The Music of James Bond

4,05 valoración promedio
( 59 valoraciones por GoodReads )
 
9780199863303: The Music of James Bond
Review:

Exhaustively researched and consistently fascinating. ( Total Film)

snappy, efficient and gossip-heavy. ( Washington Post)

No previous book has tackled the music of Bond in such depth and detail. ( Variety)

From the Publisher:

The story of the music that accompanies the adventures of Ian Fleming's intrepid Agent 007 is one of surprising real-life drama. In The Music of James Bond, author Jon Burlingame throws open studio and courtroom doors alike to reveal the full and extraordinary history of the sounds of James Bond, including:

— How the "James Bond Theme" was written at the last minute for Dr. No and how it became the subject of controversy, ending in a libel trial 40 years later in London's High Court;
— How Bond composer John Barry invented a new kind of action-adventure music for movies, and how despite writing immensely popular scores for "Goldfinger", "Thunderball", "You Only Live Twice" and eight other Bond films, he never received a single Academy Award nomination for his Bond music;
— How the "Goldfinger" soundtrack battled the Beatles and "Mary Poppins" to the top of the American charts and bested both in 1965;
— How "Thunderball" went through two songs, three singers, and its own courtroom showdown, before it ended up with a title tune;
— How top artists like Shirley Bassey, Tom Jones, Nancy Sinatra, Louis Armstrong, Paul McCartney, Carly Simon, Sheena Easton, Duran Duran, a-ha, the Pretenders, Gladys Knight, Tina Turner, Sheryl Crow and Madonna were convinced to record for Agent 007;
— How changes in the Bond sound reflected what was happening in pop and rock circles, from the twangy guitar of the Sean Connery era to a more sedate sound for Roger Moore, synthesizers for George Lazenby and Timothy Dalton, and a more contemporary approach for Pierce Brosnan and Daniel Craig;
— How Frank Sinatra planned to sing "Moonraker" but didn't, then Johnny Mathis did (with a different lyric), only to be replaced by Shirley Bassey;
— The untold stories of how Eric Clapton played guitar on "Licence to Kill" but saw his work shelved; and how Amy Winehouse very nearly co-wrote and sang the theme for "Quantum of Solace."

Each chapter contains the full backstory of the music for one Bond film and concludes with a reader-friendly analysis of the score itself, pointing out noteworthy musical sequences from the impact of New Orleans jazz on the "Live and Let Die" score, to the trendy disco in "For Your Eyes Only," to the electronica approach that proved disastrous in "GoldenEye." New interviews with many Bond songwriters and composers, coupled with extensive research, fascinating and previously undiscovered details — including tales of temperamental artists, unexpected hits and surprising convergences of great music with unforgettable images — make The Music of James Bond must reading for 007 buffs, popular music fans, and all who are in music and the movies.

"Sobre este título" puede pertenecer a otra edición de este libro.

Los mejores resultados en AbeBooks

1.

Burlingame, Jon
Editorial: Oxford University Press
ISBN 10: 019986330X ISBN 13: 9780199863303
Nuevos Tapa dura Cantidad: 1
Librería
Bookhouse COM LLC
(Philadelphia, PA, Estados Unidos de America)
Valoración
[?]

Descripción Oxford University Press. Hardcover. Estado de conservación: New. 019986330X. Nº de ref. de la librería Z019986330XZN

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 9,41
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío

2.

Burlingame, Jon
Editorial: Oxford University Press 2012-11-01 (2012)
ISBN 10: 019986330X ISBN 13: 9780199863303
Nuevos Tapa dura Cantidad: 1
Librería
Ebooksweb COM LLC
(Bensalem, PA, Estados Unidos de America)
Valoración
[?]

Descripción Oxford University Press 2012-11-01, 2012. Hardcover. Estado de conservación: New. 1. 019986330X. Nº de ref. de la librería Z019986330XZN

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 9,43
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío

3.

