How We Think: Digital Media and Contemporary Technogenesis

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9780226321424: How We Think: Digital Media and Contemporary Technogenesis
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"Hayles is a rare and welcome voice.... A leading writer on the interplay between science and literature." -New Scientist "One book by Hayles is the equivalent of any five by the competition." -Science Fiction Studies "Hayles has once again produced a compelling synthesis of highly complex, widely scattered discourses.... The achievement is formidable." -American Book Review "Hayles's work is admirable in its open-ended, open-minded engagement of a continuously changing intellectual and artistic field." -Electronic Book Review"

Reseña del editor:

How do we think? N. Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. As the age of print passes and new technologies appear every day, this proposition has become far more complicated, particularly for the traditionally print-based disciplines in the humanities and qualitative social sciences. With a rift growing between digital scholarship and its print-based counterpart, Hayles argues for contemporary technogenesis-the belief that humans and technics are coevolving-and advocates for what she calls comparative media studies, a new approach to locating digital work within print traditions and vice versa. mines the evolution of the field from the traditional humanities and how the digital humanities are changing academic scholarship, research, teaching, and publication. She goes on to depict the neurological consequences of working in digital media, where skimming and scanning, or "hyper reading," and analysis through machine algorithms are forms of reading as valid as close reading once was. Hayles contends that we must recognize all three types of reading and understand the limitations and possibilities of each. In addition to illustrating what a comparative media perspective entails, Hayles explores the technogenesis spiral in its full complexity. She considers the effects of early databases such as telegraph code books and confronts our changing perceptions of time and space in the digital age, illustrating this through three innovative digital productions - Steve Tomasula's electronic novel, "TOC"; Steven Hall's "The Raw Shark Texts"; and Mark Z. Danielewski's "Only Revolutions". Deepening our understanding of the extraordinary transformative powers digital technologies have placed in the hands of humanists, "How We Think" presents a cogent rationale for tackling the challenges facing the humanities today.

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9780226321400: How We Think: Digital Media and Contemporary Technogenesis

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ISBN 10:  0226321401 ISBN 13:  9780226321400
Editorial: University of Chicago Press, 2012
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N. Katherine Hayles
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Descripción The University of Chicago Press, United States, 2012. Paperback. Condición: New. Language: English . Brand New Book. How do we think? N. Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. As the age of print passes and new technologies appear every day, this proposition has become far more complicated, particularly for the traditionally print-based disciplines in the humanities and qualitative social sciences. With a rift growing between digital scholarship and its print-based counterpart, Hayles argues for contemporary technogenesis-the belief that humans and technics are coevolving-and advocates for what she calls comparative media studies, a new approach to locating digital work within print traditions and vice versa. mines the evolution of the field from the traditional humanities and how the digital humanities are changing academic scholarship, research, teaching, and publication. She goes on to depict the neurological consequences of working in digital media, where skimming and scanning, or hyper reading, and analysis through machine algorithms are forms of reading as valid as close reading once was. Hayles contends that we must recognize all three types of reading and understand the limitations and possibilities of each. In addition to illustrating what a comparative media perspective entails, Hayles explores the technogenesis spiral in its full complexity. She considers the effects of early databases such as telegraph code books and confronts our changing perceptions of time and space in the digital age, illustrating this through three innovative digital productions - Steve Tomasula s electronic novel, TOC ; Steven Hall s The Raw Shark Texts ; and Mark Z. Danielewski s Only Revolutions . Deepening our understanding of the extraordinary transformative powers digital technologies have placed in the hands of humanists, How We Think presents a cogent rationale for tackling the challenges facing the humanities today. Nº de ref. del artículo: AAZ9780226321424

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N. Katherine Hayles
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Descripción The University of Chicago Press, United States, 2012. Paperback. Condición: New. Language: English . Brand New Book. How do we think? N. Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. As the age of print passes and new technologies appear every day, this proposition has become far more complicated, particularly for the traditionally print-based disciplines in the humanities and qualitative social sciences. With a rift growing between digital scholarship and its print-based counterpart, Hayles argues for contemporary technogenesis-the belief that humans and technics are coevolving-and advocates for what she calls comparative media studies, a new approach to locating digital work within print traditions and vice versa. mines the evolution of the field from the traditional humanities and how the digital humanities are changing academic scholarship, research, teaching, and publication. She goes on to depict the neurological consequences of working in digital media, where skimming and scanning, or hyper reading, and analysis through machine algorithms are forms of reading as valid as close reading once was. Hayles contends that we must recognize all three types of reading and understand the limitations and possibilities of each. In addition to illustrating what a comparative media perspective entails, Hayles explores the technogenesis spiral in its full complexity. She considers the effects of early databases such as telegraph code books and confronts our changing perceptions of time and space in the digital age, illustrating this through three innovative digital productions - Steve Tomasula s electronic novel, TOC ; Steven Hall s The Raw Shark Texts ; and Mark Z. Danielewski s Only Revolutions . Deepening our understanding of the extraordinary transformative powers digital technologies have placed in the hands of humanists, How We Think presents a cogent rationale for tackling the challenges facing the humanities today. Nº de ref. del artículo: AAZ9780226321424

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Descripción University Of Chicago Press, 2012. Condición: New. 2012. Paperback. How do we think? The author poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. She examines the evolution of the field from the traditional humanities and how the digital humanities are changing academic scholarship, research, teaching, and publication. Num Pages: 296 pages, 33 halftones. BIC Classification: DSB; JFD. Category: (UF) Further/Higher Education. Dimension: 227 x 154 x 18. Weight in Grams: 422. Digital Media and Contemporary Technogenesis. 296 pages, 33 halftones. How do we think? The author poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. She examines the evolution of the field from the traditional humanities and how the digital humanities are changing academic scholarship, research, teaching, and publication. Cateogry: (UF) Further/Higher Education. BIC Classification: DSB; JFD. Dimension: 227 x 154 x 18. Weight: 426. . . . . . . Nº de ref. del artículo: V9780226321424

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