Composing for the Red Screen: Prokofiev and Soviet Film (Oxford Music/Media Series)

0 valoración promedio
( 0 valoraciones por Goodreads )
 
9780199967599: Composing for the Red Screen: Prokofiev and Soviet Film (Oxford Music/Media Series)

Book by Bartig Kevin

"Sinopsis" puede pertenecer a otra edición de este libro.

Críticas:

"A long-awaited, much-needed contribution to Prokofiev studies and Soviet cinema history. In Kevin Bartig's account, Alexander Nevsky, a showcase score of enduring appeal, becomes utterly fresh, and Ivan the Terrible even more compellingly bizarre. Highlights include a meticulous chronicle of the unfinished film The Queen of Spades, one of the great might-have-beens in the Soviet canon. Bartig also makes the case for the commercial (or at least educational) release of Tonya, a propagandistic film of modest musical appeal, while also filling in details of Prokofiev's service to Soviet power during the Second World War." --Simon Morrison, author of The People's Artist: Prokofiev's Soviet Years"Bartig's book is essential reading for all Russian film scholars. He makes the technical musicology of Prokofiev's film scores accessible, and he integrates his profound understanding of the composer's work into deeply researched historical studies of each of the films, giving us a world of new insights into a critical facet of film making that is rarely discussed." --Joan Neuberger, author of Ivan the Terrible: The Film Companion"Bartig is the world's leading authority on Prokofiev's film music. Not only is his knowledge compendious, but he is able to look at even the best known scores with fresh eyes, and uncovers some fascinating stories in dark and dusty corners. The book is brimming with insights into Prokofiev's unique gifts and helps us situate the composer better in the Soviet cultural landscape." --Marina Frolova-Walker, author of Music and Soviet Power, 1917-32

Reseña del editor:

Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Hollywood luminaries such as Gloria Swanson tempted him with commissions, and arguably more people heard his film music than his efforts in all other genres combined. Films for which Prokofiev composed, in particular those of Sergey Eisenstein, are now classics of world cinema. Drawing on newly available sources, Composing for the Red Screen examines—for the first time—the full extent of this prodigious cinematic career.

Bartig examines how Prokofiev's film music derived from a self-imposed challenge: to compose "serious" music for a broad audience. The picture that emerges is of a composer seeking an individual film-music voice, shunning Hollywood models and objecting to his Soviet colleagues' ideologically expedient film songs. Looking at Prokofiev's film music as a whole—with well-known blockbusters like Alexander Nevsky considered alongside more obscure or aborted projects—reveals that there were multiple solutions to the challenge, each with varying degrees of success. Prokofiev carefully balanced his own populist agenda, the perceived aesthetic demands of the films themselves, and, later on, Soviet bureaucratic demands for accessibility.

"Sobre este título" puede pertenecer a otra edición de este libro.

Comprar nuevo Ver libro

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America

Destinos, gastos y plazos de envío

Añadir al carrito

Los mejores resultados en AbeBooks

1.

Kevin Bartig
Editorial: Oxford University Press Inc, United States (2013)
ISBN 10: 0199967598 ISBN 13: 9780199967599
Nuevos Tapa dura Cantidad: 1
Librería
The Book Depository
(London, Reino Unido)
Valoración
[?]

Descripción Oxford University Press Inc, United States, 2013. Hardback. Estado de conservación: New. 236 x 157 mm. Language: English . Brand New Book. Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Hollywood luminaries such as Gloria Swanson tempted him with commissions, and arguably more people heard his film music than his efforts in all other genres combined. Films for which Prokofiev composed, in particular those of Sergey Eisenstein, are now classics of world cinema. Drawing on newly available sources, Composing for the Red Screen examines-for the first time-the full extent of this prodigious cinematic career. Bartig examines how Prokofiev s film music derived from a self-imposed challenge: to compose serious music for a broad audience. The picture that emerges is of a composer seeking an individual film-music voice, shunning Hollywood models and objecting to his Soviet colleagues ideologically expedient film songs. Looking at Prokofiev s film music as a whole-with well-known blockbusters like Alexander Nevsky considered alongside more obscure or aborted projects-reveals that there were multiple solutions to the challenge, each with varying degrees of success. Prokofiev carefully balanced his own populist agenda, the perceived aesthetic demands of the films themselves, and, later on, Soviet bureaucratic demands for accessibility. Nº de ref. de la librería AOP9780199967599

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 39,76
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

2.

Kevin Bartig
Editorial: Oxford University Press Inc, United States (2013)
ISBN 10: 0199967598 ISBN 13: 9780199967599
Nuevos Tapa dura Cantidad: 1
Librería
The Book Depository US
(London, Reino Unido)
Valoración
[?]

Descripción Oxford University Press Inc, United States, 2013. Hardback. Estado de conservación: New. 236 x 157 mm. Language: English . Brand New Book. Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Hollywood luminaries such as Gloria Swanson tempted him with commissions, and arguably more people heard his film music than his efforts in all other genres combined. Films for which Prokofiev composed, in particular those of Sergey Eisenstein, are now classics of world cinema. Drawing on newly available sources, Composing for the Red Screen examines-for the first time-the full extent of this prodigious cinematic career. Bartig examines how Prokofiev s film music derived from a self-imposed challenge: to compose serious music for a broad audience. The picture that emerges is of a composer seeking an individual film-music voice, shunning Hollywood models and objecting to his Soviet colleagues ideologically expedient film songs. Looking at Prokofiev s film music as a whole-with well-known blockbusters like Alexander Nevsky considered alongside more obscure or aborted projects-reveals that there were multiple solutions to the challenge, each with varying degrees of success. Prokofiev carefully balanced his own populist agenda, the perceived aesthetic demands of the films themselves, and, later on, Soviet bureaucratic demands for accessibility. Nº de ref. de la librería AOP9780199967599

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 42,82
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

3.