Burlingame, Jon
Editorial: Oxford University Press (2012)
ISBN 10: 019986330X ISBN 13: 9780199863303
Nuevos Tapa dura Cantidad: 1
Librería
Book Deals
(Lewiston, NY, Estados Unidos de America)
Valoración
[?]

Descripción Oxford University Press, 2012. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: The Music of James Bond is the first comprehensive chronicle of the songs and scores written for the movie adventures of Ian Fleming's intrepid Agent 007. New interviews with Bond songwriters and composers coupled with previously undiscovered details - tales of temperamental artists, unexpected hits and surprising convergences of great music with unforgettable images - make this book "must" reading for all 007 fans. Nº de ref. de la librería ABE_book_new_019986330X

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 11,45
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío

4.

Burlingame, Jon
Editorial: Oxford University Press Inc, United States (2012)
ISBN 10: 019986330X ISBN 13: 9780199863303
Nuevos Tapa dura Cantidad: 10
Librería
The Book Depository US
(London, Reino Unido)
Valoración
[?]

Descripción Oxford University Press Inc, United States, 2012. Hardback. Estado de conservación: New. 246 x 178 mm. Language: English . Brand New Book. The story of the music that accompanies the adventures of Ian Fleming s intrepid Agent 007 is one of surprising real-life drama. In The Music of James Bond, author Jon Burlingame throws open studio and courtroom doors alike to reveal the full and extraordinary history of the sounds of James Bond, including: - How the James Bond Theme was written at the last minute for Dr. No and how it became the subject of controversy, ending in a libel trial 40 years later in London s High Court; - How Bond composer John Barry invented a new kind of action-adventure music for movies, and how despite writing immensely popular scores for Goldfinger , Thunderball , You Only Live Twice and eight other Bond films, he never received a single Academy Award nomination for his Bond music; - How the Goldfinger soundtrack battled the Beatles and Mary Poppins to the top of the American charts and bested both in 1965; - How Thunderball went through two songs, three singers, and its own courtroom showdown, before it ended up with a title tune; - How top artists like Shirley Bassey, Tom Jones, Nancy Sinatra, Louis Armstrong, Paul McCartney, Carly Simon, Sheena Easton, Duran Duran, a-ha, the Pretenders, Gladys Knight, Tina Turner, Sheryl Crow and Madonna were convinced to record for Agent 007; - How changes in the Bond sound reflected what was happening in pop and rock circles, from the twangy guitar of the Sean Connery era to a more sedate sound for Roger Moore, synthesizers for George Lazenby and Timothy Dalton, and a more contemporary approach for Pierce Brosnan and Daniel Craig; - How Frank Sinatra planned to sing Moonraker but didn t, then Johnny Mathis did (with a different lyric), only to be replaced by Shirley Bassey; - The untold stories of how Eric Clapton played guitar on Licence to Kill but saw his work shelved; and how Amy Winehouse very nearly co-wrote and sang the theme for Quantum of Solace. Each chapter contains the full backstory of the music for one Bond film and concludes with a reader-friendly analysis of the score itself, pointing out noteworthy musical sequences from the impact of New Orleans jazz on the Live and Let Die score, to the trendy disco in For Your Eyes Only, to the electronica approach that proved disastrous in GoldenEye. New interviews with many Bond songwriters and composers, coupled with extensive research, fascinating and previously undiscovered details - including tales of temperamental artists, unexpected hits and surprising convergences of great music with unforgettable images - make The Music of James Bond must reading for 007 buffs, popular music fans, and all who are in music and the movies. Nº de ref. de la librería POW9780199863303

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 11,56
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

5.

Burlingame, Jon
Editorial: Oxford University Press Inc, United States (2012)
ISBN 10: 019986330X ISBN 13: 9780199863303
Nuevos Tapa dura Cantidad: 10
Librería
The Book Depository
(London, Reino Unido)
Valoración
[?]

