The Experimenters: Chance and Design at Black Mountain College

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9780226067988: The Experimenters: Chance and Design at Black Mountain College
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"In this highly evocative and well-executed study, Diaz explores the innovative pedagogical practices that were developed at Black Mountain College in its heyday. Respectful of the distinct teaching methods of the College's most notable faculty, Diaz nonetheless finds a common experimental basis to the artworks and inventions produced by their students in the late 1940s and early 1950s. "The Experimenters" is nuanced, erudite, and intellectually wide-ranging. It will be essential reading for anyone interested in the development of mid-twentieth-century art in the United States."--Alexander Alberro, author of Conceptual Art and the Politics of Publicity

Reseña del editor:

Practically every major artistic figure of the mid-twentieth century spent some time at Black Mountain College: Harry Callahan, Merce Cunningham, Walter Gropius, Willem and Elaine de Kooning, Robert Motherwell, Robert Rauschenberg, Aaron Siskind, Cy Twombly - the list goes on and on. Yet scholars have tended to view these artists' time at the college as little more than prologue, a step on their way to greatness. With The Experimenters, Eva Diaz reveals the influence of Black Mountain College - and especially of three key instructors, Josef Albers, John Cage, and R. Buckminster Fuller - to be much greater than that. Diaz's focus is on experimentation. Albers, Cage, and Fuller, she shows, taught new models of art making that favored testing procedures rather than personal expression. The resulting projects not only reconfigured the relationships among chance, order, and design - they helped redefine what artistic practice was, and could be, for future generations. Offering a bold, compelling new angle on some of the most widely studied creative minds of the twentieth century, The Experimenters does nothing less than rewrite the story of art in the mid-twentieth century.

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Descripción The University of Chicago Press, United States, 2015. Hardback. Estado de conservación: New. 252 x 178 mm. Language: English . Brand New Book. Practically every major artistic figure of the mid-twentieth century spent some time at Black Mountain College: Harry Callahan, Merce Cunningham, Walter Gropius, Willem and Elaine de Kooning, Robert Motherwell, Robert Rauschenberg, Aaron Siskind, Cy Twombly - the list goes on and on. Yet scholars have tended to view these artists time at the college as little more than prologue, a step on their way to greatness. With The Experimenters, Eva Diaz reveals the influence of Black Mountain College - and especially of three key instructors, Josef Albers, John Cage, and R. Buckminster Fuller - to be much greater than that. Diaz s focus is on experimentation. Albers, Cage, and Fuller, she shows, taught new models of art making that favored testing procedures rather than personal expression. The resulting projects not only reconfigured the relationships among chance, order, and design - they helped redefine what artistic practice was, and could be, for future generations. Offering a bold, compelling new angle on some of the most widely studied creative minds of the twentieth century, The Experimenters does nothing less than rewrite the story of art in the mid-twentieth century. Nº de ref. de la librería AAZ9780226067988

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Descripción The University of Chicago Press, United States, 2015. Hardback. Estado de conservación: New. 252 x 178 mm. Language: English . Brand New Book. Practically every major artistic figure of the mid-twentieth century spent some time at Black Mountain College: Harry Callahan, Merce Cunningham, Walter Gropius, Willem and Elaine de Kooning, Robert Motherwell, Robert Rauschenberg, Aaron Siskind, Cy Twombly - the list goes on and on. Yet scholars have tended to view these artists time at the college as little more than prologue, a step on their way to greatness. With The Experimenters, Eva Diaz reveals the influence of Black Mountain College - and especially of three key instructors, Josef Albers, John Cage, and R. Buckminster Fuller - to be much greater than that. Diaz s focus is on experimentation. Albers, Cage, and Fuller, she shows, taught new models of art making that favored testing procedures rather than personal expression. The resulting projects not only reconfigured the relationships among chance, order, and design - they helped redefine what artistic practice was, and could be, for future generations. Offering a bold, compelling new angle on some of the most widely studied creative minds of the twentieth century, The Experimenters does nothing less than rewrite the story of art in the mid-twentieth century. Nº de ref. de la librería AAZ9780226067988

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Descripción Estado de conservación: New. Nº de ref. de la librería 21433102-n

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Editorial: The University of Chicago Press 2015-01-09, Chicago, IL (2015)
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Descripción The University of Chicago Press 2015-01-09, Chicago, IL, 2015. hardback. Estado de conservación: New. Nº de ref. de la librería 9780226067988

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Descripción The University of Chicago Press. Hardback. Estado de conservación: new. BRAND NEW, The Experimenters: Chance and Design at Black Mountain College, Eva Diaz, Practically every major artistic figure of the mid-twentieth century spent some time at Black Mountain College: Harry Callahan, Merce Cunningham, Walter Gropius, Willem and Elaine de Kooning, Robert Motherwell, Robert Rauschenberg, Aaron Siskind, Cy Twombly - the list goes on and on. Yet scholars have tended to view these artists' time at the college as little more than prologue, a step on their way to greatness. With The Experimenters, Eva Diaz reveals the influence of Black Mountain College - and especially of three key instructors, Josef Albers, John Cage, and R. Buckminster Fuller - to be much greater than that. Diaz's focus is on experimentation. Albers, Cage, and Fuller, she shows, taught new models of art making that favored testing procedures rather than personal expression. The resulting projects not only reconfigured the relationships among chance, order, and design - they helped redefine what artistic practice was, and could be, for future generations. Offering a bold, compelling new angle on some of the most widely studied creative minds of the twentieth century, The Experimenters does nothing less than rewrite the story of art in the mid-twentieth century. Nº de ref. de la librería B9780226067988

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Descripción Univ of Chicago. Estado de conservación: BRAND NEW. BRAND NEW Hardcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2092705

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D?az, Eva
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Descripción University Of Chicago Press, 2014. Estado de conservación: New. Practically every major artistic figure of the mid-twentieth century spent some time at Black Mountain College: Harry Callahan, Merce Cunningham, Walter Gropius, Willem and Elaine de Kooning, Robert Motherwell, Robert Rauschenberg, Aaron Siskind, Cy Twombly - the list goes on and on. This book reveals the influence of Black Mountain College. Num Pages: 256 pages, 20 colour plates, 58 halftones. BIC Classification: 1KBBFN; ACX. Category: (G) General (US: Trade). Dimension: 264 x 179 x 20. Weight in Grams: 808. . 2014. Hardcover. . . . . . Nº de ref. de la librería V9780226067988

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Eva Diaz
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Descripción University of Chicago Press, 2015. HRD. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería GB-9780226067988

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