Kevin Bartig
ISBN 10: 0199967598 ISBN 13: 9780199967599
Nuevos Cantidad: 8
Librería
BWB
(Valley Stream, NY, Estados Unidos de America)
Valoración
[?]

Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97801999675990000000

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 42,83
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío

4.

BARTIG
ISBN 10: 0199967598 ISBN 13: 9780199967599
Nuevos Cantidad: 10
Librería
Rem Distributors
(NORWALK, CT, Estados Unidos de America)
Valoración
[?]

Descripción Estado de conservación: New. Estado de la sobrecubierta: New. Shipped promptly and delivered within 3 to 5 working days. For PO BOX, APO, FPO and Puerto Rico addresses delivery done in 20 to 25 working days. Serving customers since 2006. Thousand of satisfied customers!. Nº de ref. de la librería REG _9780199967599_Oxfor_15

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 40,10
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 3,53
A Estados Unidos de America
Destinos, gastos y plazos de envío

5.

Kevin Bartig
Editorial: Oxford University Press Inc 2013-06-28, New York (2013)
ISBN 10: 0199967598 ISBN 13: 9780199967599
Nuevos Tapa dura Cantidad: 1
Librería
Blackwell's
(Oxford, OX, Reino Unido)
Valoración
[?]

Descripción Oxford University Press Inc 2013-06-28, New York, 2013. hardback. Estado de conservación: New. Nº de ref. de la librería 9780199967599

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 39,49
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 5,16
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

6.

Kevin Bartig
Editorial: Oxford University Press Inc
ISBN 10: 0199967598 ISBN 13: 9780199967599
Nuevos Tapa dura Cantidad: 5
Librería
THE SAINT BOOKSTORE
(Southport, Reino Unido)
Valoración
[?]

Descripción Oxford University Press Inc. Hardback. Estado de conservación: new. BRAND NEW, Composing for the Red Screen: Prokofiev and Soviet Film, Kevin Bartig, Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Hollywood luminaries such as Gloria Swanson tempted him with commissions, and arguably more people heard his film music than his efforts in all other genres combined. Films for which Prokofiev composed, in particular those of Sergey Eisenstein, are now classics of world cinema. Drawing on newly available sources, Composing for the Red Screen examines-for the first time-the full extent of this prodigious cinematic career. Bartig examines how Prokofiev's film music derived from a self-imposed challenge: to compose "serious" music for a broad audience. The picture that emerges is of a composer seeking an individual film-music voice, shunning Hollywood models and objecting to his Soviet colleagues' ideologically expedient film songs. Looking at Prokofiev's film music as a whole-with well-known blockbusters like Alexander Nevsky considered alongside more obscure or aborted projects-reveals that there were multiple solutions to the challenge, each with varying degrees of success. Prokofiev carefully balanced his own populist agenda, the perceived aesthetic demands of the films themselves, and, later on, Soviet bureaucratic demands for accessibility. Nº de ref. de la librería B9780199967599

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 38,57
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 6,81
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

7.

Kevin Bartig
Editorial: Oxford University Press
ISBN 10: 0199967598 ISBN 13: 9780199967599
Nuevos Cantidad: 13
Librería
INDOO
(Avenel, NJ, Estados Unidos de America)
Valoración
[?]

Descripción Oxford University Press. Estado de conservación: New. Brand New. Nº de ref. de la librería 0199967598

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 42,70
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 3,13
A Estados Unidos de America
Destinos, gastos y plazos de envío

8.

Bartig, Kevin
Editorial: OUP USA (2013)
ISBN 10: 0199967598 ISBN 13: 9780199967599
Nuevos Cantidad: 8
Librería
Books2Anywhere
(Fairford, GLOS, Reino Unido)
Valoración
[?]

Descripción OUP USA, 2013. HRD. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería FU-9780199967599

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 38,28
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 10,32
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

9.

Bartig, Kevin
ISBN 10: 0199967598 ISBN 13: 9780199967599
Nuevos Cantidad: 13
Librería
Paperbackshop-US
(Wood Dale, IL, Estados Unidos de America)
Valoración
[?]

Descripción 2013. HRD. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería VU-9780199967599

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 47,84
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 3,57
A Estados Unidos de America
Destinos, gastos y plazos de envío

10.

BARTIG
ISBN 10: 0199967598 ISBN 13: 9780199967599
Nuevos Cantidad: 2
Librería
firstbookstore
(New Delhi, India)
Valoración
[?]

Descripción Estado de conservación: Brand New. Brand New Original US Edition, Perfect Condition. Printed in English. Excellent Quality, Service and customer satisfaction guaranteed!. Nº de ref. de la librería AIND-126744

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 52,73
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De India a Estados Unidos de America
Destinos, gastos y plazos de envío

Existen otras copia(s) de este libro

Ver todos los resultados de su búsqueda