Descripción Oxford University Press Inc, United States, 2012. Hardback. Estado de conservación: New. 246 x 178 mm. Language: English . Brand New Book. The story of the music that accompanies the adventures of Ian Fleming s intrepid Agent 007 is one of surprising real-life drama. In The Music of James Bond, author Jon Burlingame throws open studio and courtroom doors alike to reveal the full and extraordinary history of the sounds of James Bond, including: - How the James Bond Theme was written at the last minute for Dr. No and how it became the subject of controversy, ending in a libel trial 40 years later in London s High Court; - How Bond composer John Barry invented a new kind of action-adventure music for movies, and how despite writing immensely popular scores for Goldfinger , Thunderball , You Only Live Twice and eight other Bond films, he never received a single Academy Award nomination for his Bond music; - How the Goldfinger soundtrack battled the Beatles and Mary Poppins to the top of the American charts and bested both in 1965; - How Thunderball went through two songs, three singers, and its own courtroom showdown, before it ended up with a title tune; - How top artists like Shirley Bassey, Tom Jones, Nancy Sinatra, Louis Armstrong, Paul McCartney, Carly Simon, Sheena Easton, Duran Duran, a-ha, the Pretenders, Gladys Knight, Tina Turner, Sheryl Crow and Madonna were convinced to record for Agent 007; - How changes in the Bond sound reflected what was happening in pop and rock circles, from the twangy guitar of the Sean Connery era to a more sedate sound for Roger Moore, synthesizers for George Lazenby and Timothy Dalton, and a more contemporary approach for Pierce Brosnan and Daniel Craig; - How Frank Sinatra planned to sing Moonraker but didn t, then Johnny Mathis did (with a different lyric), only to be replaced by Shirley Bassey; - The untold stories of how Eric Clapton played guitar on Licence to Kill but saw his work shelved; and how Amy Winehouse very nearly co-wrote and sang the theme for Quantum of Solace. Each chapter contains the full backstory of the music for one Bond film and concludes with a reader-friendly analysis of the score itself, pointing out noteworthy musical sequences from the impact of New Orleans jazz on the Live and Let Die score, to the trendy disco in For Your Eyes Only, to the electronica approach that proved disastrous in GoldenEye. New interviews with many Bond songwriters and composers, coupled with extensive research, fascinating and previously undiscovered details - including tales of temperamental artists, unexpected hits and surprising convergences of great music with unforgettable images - make The Music of James Bond must reading for 007 buffs, popular music fans, and all who are in music and the movies. Nº de ref. de la librería POW9780199863303

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 11,87
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

6.

Burlingame, Jon
Editorial: Oxford University Press (2012)
ISBN 10: 019986330X ISBN 13: 9780199863303
Nuevos Tapa dura Cantidad: 1
Librería
Buyback Express
(Alton, IL, Estados Unidos de America)
Valoración
[?]

Descripción Oxford University Press, 2012. Hardcover. Estado de conservación: New. BRAND NEW BOOK & DUST JACKET!! SHIPS WITHIN 24 HOURS! Tracking Provided. DHL processing & USPS delivery for an average of 3-5 Day Standard & 2-3 Day Expedited! FREE INSURANCE! Fast & Personal Support! Careful Packaging. No Hassle, Full Refund Return Policy!. Nº de ref. de la librería mon0000607754

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 8,71
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 3,71
A Estados Unidos de America
Destinos, gastos y plazos de envío

7.

Burlingame, Jon
Editorial: OUP USA (2012)
ISBN 10: 019986330X ISBN 13: 9780199863303
Nuevos Tapa dura Cantidad: > 20
Librería
Sandpiper Books Ltd
(NEWTON ABBOT, DEVON, Reino Unido)
Valoración
[?]

Descripción OUP USA, 2012. Hardcover. Estado de conservación: New. New, mint condition. Orders are despatched from our UK warehouse next working day. Nº de ref. de la librería 19381

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 8,34
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 4,63
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

8.

