Oxford World's Classics: Studies in the History of the Renaissance (World Classics)

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9780199535071: Oxford World's Classics: Studies in the History of the Renaissance (World Classics)

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Reseña del editor:

'art comes to you professing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moments' sake'

In Studies in the History of the Renaissance (1873), a diffident Oxford don produced an audacious and incalculably influential defence of aestheticism. Through his highly idiosyncratic readings of some of the finest paintings, sculptures, and poems of the French and Italian Renaissance, Pater redefined the practice of criticism as an impressionistic, almost erotic exploration of the critic's aesthetic responses. At the same time, reclaiming the Hellenism that he saw as the most characteristic aspect of the Renaissance, he implicitly celebrated homoerotic friendship.

Pater's infamous 'Conclusion', which forever linked him with the decadent movement, scandalized many with its insistence on making pleasure the sole motive of life, even as it charmed fellow aesthetes such as Oscar Wilde. This edition of Studies reproduces the text of the first edition, recapturing its initial impact, and the Introduction celebrates its doomed attempt to stand out against the processes of industrialization.
ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Biografía del autor:

Matthew Beaumont is Senior Lecturer in English at the University College London.

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Pater, Walter, Beaumont, Matthew
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ISBN 10: 0199535078 ISBN 13: 9780199535071
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Walter Pater
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Descripción Oxford University Press, United Kingdom, 2010. Paperback. Estado de conservación: New. New. 193 x 127 mm. Language: English . Brand New Book. art comes to you professing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moments sake In Studies in the History of the Renaissance (1873), a diffident Oxford don produced an audacious and incalculably influential defence of aestheticism. Through his highly idiosyncratic readings of some of the finest paintings, sculptures, and poems of the French and Italian Renaissance, Pater redefined the practice of criticism as an impressionistic, almost erotic exploration of the critic s aesthetic responses. At the same time, reclaiming the Hellenism that he saw as the most characteristic aspect of the Renaissance, he implicitly celebrated homoerotic friendship. Pater s infamous Conclusion , which forever linked him with the decadent movement, scandalized many with its insistence on making pleasure the sole motive of life, even as it charmed fellow aesthetes such as Oscar Wilde. This edition of Studies reproduces the text of the first edition, recapturing its initial impact, and the Introduction celebrates its doomed attempt to stand out against the processes of industrialization. ABOUT THE SERIES: For over 100 years Oxford World s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. Nº de ref. de la librería AOP9780199535071

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Descripción Oxford University Press, United Kingdom, 2010. Paperback. Estado de conservación: New. New. 193 x 127 mm. Language: English . Brand New Book. art comes to you professing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moments sake In Studies in the History of the Renaissance (1873), a diffident Oxford don produced an audacious and incalculably influential defence of aestheticism. Through his highly idiosyncratic readings of some of the finest paintings, sculptures, and poems of the French and Italian Renaissance, Pater redefined the practice of criticism as an impressionistic, almost erotic exploration of the critic s aesthetic responses. At the same time, reclaiming the Hellenism that he saw as the most characteristic aspect of the Renaissance, he implicitly celebrated homoerotic friendship. Pater s infamous Conclusion , which forever linked him with the decadent movement, scandalized many with its insistence on making pleasure the sole motive of life, even as it charmed fellow aesthetes such as Oscar Wilde. This edition of Studies reproduces the text of the first edition, recapturing its initial impact, and the Introduction celebrates its doomed attempt to stand out against the processes of industrialization. ABOUT THE SERIES: For over 100 years Oxford World s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. Nº de ref. de la librería AOP9780199535071

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Descripción Oxford University Press, United Kingdom, 2010. Paperback. Estado de conservación: New. New. 193 x 127 mm. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. art comes to you professing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moments sake In Studies in the History of the Renaissance (1873), a diffident Oxford don produced an audacious and incalculably influential defence of aestheticism. Through his highly idiosyncratic readings of some of the finest paintings, sculptures, and poems of the French and Italian Renaissance, Pater redefined the practice of criticism as an impressionistic, almost erotic exploration of the critic s aesthetic responses. At the same time, reclaiming the Hellenism that he saw as the most characteristic aspect of the Renaissance, he implicitly celebrated homoerotic friendship. Pater s infamous Conclusion , which forever linked him with the decadent movement, scandalized many with its insistence on making pleasure the sole motive of life, even as it charmed fellow aesthetes such as Oscar Wilde. This edition of Studies reproduces the text of the first edition, recapturing its initial impact, and the Introduction celebrates its doomed attempt to stand out against the processes of industrialization. ABOUT THE SERIES: For over 100 years Oxford World s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. Nº de ref. de la librería BTE9780199535071

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Descripción 2010. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería VU-9780199535071

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Descripción Oxford University Press. Paperback. Estado de conservación: new. BRAND NEW, Studies in the History of the Renaissance, Walter Pater, Matthew Beaumont, 'art comes to you professing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moments' sake' In Studies in the History of the Renaissance (1873), a diffident Oxford don produced an audacious and incalculably influential defence of aestheticism. Through his highly idiosyncratic readings of some of the finest paintings, sculptures, and poems of the French and Italian Renaissance, Pater redefined the practice of criticism as an impressionistic, almost erotic exploration of the critic's aesthetic responses. At the same time, reclaiming the Hellenism that he saw as the most characteristic aspect of the Renaissance, he implicitly celebrated homoerotic friendship. Pater's infamous 'Conclusion', which forever linked him with the decadent movement, scandalized many with its insistence on making pleasure the sole motive of life, even as it charmed fellow aesthetes such as Oscar Wilde. This edition of Studies reproduces the text of the first edition, recapturing its initial impact, and the Introduction celebrates its doomed attempt to stand out against the processes of industrialization. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. Nº de ref. de la librería B9780199535071

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