Systems We Have Loved: Conceptual Art, Affect, and the Antihumanist Turn

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9780226007885: Systems We Have Loved: Conceptual Art, Affect, and the Antihumanist Turn
Review:

"Simply put, Systems We Have Loved is a gorgeous discussion of art, ideas, and their intercourse. But it is the tangible patience, care, and aptness of Eve Meltzer's own language that bring about the book's specific and considerable accomplishment: here is a successful and nuanced reawakening of the fervent optimism that, surprisingly, engendered some of the 'coolest' art produced under the rubric of conceptualism." (Darby English, University of Chicago)"

From the Publisher:

By the early 1960s, theorists like Levi-Strauss, Lacan, Foucault, and Barthes had created a world ruled by signifying structures and pictured through the grids of language, information, and systems. Artists soon followed, turning to language and its related forms to devise a new, conceptual approach to art making. Examining the ways in which artists shared the structuralist devotion to systems of many sorts, "Systems We Have Loved" shows that even as structuralism encouraged the advent of conceptual art, it also raised intractable problems that artists were forced to confront. Considering such notable art figures as Mary Kelly, Robert Morris, Robert Smithson, and Rosalind Krauss, Eve Meltzer argues that during this period the visual arts depicted and tested the far-reaching claims about subjectivity espoused by theorists. She offers a new way of framing two of the twentieth century's most transformative movements - one artistic, one expansively theoretical - and she reveals their shared dream - or nightmare - of the world as a system of signs. By endorsing this view, Meltzer proposes, these artists drew attention to the fictions and limitations of this dream, even as they risked getting caught in the very systems they had adopted. The first book to describe art's embrace of the world as an information system, "Systems We Have Loved" breathes new life into the study of conceptual art.

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Meltzer, Eve
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Descripción University of Chicago press. Estado de conservación: New. Brand New. Nº de ref. de la librería 022600788X

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Descripción Estado de conservación: New. Nº de ref. de la librería 19135691-n

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Meltzer, Eve
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Descripción The University of Chicago Press, United States, 2013. Hardback. Estado de conservación: New. 236 x 184 mm. Language: English . Brand New Book. By the early 1960s, theorists like Levi-Strauss, Lacan, Foucault, and Barthes had created a world ruled by signifying structures and pictured through the grids of language, information, and systems. Artists soon followed, turning to language and its related forms to devise a new, conceptual approach to art making. Examining the ways in which artists shared the structuralist devotion to systems of many sorts, Systems We Have Loved shows that even as structuralism encouraged the advent of conceptual art, it also raised intractable problems that artists were forced to confront. Considering such notable art figures as Mary Kelly, Robert Morris, Robert Smithson, and Rosalind Krauss, Eve Meltzer argues that during this period the visual arts depicted and tested the far-reaching claims about subjectivity espoused by theorists. She offers a new way of framing two of the twentieth century s most transformative movements - one artistic, one expansively theoretical - and she reveals their shared dream - or nightmare - of the world as a system of signs. By endorsing this view, Meltzer proposes, these artists drew attention to the fictions and limitations of this dream, even as they risked getting caught in the very systems they had adopted. The first book to describe art s embrace of the world as an information system, Systems We Have Loved breathes new life into the study of conceptual art. Nº de ref. de la librería AAH9780226007885

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Meltzer, Eve
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Descripción The University of Chicago Press, United States, 2013. Hardback. Estado de conservación: New. 236 x 184 mm. Language: English . Brand New Book. By the early 1960s, theorists like Levi-Strauss, Lacan, Foucault, and Barthes had created a world ruled by signifying structures and pictured through the grids of language, information, and systems. Artists soon followed, turning to language and its related forms to devise a new, conceptual approach to art making. Examining the ways in which artists shared the structuralist devotion to systems of many sorts, Systems We Have Loved shows that even as structuralism encouraged the advent of conceptual art, it also raised intractable problems that artists were forced to confront. Considering such notable art figures as Mary Kelly, Robert Morris, Robert Smithson, and Rosalind Krauss, Eve Meltzer argues that during this period the visual arts depicted and tested the far-reaching claims about subjectivity espoused by theorists. She offers a new way of framing two of the twentieth century s most transformative movements - one artistic, one expansively theoretical - and she reveals their shared dream - or nightmare - of the world as a system of signs. By endorsing this view, Meltzer proposes, these artists drew attention to the fictions and limitations of this dream, even as they risked getting caught in the very systems they had adopted. The first book to describe art s embrace of the world as an information system, Systems We Have Loved breathes new life into the study of conceptual art. Nº de ref. de la librería AAH9780226007885

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Meltzer, Eve
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Descripción Univ of Chicago. Estado de conservación: BRAND NEW. BRAND NEW Hardcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2093138

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Meltzer, Eve
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Descripción University of Chicago Press, 2013. HRD. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería WG-9780226007885

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Descripción University Of Chicago Press, 2013. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: "Simply put, Systems We Have Loved is a gorgeous discussion of art, ideas, and their intercourse. But it is the tangible patience, care, and aptness of Eve Meltzer's own language that bring about the book's specific and considerable accomplishment: here is a successful and nuanced reawakening of the fervent optimism that, surprisingly, engendered some of the 'coolest' art produced under the rubric of conceptualism.". Nº de ref. de la librería ABE_book_new_022600788X

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Descripción Univ of Chicago. Estado de conservación: BRAND NEW. BRAND NEW Hardcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2268119

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Meltzer, Eve
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Descripción Univ of Chicago Pr, 2013. Hardcover. Estado de conservación: Brand New. 240 pages. 9.00x7.25x1.00 inches. In Stock. Nº de ref. de la librería __022600788X

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Descripción 2013. Hardback. Estado de conservación: NEW. 9780226007885 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Nº de ref. de la librería HTANDREE0938632

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