The culmination of a lifetime of scholarship, The Annotated Alice is a landmark event in the rich history of Lewis Carroll and cause to celebrate the remarkable career of Martin Gardner.
For over half a century, Martin Gardner has established himself as one of the world's leading authorities on Lewis Carroll. His Annotated Alice, first published in 1959, has over half a million copies in print around the world and is beloved by both families and scholars―for it was Gardner who first decoded many of the mathematical riddles and wordplay that lay ingeniously embedded in Carroll's two classic stories, Alice's Adventures in Wonderland and Through the Looking Glass.
Forty years after this groundbreaking publication, Norton is proud to publish the Definitive Edition of The Annotated Alice, a work that combines the notes of Gardner's 1959 edition with his 1990 volume, More Annotated Alice, as well as additional discoveries drawn from Gardner's encyclopedic knowledge of the texts. Illustrated with John Tenniel's classic, beloved art―along with many recently discovered Tenniel pencil sketches―The Annotated Alice will be Gardner's most beautiful and enduring tribute to Carroll's masterpieces yet.Color, two-tone, and black-and-white photos and illustrations throughout
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"What is the use of a book," thought Alice, "without pictures or conversations!"
Readers who share Alice's taste in books will be more than satisfied with The Annotated Alice, a volume that includes not only pictures and conversations, but a thorough gloss on the text as well. There may be some, like G.K. Chesterton, who abhor the notion of putting Lewis Carroll's masterpiece under a microscope and analyzing it within an inch of its whimsical life. But as Martin Gardner points out in his introduction, so much of Alice in Wonderland and Through the Looking Glass is composed of private jokes and details of Victorian manners and mores that modern audiences are not likely to catch. Yes, Alice can be enjoyed on its own merits, but The Annotated Alice appeals to the nosy parker in all of us. Thus we learn, for example, that the source of the mouse's tale may have been Alfred Lord Tennyson who "once told Carroll that he had dreamed a lengthy poem about fairies, which began with very long lines, then the lines got shorter and shorter until the poem ended with fifty or sixty lines of two syllables each." And that, contrary to popular belief, the Mad Hatter character was not a parody of then Prime Minister Gladstone, but rather was based on an Oxford furniture dealer named Theophilus Carter.
Gardner's annotations run the gamut from the factual and historical to the speculative and are, in their own way, quite as fascinating as the text they refer to. Occasionally, he even comments on himself, as when he quotes a fellow annotator of Alice, James Kincaid: "The historical context does not call for a gloss but the passage provides an opportunity to point out the ambivalence that may attend the central figure and her desire to grow up." And then follows with a charming riposte: "I thank Mr. Kincaid for supporting my own rambling." There's a lot of information in the margins (indeed, the page is pretty evenly divided between Carroll's text and Gardner's), but the ramblings turn out to be well worth the time. So hand over your old copy of Lewis Carroll's classic to the kids--this Alice in Wonderland is intended entirely for adults. --Alix WilberAbout the Author:
Charles Lutwidge Dodgson, known by his pen name, Lewis Carroll, was a man of diverse interests - in mathematics, logic, photography, art, theater, religion, medicine, and science. He was happiest in the company of children for whom he created puzzles, clever games, and charming letters.
As all Carroll admirers know, his book Alice's Adventures in Wonderland (1865), became an immediate success and has since been translated into more than eighty languages. The equally popular sequel Through the Looking-Glass and What Alice Found There, was published in 1872.
The Alice books are but one example of his wide ranging authorship. The Hunting of the Snark, a classic nonsense epic (1876) and Euclid and His Modern Rivals, a rare example of humorous work concerning mathematics, still entice and intrigue today's students. Sylvie and Bruno, published toward the end of his life contains startling ideas including an 1889 description of weightlessness.
The humor, sparkling wit and genius of this Victorian Englishman have lasted for more than a century. His books are among the most quoted works in the English language, and his influence (with that of his illustrator, Sir John Tenniel) can be seen everywhere, from the world of advertising to that of atomic physics.
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