Classical and Romantic Performing Practice 1750-1900

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9780195166651: Classical and Romantic Performing Practice 1750-1900

The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.

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About the Author:


Clive Brown is Professor of Applied Musicology, University of Leeds; and Consultant, London Classical Players

Review:


"This book will revolutionize the study of music...The book weaves strong patterns from the conflicting habits of different places, people and periods. It doesn't tell you exactly what to do, but inspires a confidence that your own decisions, thus informed, will work."--BBC Music Magazine


"Brown has produced a work of the greatest scholarship and utility....Recommended--required!--for all libraries with music collections serving upper-division undergraduates and above."--Choice


"His substantial book presents many new findings and demonstrates new approaches. Brown has contributed greatly to our understanding of period technique, especially for string instruments" --Notes


"His book offers a wealth of advice and ideas, ideas which should be thought of as creative and enabling, not restrictive."--Early Music Review


"Brown's grasp of primary sources is wide-ranging and scholarly, lavishly illustrated with musical examples, often of unfamiliar repertory. He uncovers many questions and possible answers, which can hardly fail to stimulate the thinking performer."--Gramophone Early Music


"The fact that the book focuses on notation will make it permanently useful, something to consult."--The Musical Times


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Clive Brown
Editorial: Oxford University Press Inc, United States (2004)
ISBN 10: 0195166655 ISBN 13: 9780195166651
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Descripción Oxford University Press Inc, United States, 2004. Paperback. Estado de conservación: New. Language: English . Brand New Book ***** Print on Demand *****.The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed. Nº de ref. de la librería AAV9780195166651

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Descripción Oxford University Press. Estado de conservación: New. Brand New. Nº de ref. de la librería 0195166655

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Clive Brown
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ISBN 10: 0195166655 ISBN 13: 9780195166651
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Descripción Oxford University Press Inc, United States, 2004. Paperback. Estado de conservación: New. Language: English . Brand New Book ***** Print on Demand *****. The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed. Nº de ref. de la librería AAV9780195166651

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Brown, Clive
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Descripción Oxford University Press, 2016. Paperback. Estado de conservación: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Nº de ref. de la librería ria9780195166651_lsuk

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Descripción OUP USA, 2004. PAP. Estado de conservación: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería LQ-9780195166651

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Descripción 2004. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería VU-9780195166651

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Descripción Oxford University Press Inc, 2004. Estado de conservación: New. This is an essential book for all performers and students of Classical and Romantic music. This book is the first to examine the changing relationship, during the period 1750 - 1900, between what composers committed to paper and what performers were expected to play. Num Pages: 676 pages, music examples throughout. BIC Classification: AVGC4; AVGC5; AVS. Category: (P) Professional & Vocational. Dimension: 233 x 156 x 39. Weight in Grams: 952. . 2004. 1st Edition. Paperback. . . . . Nº de ref. de la librería V9780195166651

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Clive Brown
Editorial: OUP USA 2004-06-03, New York |Oxford (2004)
ISBN 10: 0195166655 ISBN 13: 9780195166651
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Descripción OUP USA 2004-06-03, New York |Oxford, 2004. paperback. Estado de conservación: New. Nº de ref. de la librería 9780195166651

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Brown, Clive
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Descripción OUP USA, 2004. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería BB-9780195166651

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Brown, Clive
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Descripción Oxford University Press, 2017. Paperback. Estado de conservación: New. Never used! This item is printed on demand. Nº de ref. de la librería 0195166655

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