The Essay Film: From Montaigne, After Marker

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9780199781706: The Essay Film: From Montaigne, After Marker

Book by Corrigan Timothy

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"The Essay Film is the most compelling and spirited monograph to surface yet on the topic."--Rick Warner, Critical Quarterly"For media artists, scholars and students of cinema, Corrigan's reflections offer a passionate and convincing testimony to the transformative power of the essay film. Not since I read Roland Barthes' Mythologies have I come across a book that provides such a strong articulation of the visual thinking process."--Lynne Sachs, filmmaker"Timothy Corrigan writes persuasively and vividly in offering up this coherent overview of the sprawling international phenomenon of the essay film. By providing a concise historical context, which ranges from Michel Montaigne to Michael Moore, he allows us to see the continuum and value of this idiosyncratic and vital form of expression."--Ross McElwee, Director, Sherman's March"Inventively and insightfully, Timothy Corrigan establishes the essay film as a cinematic form of 'thinking out loud.' His eloquent book provides something similar: it is a richly productive meditation on meanings that interweaves voices, subjectivities, and resonant reflection. This essential volume now determines future consideration of this key genre."--Dana Polan, author of Scenes of Instruction: The Beginnings of the U.S. Study of Film

Reseña del editor:

Even though essay films have been a key practice since the 1950s, there is scant analysis about this form in English. Part of this is likely due to the inherent difficulty of definition. The films, which foreground subjectivity and adopt an explicit, personal approach to their subject matter, can look and feel very different from one another. Their coherence as a group, however, comes into focus when contextualized as part of the larger tradition from which they draw. By looking to the literary and philosophical lineage of the essay form, Corrigan brings new clarity to a practice that, arguably, is one of the most common and successful in contemporary film culture. The Essay Film situates its investigation in the literary tradition of essayists such as Montaigne, Barthes, and Huxley before moving to an expansive discussion of filmmakers such as Derek Jarman, Allan Clark, Werner Herzog, Harun Farocki, Chantal Akerman, Chris Marker, Errol Morris, Nanni Moretti, Agnès Varda, Ross McElwee, Abbas Kiarostami, Raoul Ruiz, Lynne Sachs, and Trinh T. Minh-ha.

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Timothy Corrigan
Editorial: Oxford University Press Inc, United States (2011)
ISBN 10: 0199781702 ISBN 13: 9780199781706
Nuevos Paperback Cantidad: 1
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Descripción Oxford University Press Inc, United States, 2011. Paperback. Estado de conservación: New. 229 x 150 mm. Language: English . Brand New Book. Even though essay films have been a key practice since the 1950s, there is scant analysis about this form in English. Part of this is likely due to the inherent difficulty of definition. The films, which foreground subjectivity and adopt an explicit, personal approach to their subject matter, can look and feel very different from one another. Their coherence as a group, however, comes into focus when contextualized as part of the larger tradition from which they draw. By looking to the literary and philosophical lineage of the essay form, Corrigan brings new clarity to a practice that, arguably, is one of the most common and successful in contemporary film culture. The Essay Film situates its investigation in the literary tradition of essayists such as Montaigne, Barthes, and Huxley before moving to an expansive discussion of filmmakers such as Derek Jarman, Allan Clark, Werner Herzog, Harun Farocki, Chantal Akerman, Chris Marker, Errol Morris, Nanni Moretti, Agnes Varda, Ross McElwee, Abbas Kiarostami, Raoul Ruiz, Lynne Sachs, and Trinh T. Minh-ha. Nº de ref. de la librería AAW9780199781706

