Musical Creativities in Real World Practice

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9780199583942: Musical Creativities in Real World Practice

Musical Creativities in Practice explores the social and the cultural contexts in which creativity in music occurs. It begins by considering what constitutes creativity - taking a cross cultural view of music, while also investigating creative processes far beyond just the classical music genre - to include electronic media, popular music, improvised music. In addition it looks at creativity in both writing and performing.

A key part of the book focuses on the field of musical education, considering why creativity is important within the educational environment, and looking at how schools might sometimes stifle creativity in their music teaching, rather than encourage it. Throughout, the book makes extensive use of case studies and real-life examples taken from studies across the world, offering a powerful corrective to myths and outmoded conceptions which privilege the creative practice of individual artists. It argues the need for conceptual expansion of musical creativities in line with vital contemporary real world practices. It explores how different types of musical creativities are recognised and communicated in the real world practices of a diversity of professional musicians. It covers creative practice issues underlying composing, improvising, singer songwriting, originals bands, DJ cultures, live coding and interactive sound designing and the implications of creativity research for music education and for the assessment of creativities in industry and education.

This book will be valuable for those in fields of music psychology and music education, from advanced undergraduate level upwards.

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About the Author:


Pamela's career has been woven from a combination of experiences as a professional musician, performer, educator, academic and researcher in Australia, USA and England from where she holds degrees in Music Performance, Music Education, and Education. Her primary interest is in understanding the creativities that inhere in music practice and in pushing the boundaries of contemporary thought on creative practices in music and arts education. She is internationally known for her work in the areas of children's creativity, community and professional music making, creative learning and teaching, individual, communal, collective, collaborative and intercultural creativities, and their pedagogic practices and assessment. She is currently co-convener of the British Educational Research Association, Creativity SIG; co-editor of the British Journal of Music Education, Associate Editor of Psychology of Music and Guest Editor of Special Issues on Creativity for the UNESCO Observatory E-Journal.

Review:


"Pamela Burnard's Musical Creativities in Practice is a provocative book. It explores novel, emergent forms of musical creativity, puts them into an integrative interpretive framework, and teases out some of their pragmatic--and especiallypedagogical-implications. It meets the usual expectations of having a clear organization and a well-articulated theoretical framework grounded in an established methodology, and presenting a myriad of interesting details along the way. It is also extremely contemporary, and the main text is loaded with links to appropriate websites so that readers can experience some of these new modes of creativity for themselves. This pluralistic, hypermodern perspective is particularly interesting..." -- Aaron Kozbelt, PsycCRITIQUES


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Burnard, Pamela
Editorial: Oxford Univ Pr (2012)
ISBN 10: 0199583943 ISBN 13: 9780199583942
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Pamela Burnard
Editorial: Oxford University Press, United Kingdom (2012)
ISBN 10: 0199583943 ISBN 13: 9780199583942
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Descripción Oxford University Press, United Kingdom, 2012. Paperback. Estado de conservación: New. New.. Language: English . Brand New Book. Musical Creativities in Practice explores the social and the cultural contexts in which creativity in music occurs. It begins by considering what constitutes creativity - taking a cross cultural view of music, while investigating creative processes far beyond just the classical music genre - including electronic media, popular music, and improvised music. In addition it looks at creativity in both writing and performing. The field of musical education is a key focus - examining why creativity is important within the educational environment, and looking at how schools might sometimes stifle creativity in their music teaching, rather than encourage it. The book is packed with case studies and real-life examples taken from studies across the world, providing a powerful corrective to myths and outmoded conceptions which privilege the creative practice of individual artists. Musical Creativity in Practice argues the need for conceptual expansion of musical creativities in line with vital contemporary real world practices. It explores how different types of musical creativities are recognised and communicated in the real world practices of a diversity of professional musicians. The book covers creative practice issues underlying composing, improvising, singer songwriting, originals bands, DJ cultures, live coding and interactive sound designing and the implications of creativity research for music education and for the assessment of creativities in industry and education. Musical Creativities in Practice will be valuable for those in fields of music psychology and music education, from advanced undergraduate level upwards. Nº de ref. de la librería AOP9780199583942

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ISBN 10: 0199583943 ISBN 13: 9780199583942
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Descripción OUP Oxford 2012-03-22, 2012. Estado de conservación: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-OUP-00099862

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Pamela Burnard
Editorial: Oxford University Press, United Kingdom (2012)
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Descripción Oxford University Press, United Kingdom, 2012. Paperback. Estado de conservación: New. New.. Language: English . Brand New Book. Musical Creativities in Practice explores the social and the cultural contexts in which creativity in music occurs. It begins by considering what constitutes creativity - taking a cross cultural view of music, while investigating creative processes far beyond just the classical music genre - including electronic media, popular music, and improvised music. In addition it looks at creativity in both writing and performing. The field of musical education is a key focus - examining why creativity is important within the educational environment, and looking at how schools might sometimes stifle creativity in their music teaching, rather than encourage it. The book is packed with case studies and real-life examples taken from studies across the world, providing a powerful corrective to myths and outmoded conceptions which privilege the creative practice of individual artists. Musical Creativity in Practice argues the need for conceptual expansion of musical creativities in line with vital contemporary real world practices. It explores how different types of musical creativities are recognised and communicated in the real world practices of a diversity of professional musicians. The book covers creative practice issues underlying composing, improvising, singer songwriting, originals bands, DJ cultures, live coding and interactive sound designing and the implications of creativity research for music education and for the assessment of creativities in industry and education. Musical Creativities in Practice will be valuable for those in fields of music psychology and music education, from advanced undergraduate level upwards. Nº de ref. de la librería AOP9780199583942

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Pamela Burnard
Editorial: OUP Oxford 2012-03-22, Oxford (2012)
ISBN 10: 0199583943 ISBN 13: 9780199583942
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Descripción OUP Oxford 2012-03-22, Oxford, 2012. paperback. Estado de conservación: New. Nº de ref. de la librería 9780199583942

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Burnard, Pamela
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Descripción Oxford University Press, USA, 2012. Estado de conservación: New. 2012. 1st Edition. Paperback. This book explores the social and the cultural contexts in which creativity in music occurs. It considers what constitutes creativity, taking a cross cultural view of music, and investigating creative processes far beyond just the classical music genre - including electronic media, popular music, and improvised music. Num Pages: 336 pages, Illustrations. BIC Classification: AVA; JHB; JMC; JNC. Category: (G) General (US: Trade). Dimension: 171 x 245 x 17. Weight in Grams: 682. . . . . . . Nº de ref. de la librería V9780199583942

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Descripción Oxford University Press, USA. Paperback. Estado de conservación: New. New copy - Usually dispatched within 2 working days. Nº de ref. de la librería B9780199583942

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Burnard, Pamela
Editorial: Oxford University Press, USA
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Descripción Oxford University Press, USA. Estado de conservación: New. 2012. 1st Edition. Paperback. This book explores the social and the cultural contexts in which creativity in music occurs. It considers what constitutes creativity, taking a cross cultural view of music, and investigating creative processes far beyond just the classical music genre - including electronic media, popular music, and improvised music. Num Pages: 336 pages, Illustrations. BIC Classification: AVA; JHB; JMC; JNC. Category: (G) General (US: Trade). Dimension: 171 x 245 x 17. Weight in Grams: 682. . . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780199583942

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