The History of Music Production

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9780199357178: The History of Music Production
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Indispensable for lovers of music who are fascinated by the history of how musical recordings are made. Burgess has wrapped engaging stories around impressive research. ( Steve Savage, author of The Art of Digital Audio Recording and Mixing and Mastering in the Box)

This important work brings new perspectives to the history of recorded music and shows how new technologies have been applied artfully and creatively by the many talented artisans of the craft in ways that changed how music is understood. ( Mike Howlett, Associate Professor at Queensland University of Technology and Grammy award-winning producer)

Reseña del editor:

Richard James Burgess draws on his experience as a producer, a musician, and an author in this history of recorded music, which focuses on the development of music production as both art form and profession. This comprehensive narrative begins in 1860 with the first known recording of an acoustic sound and moves chronologically through the twentieth century, examining the creation of the market for recorded sound, the development of payment structures, the origins of the recording studio and those who work there, and, ultimately, the evolution of the recording industry itself. Burgess charts the highs and lows of the industry through the decades, ending with a discussion of how Web 2.0 has affected music production. The focus remains throughout the book on the role of the music producer, and Burgess offers biographical information on key figures in the history of the industry, including Fred Gaisberg, Phil Spector, and Dr. Dre.

Undergirding Burgess's narrative is the argument that while technology has historically defined the nature of music production, the drive toward greater control over the process, end result, and overall artistry came from producers. In keeping with this unique argument, The History of Music Production incorporates clear yet in-depth discussion of the developmental engagement of technology, business, and art with music production. Burgess builds this history of music production upon the strongest possible foundation: the key transitions, trends, people, and innovations that have been most important in the course of its development over the past 136 years. The result is a deeply knowledgeable book that sketches a critical path in the evolution of music production, and describes and analyzes the impact recording, playback, and disseminative technologies have had on recorded music and music production. Central to the field and a key reference book for students and scholars alike, it will stand as a companion volume to Burgess's noted, multi-edition book The Art of Music Production.

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1.

Burgess, Richard James
Editorial: Oxford University Press (2014)
ISBN 10: 019935717X ISBN 13: 9780199357178
Nuevos Paperback Cantidad: 1
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Irish Booksellers
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Descripción Oxford University Press, 2014. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 019935717X

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2.

Richard James Burgess
Editorial: Oxford University Press Inc, United States (2014)
ISBN 10: 019935717X ISBN 13: 9780199357178
Nuevos Paperback Cantidad: 10
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Descripción Oxford University Press Inc, United States, 2014. Paperback. Estado de conservación: New. 234 x 155 mm. Language: English . Brand New Book. Richard James Burgess draws on his experience as a producer, a musician, and an author in this history of recorded music, which focuses on the development of music production as both art form and profession. This comprehensive narrative begins in 1860 with the first known recording of an acoustic sound and moves chronologically through the twentieth century, examining the creation of the market for recorded sound, the development of payment structures, the origins of the recording studio and those who work there, and, ultimately, the evolution of the recording industry itself. Burgess charts the highs and lows of the industry through the decades, ending with a discussion of how Web 2.0 has affected music production. The focus remains throughout the book on the role of the music producer, and Burgess offers biographical information on key figures in the history of the industry, including Fred Gaisberg, Phil Spector, and Dr. Dre. Undergirding Burgess s narrative is the argument that while technology has historically defined the nature of music production, the drive toward greater control over the process, end result, and overall artistry came from producers. In keeping with this unique argument, The History of Music Production incorporates clear yet in-depth discussion of the developmental engagement of technology, business, and art with music production. Burgess builds this history of music production upon the strongest possible foundation: the key transitions, trends, people, and innovations that have been most important in the course of its development over the past 136 years. The result is a deeply knowledgeable book that sketches a critical path in the evolution of music production, and describes and analyzes the impact recording, playback, and disseminative technologies have had on recorded music and music production. Central to the field and a key reference book for students and scholars alike, it will stand as a companion volume to Burgess s noted, multi-edition book The Art of Music Production. Nº de ref. de la librería AOP9780199357178

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3.

