The Cognitive Neuroscience of Music

ISBN 13: 9780198525202

The Cognitive Neuroscience of Music

4,09 valoración promedio
( 11 valoraciones por GoodReads )
9780198525202: The Cognitive Neuroscience of Music
Review:

There are few things more exciting than an entirely new scientific field, a new attempt to understand another aspect of our human existence - now it's music's turn. Here is a collection of papers from leaders in the discipline, trying to tease apart exactly what goes on inside the brain when it experiences music. It is a bafflingly huge subject and the editors should be applauded for bringing so much expertise to a single tome... The book is a mixed bag, some chapters are far more accessible than others to the general neuroscientist - but this is a minor criticism. Each chapter of the book plays like a section of a small orchestra, contributing to the magnificent whole. ( The Lancet Neurology)

From the Publisher:

Music offers a unique opportunity to better understand the organization of the human brain. Like language, music exists in all human societies. Like language, music is a complex, rule-governed activity that seems specific to humans, and associated with a specific brain architecture. Yet unlike most other high-level functions of the human brain - and unlike language - music is a skill at which only a minority of people become proficient. The study of music as a major brain function has for some time been relatively neglected. Just recently, however, we have witnessed an explosion in research activities on music perception and performance and their correlates in the human brain. This volume brings together an outstanding collection of international authorities - from the fields of music, neuroscience, psychology, and neurology - to describe the amazing advances being made in understanding the complex relationship between music and the brain. Aimed at psychologists and neuroscientists, this is a book that will lay the foundations for a cognitive neuroscience of music.

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Editor-Isabelle Peretz; Editor-Robert J. Zatorre
Editorial: Oxford University Press, USA (2003)
ISBN 10: 0198525206 ISBN 13: 9780198525202
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Descripción Oxford University Press, USA, 2003. Paperback. Estado de conservación: New. Nº de ref. de la librería SONG0198525206

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Peretz, Isabelle (Editor)/ Zatorre, Robert J. (Editor)
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Descripción Oxford Univ Pr, 2003. Paperback. Estado de conservación: Brand New. 1st edition. 450 pages. 9.00x6.50x1.00 inches. In Stock. Nº de ref. de la librería zk0198525206

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Isabelle Peretz (Editor), Robert J. Zatorre (Editor)
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Descripción Oxford University Press, USA, 2003. Paperback. Estado de conservación: New. Reprint. Nº de ref. de la librería DADAX0198525206

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Descripción Oxford University Press, 2003. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0198525206

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Descripción Oxford University Press, 2003. Paperback. Estado de conservación: New. Nº de ref. de la librería P110198525206

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Descripción Oxford University Press, 2003. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: PrefacePart I: The origins of music1. Sandra E. Trehub: Musical predisposition in infancy: an update2. Carolyn Drake and Daisy Bertrand: The quest for universals in temporal processing in music3. Jenny R. Saffran, Michael Loman, and Rachel Robertson: Mechanisms of musical memory in infancy4. Ian Cross: Music, cognition, culture, and evolution5. David Huron: Is music an evolutionary adaptation?Part II: The musical mind6. Stephen McAdams and Daniel Matzkin: The roots of musical variation in perceptual similarity and invariance7. Carol L. Krumhansl and Petri Toivainen: Tonal cognition8. Barbara Tillmann, Jamshed J. Barucha, and Emmanuel Bigand: Learning and perceiving musical structures: further insights from artificial neural networksPart III: The neurons of music9. Mark Tramo: Neurobiology of harmony perception10. Catherine Liegeois-Chauvel, Kimberly Giraud, Jean-Michel Badier, Patrick Marquis, and Patrick Chauvel: Intracerebral evoked potentials in pitch perception reveal a functional asymmetry of human auditory cortex11. Timothy D. Griffiths: The neural processing of complex soundsPart IV: Musical brain substrates12. John C.M. Brust: Music and the neurologist: an historical perspective13. Isabelle Peretz: Brain specialization for music: new evidence from congenital amusia14. Severine Samson: Cerebral substrates for musical temporal processes15. Andrea R. Halpern: Cerebral substrates of musical imagery16. Robert J. Zatorre: Neural specializations for tonal processing17. Lawrence M. Parsons: Exploring the functional neuroanatomy of music performance, perception, and comprehension18. Mireille Besson and Daniele Schon: Comparison between language and music19. Mari Tervaniemi: Musical sound processing: EEG and MEG evidence20. Laurel Trainor: Frontal EEG responses as a function of affective musical features21. Aniruddh D. Patel and Evan Balaban: Cortical dynamics and the perception of tone sequence structure22. Eckart O. Altenmuller: How many music centres are in the brainPart V: Musical brain/brain plasticity23. Joseph P. Rauschecker: Functional organization and plasticity of auditory cortex24. Gottfried Schlaug and Chi Chen: The brain of musicians25. C Pantev, A. Engelien, V. Candia, and T. Elbert: Representational cortex in musicians26. Alvaro Pascual-Leone: The brain that makes music and is changed by itPart VI: Relation of music to other cognitive domains27. Fred Lerdahl: The sounds of poetry viewed as music28. Glenn Shellenberg: Does exposure to music have beneficial side effects?. Nº de ref. de la librería ABE_book_new_0198525206

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