nº de ref. de la librería AAH9780226431833

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Descripción 2011. Paperback. Estado de conservación: NEW. 9780226431833 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Nº de ref. de la librería HTANDREE0905964

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Descripción University Of Chicago Press, 2011. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0226431835

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Descripción 2011. Paperback. Estado de conservación: New. 152mm x 229mm x 15mm. Paperback. The music industry's ongoing battle against digital piracy is just the latest skirmish in a long conflict over who has the right to distribute music. Starting with music publishers' effort.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 312 pages. 0.386. Nº de ref. de la librería 9780226431833

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Kernfeld, Barry Dean
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Descripción University Of Chicago Press, 2011. Paperback. Estado de conservación: New. Nº de ref. de la librería DADAX0226431835

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