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Timothy Corrigan
Editorial: Oxford University Press Inc, United States (2011)
ISBN 10: 0199781702 ISBN 13: 9780199781706
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Descripción Oxford University Press Inc, United States, 2011. Paperback. Estado de conservación: New. 229 x 150 mm. Language: English . Brand New Book. Even though essay films have been a key practice since the 1950s, there is scant analysis about this form in English. Part of this is likely due to the inherent difficulty of definition. The films, which foreground subjectivity and adopt an explicit, personal approach to their subject matter, can look and feel very different from one another. Their coherence as a group, however, comes into focus when contextualized as part of the larger tradition from which they draw. By looking to the literary and philosophical lineage of the essay form, Corrigan brings new clarity to a practice that, arguably, is one of the most common and successful in contemporary film culture. The Essay Film situates its investigation in the literary tradition of essayists such as Montaigne, Barthes, and Huxley before moving to an expansive discussion of filmmakers such as Derek Jarman, Allan Clark, Werner Herzog, Harun Farocki, Chantal Akerman, Chris Marker, Errol Morris, Nanni Moretti, Agnes Varda, Ross McElwee, Abbas Kiarostami, Raoul Ruiz, Lynne Sachs, and Trinh T. Minh-ha. Nº de ref. de la librería AAW9780199781706

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Corrigan, Timothy
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ISBN 10: 0199781702 ISBN 13: 9780199781706
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Descripción Oxford University Press, 2016. Paperback. Estado de conservación: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Nº de ref. de la librería ria9780199781706_lsuk

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Descripción 2011. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería VU-9780199781706

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Timothy Corrigan
Editorial: Oxford University Press Inc, United States (2011)
ISBN 10: 0199781702 ISBN 13: 9780199781706
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Descripción Oxford University Press Inc, United States, 2011. Paperback. Estado de conservación: New. 229 x 150 mm. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Even though essay films have been a key practice since the 1950s, there is scant analysis about this form in English. Part of this is likely due to the inherent difficulty of definition. The films, which foreground subjectivity and adopt an explicit, personal approach to their subject matter, can look and feel very different from one another. Their coherence as a group, however, comes into focus when contextualized as part of the larger tradition from which they draw. By looking to the literary and philosophical lineage of the essay form, Corrigan brings new clarity to a practice that, arguably, is one of the most common and successful in contemporary film culture. The Essay Film situates its investigation in the literary tradition of essayists such as Montaigne, Barthes, and Huxley before moving to an expansive discussion of filmmakers such as Derek Jarman, Allan Clark, Werner Herzog, Harun Farocki, Chantal Akerman, Chris Marker, Errol Morris, Nanni Moretti, Agnes Varda, Ross McElwee, Abbas Kiarostami, Raoul Ruiz, Lynne Sachs, and Trinh T. Minh-ha. Nº de ref. de la librería BTE9780199781706

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Corrigan, Timothy
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Descripción OUP USA, 2011. PAP. Estado de conservación: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería LQ-9780199781706

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Corrigan
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Descripción Oxford University Press. Estado de conservación: New. Brand New. Nº de ref. de la librería 0199781702

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Timothy Corrigan
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Descripción OUP USA 2011-08-11, 2011. Paperback. Estado de conservación: New. Nº de ref. de la librería NU-ING-00861192

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Corrigan, Timothy
Editorial: Oxford University Press (2011)
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Descripción Oxford University Press, 2011. Paperback. Estado de conservación: New. Nº de ref. de la librería INGM9780199781706

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Timothy Corrigan
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Descripción Oxford University Press. Paperback. Estado de conservación: New. Paperback. 256 pages. Dimensions: 9.0in. x 5.9in. x 0.7in.Why have certain kinds of documentary and non-narrative films emerged as the most interesting, exciting, and provocative movies made in the last twenty years Ranging from the films of Ross McElwee (Bright Leaves) and Agns Varda (The Gleaners and I) to those of Abbas Kiarostami (Close Up) and Ari Folman (Waltz with Bashir), such films have intrigued viewers who at the same time have struggled to categorize them. Sometimes described as personal documentaries or diary films, these eclectic works are, rather, best understood as cinematic variations on the essay. So argues Tim Corrigan in this stimulating and necessary new book. Since Michel de Montaigne, essays have been seen as a lively literary category, and yet--despite the work of pioneers like Chris Marker--seldom discussed as a cinematic tradition. The Essay Film, offering a thoughtful account of the long rapport between literature and film as well as novel interpretations and theoretical models, provides the ideas that will change this. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Nº de ref. de la librería 9780199781706

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