The Art of Music Production: The Theory and Practice

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9780199921744: The Art of Music Production: The Theory and Practice

The Art of Music Production is the first book to comprehensively analyze and describe the role of the music producer in creating successful music recordings. Now in its fourth edition, it is the definitive guide to the art and business of music production.

Author and producer Richard James Burgess distills this complex field by defining the distinct roles of a music producer.The first part of the book outlines the underlying theory of the art of music production. The second focuses on the job's practical aspects, including training, getting into the business, and--most importantly--the musical, financial, and interpersonal relationships producers have with artists and their labels. The book is packed with insights from successful music producers, ranging from the beginnings of recorded sound to today's chart-toppers and across genre lines. It features many revealing anecdotes, encompassing both the daily and overarching career-related challenges that a producer faces. Burgess addresses the changes in the nature of music production brought about by technology and, in particular, the millennial shift that has occurred with digital recording and distribution. His lifelong experience in the recording industry as a studio musician, artist, composer, producer, manager, and marketer, combined with his extensive academic research in the field, brings a unique breadth and depth of understanding to the topic.

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From the Author:

I hope you enjoy the brand new fourth edition. I completely rewrote the book with a lot of additional material, particularly related to the changes in the industry since the third edition in 2004. This edition has full citations, a bibliography and an index, and for the first time, I separated it into two distinct sections: the theory and the practice.  The theory section covers the typologies, or categories of producers, that I have expanded from four to six, and I have renamed them all from the previous editions. I also looked at the categories from several different angles in this section.  The practice section covers all the material in the previous editions and more. I have updated it with more insights from current producers and a wider spread of genres. I addressed additional questions that students have brought up in class over the years.  It is important to note that the book is not a "how to" book that will teach someone how to record music or run a DAW; there are many excellent books that do that. My intention when I wrote the first edition in 1994 was to give a wide ranging perspective on the facets of production that were learned naturally by "growing up" within the studio system, but are not so easy to learn or teach in the classroom. As Hugh Padgham said to me recently, "fifty percent of producing is dealing with people," and, in many cases, that may be an understatement. This is not to lessen the importance of technical knowledge. It is hard for a producer to survive today without being able to run a DAW and take care of all the technical tasks. Nevertheless, schools, manuals, magazines and other books do a good job of teaching those specific, and ever changing skills. The landscape of production has changed dramatically since I wrote the first edition. However, I find it instructive that the most recent crop of successful producers, from all genres, are still dealing with, what appear to be, timeless issues--and insights into these are what I hope I have captured in this fourth edition. 

About the Author:


Richard James Burgess is Director of Marketing, Sales and Licensing at Smithsonian Folkways Recordings and also runs his own artist management company, Burgess World Co. He has managed major label artists with top ten chart hits and international touring schedules. As an artist in his own right, he has charted in many countries and has produced gold and platinum albums for artists such as Spandau Ballet, King, Adam Ant, Colonel Abrams, Five Star, Living in a Box, Shriekback, and New Edition.

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Richard James Burgess
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ISBN 10: 0199921741 ISBN 13: 9780199921744
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Richard James Burgess
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Descripción Oxford University Press Inc, United States, 2013. Paperback. Estado de conservación: New. 4th Revised edition. Language: English . Brand New Book. Now in its fourth edition, The Art of Music Production has established itself as the definitive guide to the art and business of music production and a primary teaching tool for college programs. It is the first book to comprehensively analyze and describe the non-technical role of the music producer. Author Richard James Burgess lays out the complex field of music production by defining the several distinct roles that fall under the rubric of music producer. In this completely updated and revised fourth edition of a book already lauded as the most comprehensive guide to record production ever published, Burgess has expanded and refined the types of producers, bringing them fully up to date. The first part of the book outlines the underlying theory of the art of music production. The second part focuses on the practical aspects of the job including training, getting into the business, day-to-day responsibilities, potential earnings, managers, lawyers, and - most importantly - the musical, financial, and interpersonal relationships producers have with artists and their labels. The book is packed with insights from the most successful music producers ranging from today s chart-toppers to the beginnings of recorded sound, including mainstream and many niche genres. The book also features many revealing anecdotes about the business, including the stars and the challenges (from daily to career-related) a producer faces. Burgess addresses the changes in the nature of music production that have been brought about by technology and, in particular, the paradigmatic millennial shift that has occurred with digital recording and distribution. Burgess s lifelong experience in the recording industry as a studio musician, artist, producer, manager, and marketer combined with his extensive academic research in the field brings a unique breadth and depth of understanding to the topic. Nº de ref. de la librería AAU9780199921744

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Richard James Burgess
Editorial: Oxford University Press Inc, United States (2013)
ISBN 10: 0199921741 ISBN 13: 9780199921744
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Descripción Oxford University Press Inc, United States, 2013. Paperback. Estado de conservación: New. 4th Revised edition. Language: English . Brand New Book. Now in its fourth edition, The Art of Music Production has established itself as the definitive guide to the art and business of music production and a primary teaching tool for college programs. It is the first book to comprehensively analyze and describe the non-technical role of the music producer. Author Richard James Burgess lays out the complex field of music production by defining the several distinct roles that fall under the rubric of music producer. In this completely updated and revised fourth edition of a book already lauded as the most comprehensive guide to record production ever published, Burgess has expanded and refined the types of producers, bringing them fully up to date. The first part of the book outlines the underlying theory of the art of music production. The second part focuses on the practical aspects of the job including training, getting into the business, day-to-day responsibilities, potential earnings, managers, lawyers, and - most importantly - the musical, financial, and interpersonal relationships producers have with artists and their labels. The book is packed with insights from the most successful music producers ranging from today s chart-toppers to the beginnings of recorded sound, including mainstream and many niche genres. The book also features many revealing anecdotes about the business, including the stars and the challenges (from daily to career-related) a producer faces. Burgess addresses the changes in the nature of music production that have been brought about by technology and, in particular, the paradigmatic millennial shift that has occurred with digital recording and distribution. Burgess s lifelong experience in the recording industry as a studio musician, artist, producer, manager, and marketer combined with his extensive academic research in the field brings a unique breadth and depth of understanding to the topic. Nº de ref. de la librería AAU9780199921744

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Descripción 2013. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería VU-9780199921744

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Descripción 2013. PAP. Estado de conservación: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería IB-9780199921744

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Descripción Oxford University Press, USA, 2013. Estado de conservación: New. 2013. 4th Edition. Paperback. In this book, veteran music producer Richard James Burgess gives readers the tools they need to understand the complex field of music production. He defines the many roles that fall to the music producer by focusing first on the underlying theory of music production, before offering a second section of practical aspects of the job. Num Pages: 352 pages, black & white illustrations. BIC Classification: AVX. Category: (G) General (US: Trade). Dimension: 230 x 157 x 18. Weight in Grams: 504. . . . . . . Nº de ref. de la librería V9780199921744

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Burgess, Richard James
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Descripción Oxford University Press, 2016. Paperback. Estado de conservación: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Nº de ref. de la librería ria9780199921744_lsuk

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Descripción Oxford University Press, USA 9/1/2013, 2013. Paperback or Softback. Estado de conservación: New. The Art of Music Production: The Theory and Practice. Book. Nº de ref. de la librería BBS-9780199921744

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Richard James Burgess
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Descripción OUP USA 2013-09-19, New York, NY, 2013. paperback. Estado de conservación: New. Nº de ref. de la librería 9780199921744

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