Soviet Cinematography, 1918-1991: Ideological Conflict and Social Reality (Communication & Social Order)

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9780202304625: Soviet Cinematography, 1918-1991: Ideological Conflict and Social Reality (Communication & Social Order)
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"Outstanding Title!... The Shlapentokhs proceed simply. They make a statement about the Soviet Union (or even post Soviet Union), a statement of sociology, politics, religion, or psychology (like xenophobia or crime); then they support the statement (or contradict it with exceptions) by examining a handful of movies. The result, however, is far from simple; it is a superlative, rich, advanced course in the conflict between the real Soviet world and "the fictional reality created by directors attempting to obey the injunctions of the ideological apparatus..". Oddly enough, all the good books on Soviet cinema are now 20 years old; this new book concentrates on these 20 years. The best parts concern Stalin. Whenever a movie is about Stalin, directly or indirectly, positively or negatively, the book becomes vital, dramatic, unique... [I]t is the most fascinating and up to date." --P. H. Stacy, Choice "In Soviet Cinematography, 1918-1991, Dmitry and Vladimir Shlapentokh set a specifically "sociological" agenda for themselves, to "examine the influence of official ideology, i.e., the ideology supported by the centralized state, on the presentation of social reality by Soviet cinema..". The book consists of a chronological cataloging of several hundred Soviet films." --Denise J. Youngblood, Slavic Review "Dmitry and Vladimir Shlapentokh... trace the history of Soviet cinema by noting the effects of various state-mandated ideologies on selected films." --Vance Kepley, Jr., The Russian Review

From the Publisher:

With a historical sweep that recent events have made definitive, the authors examine the influence of Soviet ideology on the presentation of social reality in films produced in the Soviet Union between the October Revolution and the final days of glasnost. Within the framework of an introduction that lays out the conceptual terminology used to describe that shifting ideological landscape, the authors analyze both the social groups appearing in the films and the relations of film directors and other film makers to state censorship and ideological control.

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Shlapentokh, Dmitry; Shlapentokh, Vladimir; Shlapentokh, Omitry
Editorial: Aldine Transaction (1993)
ISBN 10: 0202304620 ISBN 13: 9780202304625
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Descripción Aldine Transaction, 1993. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0202304620

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Shlapentokh, Dmitry; Shlapentokh, Vladimir; Shlapentokh, Omitry
Editorial: Aldine Transaction
ISBN 10: 0202304620 ISBN 13: 9780202304625
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Descripción Aldine Transaction. Estado de conservación: BRAND NEW. BRAND NEW Softcover - With a historical sweep that recent events have made definitive, the authors examine theinfluence of Soviet ideology on the presentation of social reality in films produced in the SovietUnion between the October Revolution and the final days of glasnost. Within the framework of an introduction that lays out the conceptual terminology used to describe that shifting ideological landscape,the authors analyze both the social groups appearing in the films and the relations of film directors and other film makers to state censorship and ideological control. A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2301167

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Shlapentokh, Dmitry; Shlapentokh, Vladimir; Shlapentokh, Omitry
Editorial: Aldine Transaction (1993)
ISBN 10: 0202304620 ISBN 13: 9780202304625
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Descripción Aldine Transaction, 1993. Paperback. Estado de conservación: New. Nº de ref. de la librería DADAX0202304620

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Shlapentokh, Dmitry; Shlapentokh, Vladimir; Shlapentokh, Omitry
Editorial: Transaction Publishers, United States (1993)
ISBN 10: 0202304620 ISBN 13: 9780202304625
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Descripción Transaction Publishers, United States, 1993. Paperback. Estado de conservación: New. New.. 228 x 149 mm. Language: English . Brand New Book. With a historical sweep that recent events have made definitive, the authors examine the influence of Soviet ideology on the presentation of social reality in films produced in the Soviet Union between the October Revolution and the final days of glasnost. Within the framework of an introduction that lays out the conceptual terminology used to describe that shifting ideological landscape, the authors analyze both the social groups appearing in the films and the relations of film directors and other film makers to state censorship and ideological control. Nº de ref. de la librería AAN9780202304625

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Shlapentokh, Dmitry; Shlapentokh, Vladimir; Shlapentokh, Omitry
Editorial: Transaction Publishers, United States (1993)
ISBN 10: 0202304620 ISBN 13: 9780202304625
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Descripción Transaction Publishers, United States, 1993. Paperback. Estado de conservación: New. New.. 228 x 149 mm. Language: English . Brand New Book. With a historical sweep that recent events have made definitive, the authors examine the influence of Soviet ideology on the presentation of social reality in films produced in the Soviet Union between the October Revolution and the final days of glasnost. Within the framework of an introduction that lays out the conceptual terminology used to describe that shifting ideological landscape, the authors analyze both the social groups appearing in the films and the relations of film directors and other film makers to state censorship and ideological control. Nº de ref. de la librería AAN9780202304625

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Shlapentokh, Dmitry; Shlapentokh, Vladimir; Shlapentokh, Omitry
Editorial: Transaction Publishers
ISBN 10: 0202304620 ISBN 13: 9780202304625
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Descripción Transaction Publishers. Paperback. Estado de conservación: new. BRAND NEW, Soviet Cinematography 1918-1991: Ideological Conflict and Social Reality, Dmitry Shlapentokh, Vladimir Shlapentokh, With a historical sweep that recent events have made definitive, the authors examine the influence of Soviet ideology on the presentation of social reality in films produced in the Soviet Union between the October Revolution and the final days of glasnost. Within the framework of an introduction that lays out the conceptual terminology used to describe that shifting ideological landscape, the authors analyze both the social groups appearing in the films and the relations of film directors and other film makers to state censorship and ideological control. Nº de ref. de la librería B9780202304625

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Shlapentokh, Dmitry; Shlapentokh, Vladimir; Shlapentokh, Omitry
Editorial: Transaction Publishers (1993)
ISBN 10: 0202304620 ISBN 13: 9780202304625
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Descripción Transaction Publishers, 1993. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería CE-9780202304625

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Shlapentokh, Dmitry; Shlapentokh, Vladimir; Shlapentokh, Omitry
Editorial: Aldine De Gruyter (1993)
ISBN 10: 0202304620 ISBN 13: 9780202304625
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Descripción Aldine De Gruyter, 1993. Paperback. Estado de conservación: Brand New. 1st edition. 278 pages. 9.00x6.00x0.50 inches. In Stock. Nº de ref. de la librería __0202304620

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Shlapentokh, Dmitry; Shlapentokh, Vladimir; Shlapentokh, Omitry
ISBN 10: 0202304620 ISBN 13: 9780202304625
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Descripción 1993. Paperback. Estado de conservación: New. 0003rd. 149mm x 17mm x 228mm. Paperback. With a historical sweep that recent events have made definitive, the authors examine the influence of Soviet ideology on the presentation of social reality in films produced i.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 278 pages. 0.399. Nº de ref. de la librería 9780202304625

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Shlapentokh, Dmitry; Shlapentokh, Vladimir; Shlapentokh, Omitry
ISBN 10: 0202304620 ISBN 13: 9780202304625
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Descripción Estado de conservación: Brand New. Book Condition: Brand New. Nº de ref. de la librería 97802023046251.0

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