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Descripción HRD. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. del artículo: L1-9780199245925
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Descripción Hardcover. Condición: new. Hardcover. The author of Tristram Shandy (1759-67) is often seen as an anachronism - a belated exponent of learned-wit satire whose kinship is with Montaigne, or a proto-modernist whose narrative pyrotechnics anticipate Joyce. Yet to many contemporaries Sterne's writing was emphatically of its immediate time, a voguish compound of all things modern that seemed to typify, if not indeed constitute, a 'Shandy-Age'.In this historicizingstudy, Thomas Keymer demonstrates the self-conscious imbrication of Tristram Shandy in the diverse literary culture of its extended moment. Not only absorbing but also updating Swift's Tale of a Tub, Sterne's text turns thesatirical resources of Scriblerian writing on the post-Scriblerian literary marketplace, and above all on that quintessentially modern genre, the novel itself. For all its anticipation of later trends, his play on narrative representation, linguistic indeterminacy, the unruliness of reading and the materiality of text turns out to be firmly grounded in the conventions and tropes of mid-eighteenth-century fiction. Through the mechanisms of improvisatory serialization, Sterne could also engagewith other new texts and trends as they continued to emerge, including 'Nonsense Club' satire, the Ossianic vogue, and debates about the Seven Years War. This study reads Sterne's writing alongside other trends and texts of the time, showing how Sterne created and sustained his own vogue through self-conscious play on his rivals' work. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Nº de ref. del artículo: 9780199245925
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Descripción Hardcover. Condición: new. Hardcover. The author of Tristram Shandy (1759-67) is often seen as an anachronism - a belated exponent of learned-wit satire whose kinship is with Montaigne, or a proto-modernist whose narrative pyrotechnics anticipate Joyce. Yet to many contemporaries Sterne's writing was emphatically of its immediate time, a voguish compound of all things modern that seemed to typify, if not indeed constitute, a 'Shandy-Age'.In this historicizingstudy, Thomas Keymer demonstrates the self-conscious imbrication of Tristram Shandy in the diverse literary culture of its extended moment. Not only absorbing but also updating Swift's Tale of a Tub, Sterne's text turns thesatirical resources of Scriblerian writing on the post-Scriblerian literary marketplace, and above all on that quintessentially modern genre, the novel itself. For all its anticipation of later trends, his play on narrative representation, linguistic indeterminacy, the unruliness of reading and the materiality of text turns out to be firmly grounded in the conventions and tropes of mid-eighteenth-century fiction. Through the mechanisms of improvisatory serialization, Sterne could also engagewith other new texts and trends as they continued to emerge, including 'Nonsense Club' satire, the Ossianic vogue, and debates about the Seven Years War. This study reads Sterne's writing alongside other trends and texts of the time, showing how Sterne created and sustained his own vogue through self-conscious play on his rivals' work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780199245925