Richard James Burgess
Editorial: Oxford University Press Inc, United States (2014)
ISBN 10: 019935717X ISBN 13: 9780199357178
Nuevos Paperback Cantidad: 10
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Descripción Oxford University Press Inc, United States, 2014. Paperback. Estado de conservación: New. 234 x 155 mm. Language: English . Brand New Book. Richard James Burgess draws on his experience as a producer, a musician, and an author in this history of recorded music, which focuses on the development of music production as both art form and profession. This comprehensive narrative begins in 1860 with the first known recording of an acoustic sound and moves chronologically through the twentieth century, examining the creation of the market for recorded sound, the development of payment structures, the origins of the recording studio and those who work there, and, ultimately, the evolution of the recording industry itself. Burgess charts the highs and lows of the industry through the decades, ending with a discussion of how Web 2.0 has affected music production. The focus remains throughout the book on the role of the music producer, and Burgess offers biographical information on key figures in the history of the industry, including Fred Gaisberg, Phil Spector, and Dr. Dre. Undergirding Burgess s narrative is the argument that while technology has historically defined the nature of music production, the drive toward greater control over the process, end result, and overall artistry came from producers. In keeping with this unique argument, The History of Music Production incorporates clear yet in-depth discussion of the developmental engagement of technology, business, and art with music production. Burgess builds this history of music production upon the strongest possible foundation: the key transitions, trends, people, and innovations that have been most important in the course of its development over the past 136 years. The result is a deeply knowledgeable book that sketches a critical path in the evolution of music production, and describes and analyzes the impact recording, playback, and disseminative technologies have had on recorded music and music production. Central to the field and a key reference book for students and scholars alike, it will stand as a companion volume to Burgess s noted, multi-edition book The Art of Music Production. Nº de ref. de la librería AOP9780199357178

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Richard James Burgess
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Descripción Oxford University Press. Estado de conservación: New. Brand New. Nº de ref. de la librería 019935717X

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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97801993571780000000

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Burgess, Richard James
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Descripción Paperback. Estado de conservación: BRAND NEW. NEW Book in Mint Condition -- Great DEAL !! Fast Shipping -- Friendly Customer Service -- Buy with Confidence!. Nº de ref. de la librería RP019935717XBN

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Richard James Burgess
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Descripción Oxford University Press Inc. Paperback. Estado de conservación: new. BRAND NEW, The History of Music Production, Richard James Burgess, Richard James Burgess draws on his experience as a producer, a musician, and an author in this history of recorded music, which focuses on the development of music production as both art form and profession. This comprehensive narrative begins in 1860 with the first known recording of an acoustic sound and moves chronologically through the twentieth century, examining the creation of the market for recorded sound, the development of payment structures, the origins of the recording studio and those who work there, and, ultimately, the evolution of the recording industry itself. Burgess charts the highs and lows of the industry through the decades, ending with a discussion of how Web 2.0 has affected music production. The focus remains throughout the book on the role of the music producer, and Burgess offers biographical information on key figures in the history of the industry, including Fred Gaisberg, Phil Spector, and Dr. Dre. Undergirding Burgess's narrative is the argument that while technology has historically defined the nature of music production, the drive toward greater control over the process, end result, and overall artistry came from producers. In keeping with this unique argument, The History of Music Production incorporates clear yet in-depth discussion of the developmental engagement of technology, business, and art with music production. Burgess builds this history of music production upon the strongest possible foundation: the key transitions, trends, people, and innovations that have been most important in the course of its development over the past 136 years. The result is a deeply knowledgeable book that sketches a critical path in the evolution of music production, and describes and analyzes the impact recording, playback, and disseminative technologies have had on recorded music and music production. Central to the field and a key reference book for students and scholars alike, it will stand as a companion volume to Burgess's noted, multi-edition book The Art of Music Production. Nº de ref. de la librería B9780199357178

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Richard James Burgess
Editorial: OUP USA 2014-07-25 (2014)
ISBN 10: 019935717X ISBN 13: 9780199357178
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Descripción OUP USA 2014-07-25, 2014. Estado de conservación: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-GRD-05132335

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Richard James Burgess
Editorial: Oxford University Press Inc 2014-08-28, New York (2014)
ISBN 10: 019935717X ISBN 13: 9780199357178
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Descripción Oxford University Press Inc 2014-08-28, New York, 2014. paperback. Estado de conservación: New. Nº de ref. de la librería 9780199357178

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Burgess, Richard James
Editorial: Oxford University Press (2014)
ISBN 10: 019935717X ISBN 13: 9780199357178
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Descripción Oxford University Press, 2014. Estado de conservación: New. The History of Music Production offers an authoritative, concise, and accessible overview of nearly 140 years of production of recorded music. It describes what role the music producer has played in shaping the creation, perception, propagation, business, and use of music, and discusses the future of the music production industry. Num Pages: 264 pages, black & white illustrations, figures. BIC Classification: AVX; KNTF. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 235 x 147 x 17. Weight in Grams: 354. . 2014. 1st Edition. Paperback. . . . . . Nº de ref. de la librería V9780199357178

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