Screendance: Inscribing the Ephemeral Image

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9780199772629: Screendance: Inscribing the Ephemeral Image
Review:

"Doug Rosenberg's genealogy of dance on screens masterfully elucidates the critical issues of this emerging field. A must-read for practitioners and theorists alike."-- Ann Cooper Albright, author of Choreographing Difference, Traces of Light, and Modern Gestures"What happens to awkward, lumpy bodies in the process of mediation and what is the physicality of the mediating technology? This book is a window to the complexities of discourses in Screendance and topics such as the mediated body, screen as site and originality in the age of reproduction which will be key to 21st century culture."--Claudia Kappenberg, International Journal of Screendance, University of Brighton UK"Screendance: Inscribing the Ephemeral Image by Douglas Rosenberg performs the salutary task of introducing to one another a number of domains of discourse that ought to know about each other. Screendance is placed in the context of advanced artmaking, filmmaking, cultural theory, and performance studies while Rosenberg simultaneously suggests the reciprocal significance of screendance to those practices. This is a generous book that opens up the horizons of the conversation of screendance and much else."--Noel Carroll, Distinguished Professor of Philosophy, The Graduate Center, The City University of New York"Rosenberg is an intelligent, perceptive, often lucid and engaging writer...Screendance has assumed a secure place in the university curriculum, a result that Rosenberg helped bring about and the territory that he knows best." --Dance Current"A richly researched and considered book... An outstanding contribution to theorizing the form." --International Journal of Screendance

From the Publisher:

The relationship between the practice of dance and the technologies of representation has excited artists since the advent of film. Dancers, choreographers, and directors are increasingly drawn to screendance, the practice of capturing dance as a moving image mediated by a camera. While the interest in screendance has grown in importance and influence amongst artists, it has until now flown under the academic radar. Emmy-nominated director and auteur Douglas Rosenberg's groundbreaking book considers screendance as both a visual art form as well as an extension of modern and post-modern dance without drawing artificial boundaries between the two. Both a history and a critical framework, Screendance: Inscribing the Ephemeral Image is a new and important look at the subject.

As he reconstructs the history and influences of screendance, Rosenberg presents a theoretical guide to navigating the boundaries of an inherently collaborative art form. Drawing on psycho-analytic, literary, materialist, queer, and feminist modes of analysis, Rosenberg explores the relationships between camera and subject, director and dancer, and the ephemeral nature of dance and the fixed nature of film. This interdisciplinary approach allows for a broader discussion of issues of hybridity and mediatized representation as they apply to dance on film.

Rosenberg also discusses the audiences and venues of screendance and the tensions between commercial and fine-art cultures that the form has confronted in recent years. The surge of screendance festivals and courses at universities around the world has exposed the friction that exists between art, which is generally curated, and dance, which is generally programmed. Rosenberg explores the cultural implications of both methods of reaching audiences, and ultimately calls for a radical new way of thinking of both dance and film that engages with critical issues rather than simple advocacy.

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Rosenberg, Douglas
Editorial: Oxford University Press Inc, United States (2012)
ISBN 10: 0199772622 ISBN 13: 9780199772629
Nuevos Paperback Cantidad: 10
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The Book Depository
(London, Reino Unido)
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Descripción Oxford University Press Inc, United States, 2012. Paperback. Estado de conservación: New. 231 x 155 mm. Language: English . Brand New Book. The relationship between the practice of dance and the technologies of representation has excited artists since the advent of film. Dancers, choreographers, and directors are increasingly drawn to screendance, the practice of capturing dance as a moving image mediated by a camera. While the interest in screendance has grown in importance and influence amongst artists, it has until now flown under the academic radar. Emmy-nominated director and auteur Douglas Rosenberg s groundbreaking book considers screendance as both a visual art form as well as an extension of modern and post-modern dance without drawing artificial boundaries between the two. Both a history and a critical framework, Screendance: Inscribing the Ephemeral Image is a new and important look at the subject. As he reconstructs the history and influences of screendance, Rosenberg presents a theoretical guide to navigating the boundaries of an inherently collaborative art form. Drawing on psycho-analytic, literary, materialist, queer, and feminist modes of analysis, Rosenberg explores the relationships between camera and subject, director and dancer, and the ephemeral nature of dance and the fixed nature of film. This interdisciplinary approach allows for a broader discussion of issues of hybridity and mediatized representation as they apply to dance on film. Rosenberg also discusses the audiences and venues of screendance and the tensions between commercial and fine-art cultures that the form has confronted in recent years. The surge of screendance festivals and courses at universities around the world has exposed the friction that exists between art, which is generally curated, and dance, which is generally programmed. Rosenberg explores the cultural implications of both methods of reaching audiences, and ultimately calls for a radical new way of thinking of both dance and film that engages with critical issues rather than simple advocacy. Nº de ref. de la librería AOP9780199772629

