The Schenker Project: Culture, Race, and Music Theory in Fin-de-Siecle Vienna

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9780199744299: The Schenker Project: Culture, Race, and Music Theory in Fin-de-Siecle Vienna
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characterized by an always-maintained balance of grace, elegance, intellectual rigour, thorough and meticulous scholarship, clearly laid out argumentation and a wry humour ( Nineteenth-Century Music Review)

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Today we think of Heinrich Schenker, who lived in Vienna from 1884 until his death in 1935, as the most influential music theorist of the twentieth century. But he saw his theoretical writings as part of a comprehensive project for the reform of musical composition, performance, criticism, and education-and beyond that, as addressing fundamental cultural, social, and political problems of the deeply troubled age in which he lived. This book aims at an understanding of Schenker's project through reading his key works within a series of period contexts. These include music criticism, the field in which Schenker first made his name; Viennese modernism, particularly the debate over architectural ornamentation; German cultural conservatism, which is the source of many of Schenker's most deeply entrenched values; and Schenker's own position as a Galician Jew who came to Vienna just as traditional anti-semitism was becoming fully racialized. As well as presenting an unfamiliar perspective on the cultural and political ferment of fin-de-siècle Vienna, this approach reveals how deeply the social and political were thought into Schenker's theory. It also raises issues concerning the meaning and value of music theory, and the extent to which today's music-theoretical agenda unwittingly reflects the values and concerns of a very different world.

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Descripción Oxford University Press Inc, United States, 2010. Paperback. Estado de conservación: New. 231 x 155 mm. Language: English . Brand New Book ***** Print on Demand *****.Today we think of Heinrich Schenker, who lived in Vienna from 1884 until his death in 1935, as the most influential music theorist of the twentieth century. But he saw his theoretical writings as part of a comprehensive project for the reform of musical composition, performance, criticism, and education-and beyond that, as addressing fundamental cultural, social, and political problems of the deeply troubled age in which he lived. This book aims at an understanding of Schenker s project through reading his key works within a series of period contexts. These include music criticism, the field in which Schenker first made his name; Viennese modernism, particularly the debate over architectural ornamentation; German cultural conservatism, which is the source of many of Schenker s most deeply entrenched values; and Schenker s own position as a Galician Jew who came to Vienna just as traditional anti-semitism was becoming fully racialized. As well as presenting an unfamiliar perspective on the cultural a. Nº de ref. de la librería AAV9780199744299

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Descripción Oxford University Press Inc, United States, 2010. Paperback. Estado de conservación: New. 231 x 155 mm. Language: English . Brand New Book ***** Print on Demand *****. Today we think of Heinrich Schenker, who lived in Vienna from 1884 until his death in 1935, as the most influential music theorist of the twentieth century. But he saw his theoretical writings as part of a comprehensive project for the reform of musical composition, performance, criticism, and education-and beyond that, as addressing fundamental cultural, social, and political problems of the deeply troubled age in which he lived. This book aims at an understanding of Schenker s project through reading his key works within a series of period contexts. These include music criticism, the field in which Schenker first made his name; Viennese modernism, particularly the debate over architectural ornamentation; German cultural conservatism, which is the source of many of Schenker s most deeply entrenched values; and Schenker s own position as a Galician Jew who came to Vienna just as traditional anti-semitism was becoming fully racialized. As well as presenting an unfamiliar perspective on the cultural a. Nº de ref. de la librería AAV9780199744299

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Descripción Oxford University Press, USA. Paperback. Estado de conservación: New. Paperback. 368 pages. Dimensions: 9.1in. x 6.1in. x 1.0in.Today we think of Heinrich Schenker, who lived in Vienna from 1884 until his death in 1935, as the most influential music theorist of the twentieth century. But he saw his theoretical writings as part of a comprehensive project for the reform of musical composition, performance, criticism, and education-and beyond that, as addressing fundamental cultural, social, and political problems of the deeply troubled age in which he lived. This book aims to explain Schenkers project through reading his key works within a series of period contexts. These include music criticism, the field in which Schenker first made his name; Viennese modernism, particularly the debate over architectural ornamentation; German cultural conservatism, which is the source of many of Schenkers most deeply entrenched values; and Schenkers own position as a Galician Jew who came to Vienna just as fully racialized anti-semitism was developing there. As well as presenting an unfamiliar perspective on the cultural and political ferment of fin-de-sicle Vienna, this book reveals how deeply Schenkers theory is permeated by the social and political. It also raises issues concerning the meaning and value of music theory, and the extent to which todays music-theoretical agenda unwittingly reflects the values and concerns of a very different world. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Nº de ref. de la librería 9780199744299

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Descripción Oxford University Press Inc, United States, 2010. Paperback. Estado de conservación: New. 231 x 155 mm. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Today we think of Heinrich Schenker, who lived in Vienna from 1884 until his death in 1935, as the most influential music theorist of the twentieth century. But he saw his theoretical writings as part of a comprehensive project for the reform of musical composition, performance, criticism, and education-and beyond that, as addressing fundamental cultural, social, and political problems of the deeply troubled age in which he lived. This book aims at an understanding of Schenker s project through reading his key works within a series of period contexts. These include music criticism, the field in which Schenker first made his name; Viennese modernism, particularly the debate over architectural ornamentation; German cultural conservatism, which is the source of many of Schenker s most deeply entrenched values; and Schenker s own position as a Galician Jew who came to Vienna just as traditional anti-semitism was becoming fully racialized. As well as presenting an unfamiliar perspective on the cultural a. Nº de ref. de la librería BTE9780199744299

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