Burlingame, Jon
Editorial: Oxford University Press (2012)
ISBN 10: 019986330X ISBN 13: 9780199863303
Nuevos Tapa dura Cantidad: 1
Librería
Irish Booksellers
(Rumford, ME, Estados Unidos de America)
Valoración
[?]

Descripción Oxford University Press, 2012. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería 019986330X

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 17,30
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío

9.

Burlingame, Jon
Editorial: Oxford University Press Inc
ISBN 10: 019986330X ISBN 13: 9780199863303
Nuevos Tapa dura Cantidad: 5
Librería
THE SAINT BOOKSTORE
(Southport, Reino Unido)
Valoración
[?]

Descripción Oxford University Press Inc. Hardback. Estado de conservación: new. BRAND NEW, The Music of James Bond, Jon Burlingame, The story of the music that accompanies the adventures of Ian Fleming's intrepid Agent 007 is one of surprising real-life drama. In The Music of James Bond, author Jon Burlingame throws open studio and courtroom doors alike to reveal the full and extraordinary history of the sounds of James Bond, including: - How the "James Bond Theme" was written at the last minute for Dr. No and how it became the subject of controversy, ending in a libel trial 40 years later in London's High Court; - How Bond composer John Barry invented a new kind of action-adventure music for movies, and how despite writing immensely popular scores for "Goldfinger", "Thunderball", "You Only Live Twice" and eight other Bond films, he never received a single Academy Award nomination for his Bond music; - How the "Goldfinger" soundtrack battled the Beatles and "Mary Poppins" to the top of the American charts and bested both in 1965; - How "Thunderball" went through two songs, three singers, and its own courtroom showdown, before it ended up with a title tune; - How top artists like Shirley Bassey, Tom Jones, Nancy Sinatra, Louis Armstrong, Paul McCartney, Carly Simon, Sheena Easton, Duran Duran, a-ha, the Pretenders, Gladys Knight, Tina Turner, Sheryl Crow and Madonna were convinced to record for Agent 007; - How changes in the Bond sound reflected what was happening in pop and rock circles, from the twangy guitar of the Sean Connery era to a more sedate sound for Roger Moore, synthesizers for George Lazenby and Timothy Dalton, and a more contemporary approach for Pierce Brosnan and Daniel Craig; - How Frank Sinatra planned to sing "Moonraker" but didn't, then Johnny Mathis did (with a different lyric), only to be replaced by Shirley Bassey; - The untold stories of how Eric Clapton played guitar on "Licence to Kill" but saw his work shelved; and how Amy Winehouse very nearly co-wrote and sang the theme for "Quantum of Solace." Each chapter contains the full backstory of the music for one Bond film and concludes with a reader-friendly analysis of the score itself, pointing out noteworthy musical sequences from the impact of New Orleans jazz on the "Live and Let Die" score, to the trendy disco in "For Your Eyes Only," to the electronica approach that proved disastrous in "GoldenEye." New interviews with many Bond songwriters and composers, coupled with extensive research, fascinating and previously undiscovered details - including tales of temperamental artists, unexpected hits and surprising convergences of great music with unforgettable images - make The Music of James Bond must reading for 007 buffs, popular music fans, and all who are in music and the movies. Nº de ref. de la librería B9780199863303

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 19,98
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 6,88
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

10.

Burlingame, Jon
Editorial: Oxford University Press
ISBN 10: 019986330X ISBN 13: 9780199863303
Nuevos Cantidad: > 20
Librería
INDOO
(Avenel, NJ, Estados Unidos de America)
Valoración
[?]

Descripción Oxford University Press. Estado de conservación: New. Brand New. Nº de ref. de la librería 019986330X

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 25,72
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 3,27
A Estados Unidos de America
Destinos, gastos y plazos de envío

Existen otras copia(s) de este libro

Ver todos los resultados de su búsqueda