Music Theory and the Exploration of the Past

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9780226319025: Music Theory and the Exploration of the Past

In recent decades, increased specialization has sharply separated music theory from historical musicology. Music Theory and the Exploration of the Past brings together a group of essays—written by theorists and musicologists—that seek to bridge this gap. This collection shows that music theory can join forces with historical musicology to produce a more humanistic form of musical scholarship.

In nineteen essays dealing with musical theories from the twelfth to the twentieth century, two recurring themes emerge. One is the need to understand the historical circumstances of the writing and reception of theory, a humanistic approach that gives theory a place within social and intellectual history. The other is the advantages of applying contemporaneous theory to the music of a given period, thus linking theory to the history of musical styles and structures. The periods given principal attention in these essays are the Renaissance, the years around 1800, and the twentieth century.

Abundantly illustrated with musical examples, Music Theory and the Exploration of the Past offers models of new practical applications of theory to the analysis of music. At the same time, it raises the broader question of how historical knowledge can deepen the understanding of an art and of systematic writings about that art.

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Editorial: University Of Chicago Press (1994)
ISBN 10: 0226319024 ISBN 13: 9780226319025
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Descripción University Of Chicago Press, 1994. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0226319024

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Christopher Hatch (Editor), David W. Bernstein (Editor)
Editorial: University Of Chicago Press (1994)
ISBN 10: 0226319024 ISBN 13: 9780226319025
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Descripción University Of Chicago Press, 1994. Paperback. Estado de conservación: New. 1. Nº de ref. de la librería DADAX0226319024

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Christopher Hatch, David W. Bernstein
Editorial: The University of Chicago Press, United States (1994)
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Descripción The University of Chicago Press, United States, 1994. Paperback. Estado de conservación: New. 2nd. Language: English . Brand New Book. In recent decades, increased specialization has sharply separated music theory from historical musicology. Music Theory and the Exploration of the Past brings together a group of essays--written by theorists and musicologists--that seek to bridge this gap. This collection shows that music theory can join forces with historical musicology to produce a more humanistic form of musical scholarship. In nineteen essays dealing with musical theories from the twelfth to the twentieth century, two recurring themes emerge. One is the need to understand the historical circumstances of the writing and reception of theory, a humanistic approach that gives theory a place within social and intellectual history. The other is the advantages of applying contemporaneous theory to the music of a given period, thus linking theory to the history of musical styles and structures. The periods given principal attention in these essays are the Renaissance, the years around 1800, and the twentieth century. Abundantly illustrated with musical examples, Music Theory and the Exploration of the Past offers models of new practical applications of theory to the analysis of music. At the same time, it raises the broader question of how historical knowledge can deepen the understanding of an art and of systematic writings about that art. Nº de ref. de la librería AAH9780226319025

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Christopher Hatch, David W. Bernstein
Editorial: The University of Chicago Press, United States (1994)
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Descripción The University of Chicago Press, United States, 1994. Paperback. Estado de conservación: New. 2nd. Language: English . Brand New Book. In recent decades, increased specialization has sharply separated music theory from historical musicology. Music Theory and the Exploration of the Past brings together a group of essays--written by theorists and musicologists--that seek to bridge this gap. This collection shows that music theory can join forces with historical musicology to produce a more humanistic form of musical scholarship. In nineteen essays dealing with musical theories from the twelfth to the twentieth century, two recurring themes emerge. One is the need to understand the historical circumstances of the writing and reception of theory, a humanistic approach that gives theory a place within social and intellectual history. The other is the advantages of applying contemporaneous theory to the music of a given period, thus linking theory to the history of musical styles and structures. The periods given principal attention in these essays are the Renaissance, the years around 1800, and the twentieth century. Abundantly illustrated with musical examples, Music Theory and the Exploration of the Past offers models of new practical applications of theory to the analysis of music. At the same time, it raises the broader question of how historical knowledge can deepen the understanding of an art and of systematic writings about that art. Nº de ref. de la librería AAH9780226319025

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Descripción University of Chicago Press, 1993. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería WG-9780226319025

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Descripción Univ of Chicago. Estado de conservación: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2548515

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Christopher Hatch, David W. Bernstein
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Descripción The University of Chicago Press. Paperback. Estado de conservación: new. BRAND NEW, Music Theory and the Exploration of the Past (2nd), Christopher Hatch, David W. Bernstein, In recent decades, increased specialization has sharply separated music theory from historical musicology. Music Theory and the Exploration of the Past brings together a group of essays--written by theorists and musicologists--that seek to bridge this gap. This collection shows that music theory can join forces with historical musicology to produce a more humanistic form of musical scholarship. In nineteen essays dealing with musical theories from the twelfth to the twentieth century, two recurring themes emerge. One is the need to understand the historical circumstances of the writing and reception of theory, a humanistic approach that gives theory a place within social and intellectual history. The other is the advantages of applying contemporaneous theory to the music of a given period, thus linking theory to the history of musical styles and structures. The periods given principal attention in these essays are the Renaissance, the years around 1800, and the twentieth century. Abundantly illustrated with musical examples, Music Theory and the Exploration of the Past offers models of new practical applications of theory to the analysis of music. At the same time, it raises the broader question of how historical knowledge can deepen the understanding of an art and of systematic writings about that art. Nº de ref. de la librería B9780226319025

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Descripción 1994. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería TX-9780226319025

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Descripción University Of Chicago Press. PAPERBACK. Estado de conservación: New. 0226319024 New Condition. Nº de ref. de la librería NEW6.0096975

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Descripción 1994. PAP. Estado de conservación: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería IB-9780226319025

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