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Rosenberg, Douglas
Editorial: Oxford University Press Inc
ISBN 10: 0199772622 ISBN 13: 9780199772629
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Descripción Oxford University Press Inc. Paperback. Estado de conservación: new. BRAND NEW, Screendance: Inscribing the Ephemeral Image, Douglas Rosenberg, The relationship between the practice of dance and the technologies of representation has excited artists since the advent of film. Dancers, choreographers, and directors are increasingly drawn to screendance, the practice of capturing dance as a moving image mediated by a camera. While the interest in screendance has grown in importance and influence amongst artists, it has until now flown under the academic radar. Emmy-nominated director and auteur Douglas Rosenberg's groundbreaking book considers screendance as both a visual art form as well as an extension of modern and post-modern dance without drawing artificial boundaries between the two. Both a history and a critical framework, Screendance: Inscribing the Ephemeral Image is a new and important look at the subject. As he reconstructs the history and influences of screendance, Rosenberg presents a theoretical guide to navigating the boundaries of an inherently collaborative art form. Drawing on psycho-analytic, literary, materialist, queer, and feminist modes of analysis, Rosenberg explores the relationships between camera and subject, director and dancer, and the ephemeral nature of dance and the fixed nature of film. This interdisciplinary approach allows for a broader discussion of issues of hybridity and mediatized representation as they apply to dance on film. Rosenberg also discusses the audiences and venues of screendance and the tensions between commercial and fine-art cultures that the form has confronted in recent years. The surge of screendance festivals and courses at universities around the world has exposed the friction that exists between art, which is generally curated, and dance, which is generally programmed. Rosenberg explores the cultural implications of both methods of reaching audiences, and ultimately calls for a radical new way of thinking of both dance and film that engages with critical issues rather than simple advocacy. Nº de ref. de la librería B9780199772629

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Rosenberg, Douglas
Editorial: Oxford University Press Inc, United States (2012)
ISBN 10: 0199772622 ISBN 13: 9780199772629
Nuevos Paperback Cantidad: 10
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The Book Depository US
(London, Reino Unido)
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[?]

Descripción Oxford University Press Inc, United States, 2012. Paperback. Estado de conservación: New. 231 x 155 mm. Language: English . Brand New Book. The relationship between the practice of dance and the technologies of representation has excited artists since the advent of film. Dancers, choreographers, and directors are increasingly drawn to screendance, the practice of capturing dance as a moving image mediated by a camera. While the interest in screendance has grown in importance and influence amongst artists, it has until now flown under the academic radar. Emmy-nominated director and auteur Douglas Rosenberg s groundbreaking book considers screendance as both a visual art form as well as an extension of modern and post-modern dance without drawing artificial boundaries between the two. Both a history and a critical framework, Screendance: Inscribing the Ephemeral Image is a new and important look at the subject. As he reconstructs the history and influences of screendance, Rosenberg presents a theoretical guide to navigating the boundaries of an inherently collaborative art form. Drawing on psycho-analytic, literary, materialist, queer, and feminist modes of analysis, Rosenberg explores the relationships between camera and subject, director and dancer, and the ephemeral nature of dance and the fixed nature of film. This interdisciplinary approach allows for a broader discussion of issues of hybridity and mediatized representation as they apply to dance on film. Rosenberg also discusses the audiences and venues of screendance and the tensions between commercial and fine-art cultures that the form has confronted in recent years. The surge of screendance festivals and courses at universities around the world has exposed the friction that exists between art, which is generally curated, and dance, which is generally programmed. Rosenberg explores the cultural implications of both methods of reaching audiences, and ultimately calls for a radical new way of thinking of both dance and film that engages with critical issues rather than simple advocacy. Nº de ref. de la librería AOP9780199772629

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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97801997726290000000

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Rosenberg, Douglas
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ISBN 10: 0199772622 ISBN 13: 9780199772629
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Descripción Oxford University Press Inc, 2012. Estado de conservación: New. The practice of dance and the technologies of representation has excited artists since the advent of film. This book weaves together theory from art and dance as well as appropriate historical reference material to propose a new theory of screendance, one that frames it within the discourse of post-modern art practice. Num Pages: 234 pages, 13 images. BIC Classification: APF; ASD. Category: (G) General (US: Trade). Dimension: 234 x 156 x 15. Weight in Grams: 310. . 2012. 1st Edition. Paperback. . . . . . Nº de ref. de la librería V9780199772629

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Descripción 2012. Paperback. Estado de conservación: New. 155mm x 18mm x 231mm. Paperback. The relationship between the practice of dance and the technologies of representation has excited artists since the advent of film. Dancers, choreographers, and directors are increasingly.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 216 pages. 0.299. Nº de ref. de la librería 9780199772629

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Descripción Oxford University Press Inc 2012-07-05, New York, 2012. paperback. Estado de conservación: New. Nº de ref. de la librería 9780199772629

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Descripción Paperback. Estado de conservación: New. Not Signed; The relationship between the practice of dance and the technologies of representation has excited artists since the advent of film. Dancers, choreographers, and directors are increasingly drawn to screendance, the practice of capturing dance as a moving image mediated by a camera. While the intere. book. Nº de ref. de la librería ria9780199772629_rkm

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Rosenberg, Douglas
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Descripción Oxford University Press, 2012. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: The practice of dance and the technologies of representation has excited artists since the advent of film. This book weaves together theory from art and dance as well as appropriate historical reference material to propose a new theory of screendance, one that frames it within the discourse of post-modern art practice. Nº de ref. de la librería ABE_book_new_0199772622

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