Robert Bresson: A Passion for Film

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9780195319798: Robert Bresson: A Passion for Film

Book by Pipolo Tony

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This is by some way the longest and most detailed English-language monograph on Bresson's work ( French Studies)

Reseña del editor:

The films of the late French filmmaker Robert Bresson, once thought formidable both because of the somberness of their subject matter and the austerity of the filmmaker's style, have in the last decade found a new audience. In part, this is owing to the rarely acknowledged but profound influence his style has had on later filmmakers-from Chantal Akerman to Michael Haeneke. This book looks at Bresson's body of work not only by coming to terms with its thematic preoccupations and the development of its unique authorial style, but also in terms of the ouvre's seminal place in the history of film. The filmic rhetoric that Bresson pursued was nothing less than an effort to create an exemplary form of film narrative, throwing off the conventions of the theater and acting that still dominate mainstream filmmaking. In this respect, Bresson's films are no less ground-breaking than those of D.W. Griffith and Sergei Eisenstein.

In addition, while few who have written about Bresson would deny the highly personal and idiosyncratic nature of his work, its autobiographical dimension has never been fully explored. This constitutes a rich vein for investigation and the films-in both their subject matter and style-mirror and trace the aesthetic and psychological dispositions of the filmmaker. What one discovers in these explorations is a deeper relationship between the filmmaker and his literary models-especially the novelists Georges Bernanos and Fyodor Dostoevsky. With both, he also shares convictions about the "fallen¨nature of humanity, an attitude of mourning for the loss of childhood innocence, a strong preoccupation with Christian theology, and the role evil and sexuality play in our lives. In this book Bresson's sources, style, and biography are explored via a chronological investigation of his films, yielding a dense analysis worthy of this master filmmaker.

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1.

Tony Pipolo
Editorial: Oxford University Press Inc, United States (2010)
ISBN 10: 0195319796 ISBN 13: 9780195319798
Nuevos Paperback Cantidad: 10
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Descripción Oxford University Press Inc, United States, 2010. Paperback. Estado de conservación: New. 231 x 155 mm. Language: English . Brand New Book ***** Print on Demand *****.The films of the late French filmmaker Robert Bresson, once thought formidable both because of the somberness of their subject matter and the austerity of the filmmaker s style, have in the last decade found a new audience. In part, this is owing to the rarely acknowledged but profound influence his style has had on later filmmakers-from Chantal Akerman to Michael Haeneke. This book looks at Bresson s body of work not only by coming to terms with its thematic preoccupations and the development of its unique authorial style, but also in terms of the ouvre s seminal place in the history of film. The filmic rhetoric that Bresson pursued was nothing less than an effort to create an exemplary form of film narrative, throwing off the conventions of the theater and acting that still dominate mainstream filmmaking. In this respect, Bresson s films are no less ground-breaking than those of D.W. Griffith and Sergei Eisenstein. In addition, while few who have written about Bresson would deny the highly personal and idiosyncratic nature of his work, its autobiographical dimension has never been fully explored. This constitutes a rich vein for investigation and the films-in both their subject matter and style-mirror and trace the aesthetic and psychological dispositions of the filmmaker. What one discovers in these explorations is a deeper relationship between the filmmaker and his literary models-especially the novelists Georges Bernanos and Fyodor Dostoevsky. With both, he also shares convictions about the fallennature of humanity, an attitude of mourning for the loss of childhood innocence, a strong preoccupation with Christian theology, and the role evil and sexuality play in our lives. In this book Bresson s sources, style, and biography are explored via a chronological investigation of his films, yielding a dense analysis worthy of this master filmmaker. Nº de ref. de la librería AAV9780195319798

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Pipolo, Tony
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Descripción Oxford University Press, 2016. Paperback. Estado de conservación: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Nº de ref. de la librería ria9780195319798_lsuk

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Tony Pipolo
Editorial: Oxford University Press Inc, United States (2010)
ISBN 10: 0195319796 ISBN 13: 9780195319798
Nuevos Paperback Cantidad: 10
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Descripción Oxford University Press Inc, United States, 2010. Paperback. Estado de conservación: New. 231 x 155 mm. Language: English . Brand New Book ***** Print on Demand *****. The films of the late French filmmaker Robert Bresson, once thought formidable both because of the somberness of their subject matter and the austerity of the filmmaker s style, have in the last decade found a new audience. In part, this is owing to the rarely acknowledged but profound influence his style has had on later filmmakers-from Chantal Akerman to Michael Haeneke. This book looks at Bresson s body of work not only by coming to terms with its thematic preoccupations and the development of its unique authorial style, but also in terms of the ouvre s seminal place in the history of film. The filmic rhetoric that Bresson pursued was nothing less than an effort to create an exemplary form of film narrative, throwing off the conventions of the theater and acting that still dominate mainstream filmmaking. In this respect, Bresson s films are no less ground-breaking than those of D.W. Griffith and Sergei Eisenstein. In addition, while few who have written about Bresson would deny the highly personal and idiosyncratic nature of his work, its autobiographical dimension has never been fully explored. This constitutes a rich vein for investigation and the films-in both their subject matter and style-mirror and trace the aesthetic and psychological dispositions of the filmmaker. What one discovers in these explorations is a deeper relationship between the filmmaker and his literary models-especially the novelists Georges Bernanos and Fyodor Dostoevsky. With both, he also shares convictions about the fallennature of humanity, an attitude of mourning for the loss of childhood innocence, a strong preoccupation with Christian theology, and the role evil and sexuality play in our lives. In this book Bresson s sources, style, and biography are explored via a chronological investigation of his films, yielding a dense analysis worthy of this master filmmaker. Nº de ref. de la librería AAV9780195319798

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Descripción OUP USA, 2010. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IQ-9780195319798

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Tony Pipolo
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Descripción Oxford University Press. Paperback. Estado de conservación: New. Paperback. 407 pages. Dimensions: 9.1in. x 6.1in. x 1.0in.Perhaps the most highly regarded French filmmaker after Jean Renoir, Robert Bresson created a new kind of cinema through meticulous refinement of the forms grammatical and expressive possibilities. In thirteen features over a forty-year career, he held to an uncompromising moral vision and aesthetic rigor that remain unmatched. Robert Bresson: A Passion for Film is the first comprehensive study to give equal attention to the films, their literary sources, and psycho-biographical aspects of the work. Concentrating on the films cinematographic, imagistic, narrative, and thematic structures, Pipolo provides a nuanced analysis of each film-including nearly 100 illustrations-elucidating Bressons unique style as it evolved from the impassioned Les Anges du pche to such disconsolate meditations on the world as The Devil Probably and LArgent. Special attention is also given to psychosexual aspects of the films that are usually neglected. Bresson has long needed a thoroughgoing treatment by a critic worthy to the task: he gets it here. From it emerges a provocative portrait of an extraordinary artist whose moral engagement and devotion to the craft of filmmaking are without equal. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Nº de ref. de la librería 9780195319798

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Descripción Oxford University Press, 2010. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0195319796

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Descripción OUP USA, 2010. PAP. Estado de conservación: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería LQ-9780195319798

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Descripción Oxford University Press, 2017. Paperback. Estado de conservación: New. This item is printed on demand. Nº de ref. de la librería 0195319796

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Descripción Oxford University Press, USA, 2010. Paperback. Estado de conservación: New. 1. Nº de ref. de la librería DADAX0195319796

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Descripción Oxford University Press. PAPERBACK. Estado de conservación: New. 0195319796 Special order direct from the distributor. Nº de ref. de la librería ING9780195319798

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