Paul Klee: The Visible and the Legible

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9780226091181: Paul Klee: The Visible and the Legible
Review:

"By far the historically most thorough and perceptive investigation of the role of reading and writing in Klee's work, this study is an excellent contribution to Klee scholarship and certainly the best book on him available today. Bourneuf introduces a significant number of little-known passages from Klee's own writings or early criticism into the discussion, and her interpretations of individual works are masterfully crafted." -Ralph Ubl, University of Basel "Klee continues to fascinate us as a painter, printmaker, and draftsman, but we are also drawn to his activities as a teacher, theorist, and writer. Bourneuf has provided a wonderfully provocative and nuanced reading that highlights the sometimes ambiguous and even ambivalent tension that arose for Klee at the intersection of these activities. This is a sophisticated work that contributes to the scholarship on Klee, the history of abstraction, and the historiography of Modernism as well as the critical issues that frame image making/writing and reading/seeing." -Anna Sigridur Arnar, Minnesota State University Moorhead

From the Publisher:

The fact that Paul Klee (1879 - 1940) consistently intertwined the visual and the verbal in his art has long fascinated commentators from Walter Benjamin to Michel Foucault. However, the questions it prompts have never been satisfactorily answered - until now. In Paul Klee, Annie Bourneuf offers the first full account of the interplay between the visible and the legible in Klee's works from the 1910s and 1920s. Bourneuf argues that Klee joined these elements to invite a manner of viewing that would unfold in time, a process analogous to reading. From his elaborate titles to the small scale he favored to his metaphoric play with materials, Klee created forms that hover between the pictorial and the written, and his concern for literary aspects of visual art was both the motive for and the means of his ironic play with modernist art theories and practices. Through his unique approach, he subverted forms of modernist painting that were generally seen - along with film and other new technologies - as threats to a mode of slow, contemplative viewing. Tracing the fraught relations among seeing, reading, and imagining in early twentieth-century Germany, Bourneuf ultimately shows how Klee reimagined abstraction at a key moment in its development.

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Bourneuf, Annie
Editorial: University Of Chicago Press (2015)
ISBN 10: 022609118X ISBN 13: 9780226091181
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Descripción University Of Chicago Press, 2015. Estado de conservación: New. 256 pp., Hardcover, NEW!!! in a fine dust jacket. Nº de ref. de la librería ZB1051245

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Bourneuf, Annie
Editorial: University Of Chicago Press (2015)
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Descripción University Of Chicago Press, 2015. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: "Klee continues to fascinate us as a painter, printmaker, and draftsman, but we are also drawn to his activities as a teacher, theorist, and writer. Bourneuf has provided a wonderfully provocative and nuanced reading that highlights the sometimes ambiguous and even ambivalent tension that arose for Klee at the intersection of these activities. This is a sophisticated work that contributes to the scholarship on Klee, the history of abstraction, and the historiography of Modernism as well as the critical issues that frame image making/writing and reading/seeing.". Nº de ref. de la librería ABE_book_new_022609118X

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ISBN 10: 022609118X ISBN 13: 9780226091181
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Descripción The University of Chicago Press, United States, 2015. Hardback. Estado de conservación: New. 236 x 185 mm. Language: English . Brand New Book. The fact that Paul Klee (1879 - 1940) consistently intertwined the visual and the verbal in his art has long fascinated commentators from Walter Benjamin to Michel Foucault. However, the questions it prompts have never been satisfactorily answered - until now. In Paul Klee, Annie Bourneuf offers the first full account of the interplay between the visible and the legible in Klee s works from the 1910s and 1920s. Bourneuf argues that Klee joined these elements to invite a manner of viewing that would unfold in time, a process analogous to reading. From his elaborate titles to the small scale he favored to his metaphoric play with materials, Klee created forms that hover between the pictorial and the written, and his concern for literary aspects of visual art was both the motive for and the means of his ironic play with modernist art theories and practices. Through his unique approach, he subverted forms of modernist painting that were generally seen - along with film and other new technologies - as threats to a mode of slow, contemplative viewing. Tracing the fraught relations among seeing, reading, and imagining in early twentieth-century Germany, Bourneuf ultimately shows how Klee reimagined abstraction at a key moment in its development. Nº de ref. de la librería AAH9780226091181

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Bourneuf, Annie
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ISBN 10: 022609118X ISBN 13: 9780226091181
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Descripción The University of Chicago Press, United States, 2015. Hardback. Estado de conservación: New. 236 x 185 mm. Language: English . Brand New Book. The fact that Paul Klee (1879 - 1940) consistently intertwined the visual and the verbal in his art has long fascinated commentators from Walter Benjamin to Michel Foucault. However, the questions it prompts have never been satisfactorily answered - until now. In Paul Klee, Annie Bourneuf offers the first full account of the interplay between the visible and the legible in Klee s works from the 1910s and 1920s. Bourneuf argues that Klee joined these elements to invite a manner of viewing that would unfold in time, a process analogous to reading. From his elaborate titles to the small scale he favored to his metaphoric play with materials, Klee created forms that hover between the pictorial and the written, and his concern for literary aspects of visual art was both the motive for and the means of his ironic play with modernist art theories and practices. Through his unique approach, he subverted forms of modernist painting that were generally seen - along with film and other new technologies - as threats to a mode of slow, contemplative viewing. Tracing the fraught relations among seeing, reading, and imagining in early twentieth-century Germany, Bourneuf ultimately shows how Klee reimagined abstraction at a key moment in its development. Nº de ref. de la librería AAH9780226091181

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Descripción Univ of Chicago. Estado de conservación: BRAND NEW. BRAND NEW Hardcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2103876

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Descripción UNIVERSITY OF CHICAGO PRESS, United States, 2015. Hardcover. Estado de conservación: New. HARDCOVER Legendary independent bookstore online since 1994. Reliable customer service and no-hassle return policy. New Arrivals. Book: NEW, New. Bookseller Inventory # 01978022609118100. Nº de ref. de la librería 01978022609118100

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Editorial: University of Chicago Press July 2015 (2015)
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Descripción University of Chicago Press July 2015, 2015. Hardcover. Estado de conservación: New. The fact that Paul Klee (1879 1940) consistently intertwined the visual and the verbal in his art has long fascinated commentators from Walter Benjamin to Michel Foucault. However, the questions it prompts have never been satisfactorily answered until now. In'Paul Klee,' Annie Bourneuf offers the first full account of the interplay between the visible and the legible in Klee s works from the 1910s and 1920s. Bourneuf argues that Klee joined these elements to invite a manner of viewing that would unfold in time, a process analogous to reading. From his elaborate titles to the small scale he favored to his metaphoric play with materials, Klee created forms that hover between the pictorial and the written. Through his unique approach, he subverted forms of modernist painting that were generally seen to threaten slow, contemplative viewing. Tracing the fraught relations among seeing, reading, and imagining in the early twentieth century, Bourneuf shows how Klee reconceptualized abstraction at a key moment in its development.'. Nº de ref. de la librería 194005

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