The Musical Mind: The Cognitive Psychology of Music (Oxford Psychology Series)

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9780198521280: The Musical Mind: The Cognitive Psychology of Music (Oxford Psychology Series)

In this survey of our current knowledge concerning the cognitive psychology of music, the author--a psychologist and practicing musician--examines the mental processes involved in composing, performing, listening to, and "understanding" music, and shows how such skills are acquired.

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About the Author:

John A. Sloboda is at University of Keele.

Review:


"A breakthrough...brings together recent work in a way that demonstrates its significance for musicians, whilst in no way compromising the psychological theory on which it is based. The clarity of Sloboda's writing and his numerous suggestions for further research will make his book essential reading for anyone, student or researcher, interested in how minds and music interact."--Nature


"For the cognitive psychologist, this book is a gem. The coverage is complete and up-to-date."--The Psychological Record


"Sloboda's book deserves loud applause, for its content, for its frankness in dealing with speculative issues largely ignored by other workers, and especially because it brings with it a new kind of approach."--New Scientist


"It is a highly individual synthesis of research and theory in music psychology, yet it also works as a textbook. Advanced undergraduates in music and psychology, professional musicians and psychologists, teachers, and researchers will all find something in The Musical Mind to intrigue them."--Contemporary Psychology


"In this highly readable book, Sloboda provides a thoughtful introduction to research on musical cognition....highly recommended as a carefully written, provocative, and entertaining introduction to the field."--Journal of Acoustical Society of America


"Sloboda has done a fine job of melding the disciplines of psychology and music. Both experimental psychologists and musicians will discover something of interest here."--American Journal of Psychology


"Sloboda has provided a valuable work on cognition and the psychology of music. The book's specific strength is that Sloboda discusses cognition in relation to real music rather than laboratory-produced aural stimuli....Sloboda has made a useful and unique contribution to an area of music study that has, until recent years, been neglected somewhat by music researchers and authors."--James W. Sherbon, Council for Research in Music Education


"Rich in ideas and novel in that it combines research findings with cognitive theory. The Musical Mind is the first book of its type....The book is a brave proposal in music psychology and is a `must' book for those of us concerned with this discipline."--Kacper Miklaszewski, Council for Research in Music Education


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Sloboda, John A.
Editorial: Clarendon Press
ISBN 10: 0198521286 ISBN 13: 9780198521280
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Descripción Clarendon Press. PAPERBACK. Estado de conservación: New. 0198521286 New Condition. Nº de ref. de la librería NEW7.0045204

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Sloboda, John A.
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ISBN 10: 0198521286 ISBN 13: 9780198521280
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Descripción OUP Oxford, 2016. Paperback. Estado de conservación: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Nº de ref. de la librería ria9780198521280_lsuk

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John A. Sloboda
Editorial: Oxford University Press, United Kingdom (1986)
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Descripción Oxford University Press, United Kingdom, 1986. Paperback. Estado de conservación: New. Reprint. Language: English . Brand New Book. What are the mental processes involved in listening to, performing, and composing music? What is involved in understanding a piece of music? How are such skills acquired? Questions such as these form the basis of the cognitive psychology of music. The author addresses these questions by surveying the growing experimental literature on the subject. The topics covered will be of interest to psychologists, as windows onto a human cognitive skill of some complexity that is only now beginning to receive the attention devoted to such skills as language. They are also relevant to musicians who are seeking to understand the psychological bases of their skills. The author does not simply review existing research, but takes a critical look at what has been achieved in the subject, introducing such topics as composition and musical skill in non-literate cultures. He draws freely on his own knowledge and experience as a practising musician, as well as a psychologist, to provide an overview that is scholarly and also accessible to the general reader. Nº de ref. de la librería AAW9780198521280

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John A. Sloboda
Editorial: Oxford University Press, United Kingdom (1986)
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Descripción Oxford University Press, United Kingdom, 1986. Paperback. Estado de conservación: New. Reprint. Language: English . Brand New Book. What are the mental processes involved in listening to, performing, and composing music? What is involved in understanding a piece of music? How are such skills acquired? Questions such as these form the basis of the cognitive psychology of music. The author addresses these questions by surveying the growing experimental literature on the subject. The topics covered will be of interest to psychologists, as windows onto a human cognitive skill of some complexity that is only now beginning to receive the attention devoted to such skills as language. They are also relevant to musicians who are seeking to understand the psychological bases of their skills. The author does not simply review existing research, but takes a critical look at what has been achieved in the subject, introducing such topics as composition and musical skill in non-literate cultures. He draws freely on his own knowledge and experience as a practising musician, as well as a psychologist, to provide an overview that is scholarly and also accessible to the general reader. Nº de ref. de la librería AAW9780198521280

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Sloboda, John A.
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Descripción Clarendon Press, 2017. Paperback. Estado de conservación: New. Brand New! This item is printed on demand. Nº de ref. de la librería VIB0198521286

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John A. Sloboda
Editorial: Clarendon Press (1986)
ISBN 10: 0198521286 ISBN 13: 9780198521280
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Descripción Clarendon Press, 1986. Paperback. Estado de conservación: New. book. Nº de ref. de la librería M0198521286

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Sloboda, John A.
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Descripción Clarendon Press, 1986. PAP. Estado de conservación: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería LQ-9780198521280

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John A. Sloboda
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Descripción Oxford University Press, USA, 1986. Paperback. Estado de conservación: New. Nº de ref. de la librería DADAX0198521286

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Descripción 1986. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería VU-9780198521280

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John A. Sloboda
Editorial: Oxford University Press, United Kingdom (1986)
ISBN 10: 0198521286 ISBN 13: 9780198521280
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Descripción Oxford University Press, United Kingdom, 1986. Paperback. Estado de conservación: New. Reprint. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. What are the mental processes involved in listening to, performing, and composing music? What is involved in understanding a piece of music? How are such skills acquired? Questions such as these form the basis of the cognitive psychology of music. The author addresses these questions by surveying the growing experimental literature on the subject. The topics covered will be of interest to psychologists, as windows onto a human cognitive skill of some complexity that is only now beginning to receive the attention devoted to such skills as language. They are also relevant to musicians who are seeking to understand the psychological bases of their skills. The author does not simply review existing research, but takes a critical look at what has been achieved in the subject, introducing such topics as composition and musical skill in non-literate cultures. He draws freely on his own knowledge and experience as a practising musician, as well as a psychologist, to provide an overview that is scholarly and also accessible to the general reader. Nº de ref. de la librería BTE9780198521280

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