The Rhetoric of Perspective: Realism and Illusionism in Seventeenth-Century Dutch Still-Life Painting

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9780226309682: The Rhetoric of Perspective: Realism and Illusionism in Seventeenth-Century Dutch Still-Life Painting

Book by Grootenboer Hanneke

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"A fresh turn with the thoughts and methods of Heidegger, Pascal, Barthes, Lacan, and Merleau-Ponty . . . . Tightly focused and yet broadly significant, "The Rhetoric of Perspective" represents a bold act of 'historiographic experimentation'. . . . Admirably, the book enacts some of the very traits of its subject -- moderation, modesty, and restraint--about specific images that in turn generate a persuasive clarity about greater ideas. Grootenboer advances, in a sterling exposition, the worthy project of understanding the genre of still life. . . . A book respectable in every detail."--John Hagood"Art Libraries Society of North America" (06/01/2006)

Reseña del editor:

Perspective determines how we, as viewers, perceive painting. We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the way these objects are rendered. Likewise, the trick of perspective can prevent us from being absorbed in a scene. Connecting contemporary critical theory with close readings of seventeenth-century Dutch visual culture, The Rhetoric of Perspective puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image. Aided by a stunning full-color gallery, Hanneke Grootenboer proposes a new theory of perspective based on the phenomenological aspects of non-narrative still-life, trompe l'oeil, and anamorphic imagery. Drawing on playful and mesmerizing baroque images, Grootenboer characterizes what she calls their "sophisticated deceit," asserting that painting is more about visual representation than about its supposed objects. Offering an original theory of perspective's impact on pictorial representation, the act of looking, and the understanding of truth in painting, Grootenboer, shows how these paintings both question the status of representation and explore the limits and credibility of perception.

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Hanneke Grootenboer
Editorial: The University of Chicago Press, United States (2005)
ISBN 10: 0226309681 ISBN 13: 9780226309682
Nuevos Tapa dura Cantidad: 1
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Descripción The University of Chicago Press, United States, 2005. Hardback. Estado de conservación: New. 2nd. 226 x 160 mm. Language: English . Brand New Book. Perspective determines how we, as viewers, perceive painting. We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the way these objects are rendered. Likewise, the trick of perspective can prevent us from being absorbed in a scene. Connecting contemporary critical theory with close readings of seventeenth-century Dutch visual culture, The Rhetoric of Perspective puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image. Aided by a stunning full-color gallery, Hanneke Grootenboer proposes a new theory of perspective based on the phenomenological aspects of non-narrative still-life, trompe l oeil, and anamorphic imagery. Drawing on playful and mesmerizing baroque images, Grootenboer characterizes what she calls their sophisticated deceit, asserting that painting is more about visual representation than about its supposed objects. Offering an original theory of perspective s impact on pictorial representation, the act of looking, and the understanding of truth in painting, Grootenboer, shows how these paintings both question the status of representation and explore the limits and credibility of perception. Nº de ref. de la librería AAH9780226309682

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Hanneke Grootenboer
Editorial: The University of Chicago Press, United States (2005)
ISBN 10: 0226309681 ISBN 13: 9780226309682
Nuevos Tapa dura Cantidad: 1
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Descripción The University of Chicago Press, United States, 2005. Hardback. Estado de conservación: New. 2nd. 226 x 160 mm. Language: English . Brand New Book. Perspective determines how we, as viewers, perceive painting. We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the way these objects are rendered. Likewise, the trick of perspective can prevent us from being absorbed in a scene. Connecting contemporary critical theory with close readings of seventeenth-century Dutch visual culture, The Rhetoric of Perspective puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image. Aided by a stunning full-color gallery, Hanneke Grootenboer proposes a new theory of perspective based on the phenomenological aspects of non-narrative still-life, trompe l oeil, and anamorphic imagery. Drawing on playful and mesmerizing baroque images, Grootenboer characterizes what she calls their sophisticated deceit, asserting that painting is more about visual representation than about its supposed objects.Offering an original theory of perspective s impact on pictorial representation, the act of looking, and the understanding of truth in painting, Grootenboer, shows how these paintings both question the status of representation and explore the limits and credibility of perception. Nº de ref. de la librería AAH9780226309682

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Descripción Univ of Chicago. Estado de conservación: BRAND NEW. BRAND NEW Hardcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2546700

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Hanneke Grootenboer
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Descripción University of Chicago Press, 2005. HRD. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería WG-9780226309682

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Descripción University of Chicago press. Estado de conservación: New. Brand New. Nº de ref. de la librería 0226309681

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Descripción 2005. HRD. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería TX-9780226309682

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Descripción 2005. HRD. Estado de conservación: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería IB-9780226309682

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Descripción Univ of Chicago Pr, 2005. Hardcover. Estado de conservación: Brand New. 1st edition. 246 pages. 9.00x6.25x1.00 inches. In Stock. Nº de ref. de la librería __0226309681

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GROOTENBOER, H.
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Descripción UNIVERSITY OF CHICAGO PRESS, CHICAGO, IL, 2005. Encuadernacion original. Estado de conservación: NUEVO / NEW. GROOTENBOER, H. THE RHETORIC OF PERSPECTIVE. REALISM AND ILLUSIONISM IN SEVENTEENTH-CENTURY DUTCH STILL-LIFE PAINTING. CHICAGO, IL, 2005, xiii 231 p. figuras Encuadernacion original. Nuevo. Nº de ref. de la librería 378600

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Hanneke Grootenboer
Editorial: The University of Chicago Press, United States (2005)
ISBN 10: 0226309681 ISBN 13: 9780226309682
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Descripción The University of Chicago Press, United States, 2005. Hardback. Estado de conservación: New. 2nd. 226 x 160 mm. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Perspective determines how we, as viewers, perceive painting. We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the way these objects are rendered. Likewise, the trick of perspective can prevent us from being absorbed in a scene. Connecting contemporary critical theory with close readings of seventeenth-century Dutch visual culture, The Rhetoric of Perspective puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image. Aided by a stunning full-color gallery, Hanneke Grootenboer proposes a new theory of perspective based on the phenomenological aspects of non-narrative still-life, trompe l oeil, and anamorphic imagery. Drawing on playful and mesmerizing baroque images, Grootenboer characterizes what she calls their sophisticated deceit, asserting that painting is more about visual representation than about its supposed objects.Offering an original theory of perspective s impact on pictorial representation, the act of looking, and the understanding of truth in painting, Grootenboer, shows how these paintings both question the status of representation and explore the limits and credibility of perception. Nº de ref. de la librería BTE9780226309682

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