Daguerreotypes: Fugitive Subjects, Contemporary Objects

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9780226242033: Daguerreotypes: Fugitive Subjects, Contemporary Objects
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""Daguerreotypes" is a superbly insightful investigation that stands on the cutting edge of photography studies. By discussing photography's referentiality as a 'vestigial idea' put to work in text, drawing, and video, these pages are free to explore novel concerns with the medium overlooked in our traditional focus on documentary. Saltzman's case studies correspondingly enunciate an alternative history and critique of photography defined not by truth, reason, and perfect identity with reality, but rather narrative, emotion, fantasy, and fiction. This inventive approach offers a significant contribution to discussions of the medium."--Andres Zervigon, Rutgers, The State University of New Jersey"

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In the digital age, photography confronts its future under the competing signs of ubiquity and obsolescence. While technology allows amateurs and experts alike to create high-quality photographs, new electronic formats have severed the photochemical link between image and subject. At the same time, cinematic, staged, or digitally enhanced art styles stretch the concept of photography and raise questions about its truth value. Despite this ambiguity, photography remains a stubbornly substantive form of evidence. Referenced by artists, filmmakers, and writers as a powerful emblem of truth, photography has found its home in other media at the moment of its own material demise. By examining the medium as articulated in literature, film, and the graphic novel, Daguerreotypes demonstrates how photography secures identity for figures with an unstable sense of self. From Roland Barthes' Camera Lucida to Ridley Scott's Blade Runner, W. G. Sebald's Austerlitz to Alison Bechdel's Fun Home - we find traces of these "fugitive subjects" throughout contemporary culture. Ultimately, Daguerreotypes reveals how the photograph has inspired a range of modern artistic and critical practices.

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Descripción The University of Chicago Press, United States, 2015. Hardback. Estado de conservación: New. 229 x 152 mm. Language: English . Brand New Book. In the digital age, photography confronts its future under the competing signs of ubiquity and obsolescence. While technology allows amateurs and experts alike to create high-quality photographs, new electronic formats have severed the photochemical link between image and subject. At the same time, cinematic, staged, or digitally enhanced art styles stretch the concept of photography and raise questions about its truth value. Despite this ambiguity, photography remains a stubbornly substantive form of evidence. Referenced by artists, filmmakers, and writers as a powerful emblem of truth, photography has found its home in other media at the moment of its own material demise. By examining the medium as articulated in literature, film, and the graphic novel, Daguerreotypes demonstrates how photography secures identity for figures with an unstable sense of self. From Roland Barthes Camera Lucida to Ridley Scott s Blade Runner, W. G. Sebald s Austerlitz to Alison Bechdel s Fun Home - we find traces of these fugitive subjects throughout contemporary culture. Ultimately, Daguerreotypes reveals how the photograph has inspired a range of modern artistic and critical practices. Nº de ref. de la librería AAH9780226242033

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Lisa Saltzman
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Descripción The University of Chicago Press, United States, 2015. Hardback. Estado de conservación: New. 229 x 152 mm. Language: English . Brand New Book. In the digital age, photography confronts its future under the competing signs of ubiquity and obsolescence. While technology allows amateurs and experts alike to create high-quality photographs, new electronic formats have severed the photochemical link between image and subject. At the same time, cinematic, staged, or digitally enhanced art styles stretch the concept of photography and raise questions about its truth value. Despite this ambiguity, photography remains a stubbornly substantive form of evidence. Referenced by artists, filmmakers, and writers as a powerful emblem of truth, photography has found its home in other media at the moment of its own material demise. By examining the medium as articulated in literature, film, and the graphic novel, Daguerreotypes demonstrates how photography secures identity for figures with an unstable sense of self. From Roland Barthes Camera Lucida to Ridley Scott s Blade Runner, W. G. Sebald s Austerlitz to Alison Bechdel s Fun Home - we find traces of these fugitive subjects throughout contemporary culture. Ultimately, Daguerreotypes reveals how the photograph has inspired a range of modern artistic and critical practices. Nº de ref. de la librería AAH9780226242033

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Descripción 2015. Hardcover. Estado de conservación: New. 90mm x 60mm x 12mm. Hardcover. In the digital age, photography confronts its future under the competing signs of ubiquity and obsolescence. While technology allows amateurs and experts alike to create high-quality photo.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 232 pages. 0.467. Nº de ref. de la librería 9780226242033

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