The Art of Art History: A Critical Anthology (Oxford History of Art)

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9780199229840: The Art of Art History: A Critical Anthology (Oxford History of Art)

Here is a new edition of Donald Preziosi's masterful selection of the most influential and innovative writing on art history of the past two centuries. The book includes over thirty pieces by seminal thinkers and writers from Winckelmann, Kant, and Hegel to Foucault, Carol Duncan, and Mary Kelly on such subjects as aesthetics and anthropology, postmodern automatons, semiotics and iconography, performative acts, the museum as ritual, digital art, and many others. Each of the book's eight thematic sections offers an introduction providing background information, further reading, and critical commentary on the issues at stake. This edition has been updated and expanded to include sixteen new selections by key figures from Giorgio Vasari to Walter Benjamin and Satya Mohanty, a new concluding essay from Donald Preziosi on the tasks of the art historian today, and an entirely new section on Globalization and Its Discontents. For students and teachers, artists and historians, and anyone interested in the evolution and purpose of art history, this anthology offers many fascinating insights.

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About the Author:


Donald Preziosi is a member of the History Faculty at Oxford University and Emeritus Professor of Art History and Critical Theory at UCLA. He is the author of many books, including In the Aftermath of Art and Rethinking Art History.

From Library Journal:

This masterly collection of texts interrogates the raging academic question, What is art history? Editor Preziosi, who directs ground-breaking critical studies of art history and museology, provides introductions to 35 challenging readings gathered in nine chapters. This plethora of alternatives is curiously complicated, even obfuscating. Covered here are the most current and relevant approaches to aesthetics, style, iconography and semiology, feminism, gender studies, formalism, postmodernism, deconstruction, museography, hybridity, and multiculturalism; those offering critical analysis range from Winckelmann, Kant, Wolfflin, Panofsky, Schapiro, Gombrich, and Derrida to Rosalind Krauss and Carol Duncan. Ultimately, this book is best suited to upper- and graduate-level collections and to the reference shelf of specialized art collections, as it proposes the discipline of art history itself as an art.AMary Hamel-Schwulst, Towson Univ., MD
Copyright 1998 Reed Business Information, Inc.

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Descripción Oxford University Press, United Kingdom, 2009. Paperback. Estado de conservación: New. New, Updated, Expanded ed.. Language: English . Brand New Book. What is art history? Why, how, and where did it originate, and how have its methods changed over time? The history of art has been written and rewritten since classical antiquity. Since the foundation of the modern discipline of art history in Germany in the late eighteenth century, debates about art and its histories have intensified. Historians, philosophers, psychologists, and anthropologists among others have changed our notions of what art history has been, is, and might be. This anthology is a guide to understanding art history through critical reading of the field s most innovative and influential texts, focusing on the past two centuries. Each section focuses on a key issue: art as history; aesthetics; form, content, and style; anthropology; meaning and interpretation; authorship and identity; and the phenomenon of globalization. More than thirty readings from writers as diverse as Winckelmann, Kant, Mary Kelly, and Michel Foucault are brought together, with editorial introductions to each topic providing background information, bibliographies, and critical elucidations of the issues at stake. This updated and expanded edition contains sixteen newly included extracts from key thinkers in the history of art, from Giorgio Vasari to Walter Benjamin and Satya Mohanty; a new section on globalization; and also a new concluding essay from Donald Preziosi on the tasks of the art historian today. Nº de ref. de la librería AOP9780199229840

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Donald Preziosi
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Descripción Oxford University Press, United Kingdom, 2009. Paperback. Estado de conservación: New. New, Updated, Expanded ed.. Language: English . Brand New Book. What is art history? Why, how, and where did it originate, and how have its methods changed over time? The history of art has been written and rewritten since classical antiquity. Since the foundation of the modern discipline of art history in Germany in the late eighteenth century, debates about art and its histories have intensified. Historians, philosophers, psychologists, and anthropologists among others have changed our notions of what art history has been, is, and might be. This anthology is a guide to understanding art history through critical reading of the field s most innovative and influential texts, focusing on the past two centuries. Each section focuses on a key issue: art as history; aesthetics; form, content, and style; anthropology; meaning and interpretation; authorship and identity; and the phenomenon of globalization. More than thirty readings from writers as diverse as Winckelmann, Kant, Mary Kelly, and Michel Foucault are brought together, with editorial introductions to each topic providing background information, bibliographies, and critical elucidations of the issues at stake. This updated and expanded edition contains sixteen newly included extracts from key thinkers in the history of art, from Giorgio Vasari to Walter Benjamin and Satya Mohanty; a new section on globalization; and also a new concluding essay from Donald Preziosi on the tasks of the art historian today. Nº de ref. de la librería AOP9780199229840

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Descripción Oxford University Press, 2009. Estado de conservación: New. 2009. 2nd Edition. Paperback. New edition of this key guide to art history, which takes a critical reading of the field's most innovative and influential texts over the past two centuries, including the most important new writing on the most recent work in a variety of new media. Series: Oxford History of Art. Num Pages: 600 pages, 64 halftones. BIC Classification: ABA; ACV. Category: (G) General (US: Trade). Dimension: 237 x 169 x 37. Weight in Grams: 1398. . . . . . . Nº de ref. de la librería V9780199229840

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Descripción Oxford University Press. Estado de conservación: New. 2009. 2nd Edition. Paperback. New edition of this key guide to art history, which takes a critical reading of the field's most innovative and influential texts over the past two centuries, including the most important new writing on the most recent work in a variety of new media. Series: Oxford History of Art. Num Pages: 600 pages, 64 halftones. BIC Classification: ABA; ACV. Category: (G) General (US: Trade). Dimension: 237 x 169 x 37. Weight in Grams: 1398. . . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780199229840

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