The Art of Performance

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9780195151510: The Art of Performance
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The ideas Schenker puts forth here are profound ... they will prove valuable to both music theorists and serious performers. ( Notes)

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Heinrich Schenker's The Art of Performance shows this great music theorist in a new light. While his theoretical writings helped transform music theory in the twentieth century, this book draws on his experience as a musician and teacher to propose a sharp reevaluation of how musical compositions are realized in performance. Filled with concrete examples and numerous suggestions, the book will interest both music theorists and practicing performers.

Schenker's approach is based on his argument that much of contemporary performance practice is rooted in the nineteenth-century cult of the virtuoso, which has resulted in an overemphasis on technical display. To counter this, he proposes specific ways to reconnect the composer's intentions and the musician's performance.

Schenker begins by showing how performers can benefit from understanding the laws of composition. He demonstrates how a literal interpretation of the composer's indications can be self-defeating, and he provides a lively discussion of piano technique, including suggestions for pedal, sound color, orchestral effects, and balance. He devotes separate chapters to non-legato, legato, fingering, dynamics, tempo, and rests. In addition to the examples for pianists, Schenker covers a number of topics, such as bowing technique, that will prove invaluable for other instrumentalists and for conductors. The book concludes with an aphoristic and sometimes lyrical chapter on practicing.

After Schenker's death, his student Oswald Jonas prepared the text for publication from Schenker's notes, eventually leaving the manuscript to his stepdaughter, Irene Schreier Scott, who entrusted the work of organizing and editing the disparate material to Jonas's friend and student Heribert Esser. She later translated it into English. This edition is the first publication in any language of this remarkable work.

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Schenker, Heinrich
Editorial: Oxford University Press 2002-05 (2002)
ISBN 10: 0195151518 ISBN 13: 9780195151510
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Descripción Oxford University Press 2002-05, 2002. Estado de conservación: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-LSI-06997410

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Schenker, Heinrich
Editorial: Oxford University Press Inc, United States (2002)
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Descripción Oxford University Press Inc, United States, 2002. Paperback. Estado de conservación: New. Revised ed.. 228 x 152 mm. Language: English . Brand New Book ***** Print on Demand *****.Heinrich Schenker s The Art of Performance shows this great music theorist in a new light. While his theoretical writings helped transform music theory in the twentieth century, this book draws on his experience as a musician and teacher to propose a sharp reevaluation of how musical compositions are realized in performance. Filled with concrete examples and numerous suggestions, the book will interest both music theorists and practicing performers. Schenker s approach is based on his argument that much of contemporary performance practice is rooted in the nineteenth-century cult of the virtuoso, which has resulted in an overemphasis on technical display. To counter this, he proposes specific ways to reconnect the composer s intentions and the musician s performance. Schenker begins by showing how performers can benefit from understanding the laws of composition. He demonstrates how a literal interpretation of the composer s indications can be self-defeating, and he provides a lively discussion of piano technique, including suggestions for pedal, sound color, orchestral effects, and balance. He devotes separate chapters to non-legato, legato, fingering, dynamics, tempo, and rests. In addition to the examples for pianists, Schenker covers a number of topics, such as bowing technique, that will prove invaluable for other instrumentalists and for conductors. The book concludes with an aphoristic and sometimes lyrical chapter on practicing. After Schenker s death, his student Oswald Jonas prepared the text for publication from Schenker s notes, eventually leaving the manuscript to his stepdaughter, Irene Schreier Scott, who entrusted the work of organizing and editing the disparate material to Jonas s friend and student Heribert Esser. She later translated it into English. This edition is the first publication in any language of this remarkable work. Nº de ref. de la librería AAV9780195151510

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Schenker, Heinrich
Editorial: Oxford University Press Inc, United States (2002)
ISBN 10: 0195151518 ISBN 13: 9780195151510
Nuevos Paperback Cantidad: 10
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The Book Depository US
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Descripción Oxford University Press Inc, United States, 2002. Paperback. Estado de conservación: New. Revised ed.. 228 x 152 mm. Language: English . Brand New Book ***** Print on Demand *****. Heinrich Schenker s The Art of Performance shows this great music theorist in a new light. While his theoretical writings helped transform music theory in the twentieth century, this book draws on his experience as a musician and teacher to propose a sharp reevaluation of how musical compositions are realized in performance. Filled with concrete examples and numerous suggestions, the book will interest both music theorists and practicing performers. Schenker s approach is based on his argument that much of contemporary performance practice is rooted in the nineteenth-century cult of the virtuoso, which has resulted in an overemphasis on technical display. To counter this, he proposes specific ways to reconnect the composer s intentions and the musician s performance. Schenker begins by showing how performers can benefit from understanding the laws of composition. He demonstrates how a literal interpretation of the composer s indications can be self-defeating, and he provides a lively discussion of piano technique, including suggestions for pedal, sound color, orchestral effects, and balance. He devotes separate chapters to non-legato, legato, fingering, dynamics, tempo, and rests. In addition to the examples for pianists, Schenker covers a number of topics, such as bowing technique, that will prove invaluable for other instrumentalists and for conductors. The book concludes with an aphoristic and sometimes lyrical chapter on practicing. After Schenker s death, his student Oswald Jonas prepared the text for publication from Schenker s notes, eventually leaving the manuscript to his stepdaughter, Irene Schreier Scott, who entrusted the work of organizing and editing the disparate material to Jonas s friend and student Heribert Esser. She later translated it into English. This edition is the first publication in any language of this remarkable work. Nº de ref. de la librería AAV9780195151510

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Schenker, Heinrich
Editorial: Oxford University Press (2016)
ISBN 10: 0195151518 ISBN 13: 9780195151510
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Descripción Oxford University Press, 2016. Paperback. Estado de conservación: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Nº de ref. de la librería ria9780195151510_lsuk

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Schenker, Heinrich
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Descripción OUP USA, 2002. PAP. Estado de conservación: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería LQ-9780195151510

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Descripción Oxford University Press, 2002. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Translator's IntroductionEditor's IntroductionSources and Editorial ProcedurePlates1. Musical Composition and Performance2. Mode of Notation and Performance3. The Technique of Playing the Piano4. Non Legato5. Legato6. Staccato7. Fingering8. Dynamics9. Tempo and Tempo Modifications10. Rests11. The Performance of Older Music12. On PracticingAppendixesNotesSelected Bibliography with AnnotationsIndex of Musical Examples. Nº de ref. de la librería ABE_book_new_0195151518

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Descripción Oxford University Press, 2002. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0195151518

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Descripción OUP USA, 2002. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IQ-9780195151510

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Descripción Oxford Univ Pr on Demand, 2002. Paperback. Estado de conservación: Brand New. reprint edition. 144 pages. 9.00x6.00x0.25 inches. In Stock. Nº de ref. de la librería zk0195151518

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Descripción Estado de conservación: Brand New. Book Condition: Brand New. Nº de ref. de la librería 97801951515101.0

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