Five Came Back: A Story of Hollywood and the Second World War

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9780143126836: Five Came Back: A Story of Hollywood and the Second World War

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Críticas:

"The Wall Street Journal"
"Mr. Harris has a huge story to tell, and he does so brilliantly, maintaining suspense in a narrative whose basic outcome will be known ahead of time. "Five Came Back" is packed with true stories that, according to the proverb, are stranger than fiction. Mr. Harris's story of five particular directors at one particular moment of history tells us much about the motion-picture industry, about the nature of filmmaking and, more generally, about the relation of art to the larger demands of society. Although "Five Came Back" at first seems to be chronicling a collective enterprise, it turns out to be an inspirational, if cautionary, tale of the triumph of the individual over the collective, of personal vision over groupthink, and ultimately of art over propaganda."
"The New York Times"
"A tough-minded, information-packed and irresistibly readable work of movie-minded cultural criticism. Like the best World War II films, it highlights marquee names in a familiar plot to explore some serious issues: the human cost of military service, the hypnotic power of cinema and the tension between artistic integrity and the exigencies of war."
"The Washington Post"
""Five Came Back," by Mark Harris, has all the elements of a good movie: fascinating characters, challenges, conflicts and intense action. This is Harris's second brilliant book about movies. Both books demonstrate meticulous research and exceptional skill at telling intersecting and overlapping stories with clarity and power. Five Came Back enables us to watch the films of Ford, Capra, Wyler, Huston and Stevens with new insight."
"The New Yorker"
"A splendidly written narrative."
"San Francisco Chronicle"
"Can't-put-it-down history of World War II propaganda film."
"The Los Angeles Times"
"Meticulously researched, page-turning."
"Cleveland Plain Dealer"
"Mark Harris writes the old-fashioned way. His books are not quick and slick but meticulous. Definitive. In these lush, informative pages, Harris indeed reaffirms his commitment to writing the old-fashioned way, the way that evinces profound respect for his craft, his material and his readers."
"Booklist" (starred):
"It's hardly news that the movies affect and are affected by the broader canvas of popular culture and world history, but Harris--perhaps more successfully than any other writer, past or present--manages to find in that symbiotic relationship the stuff of great stories. Every chapter contains small, priceless nuggets of movie history, and nearly every page offers an example of Harris' ability to capture the essence of a person or an event in a few, perfectly chosen words. Narrative nonfiction that is as gloriously readable as it is unfailingly informative."
"Kirkus Reviews"
"A comprehensive, clear-eyed look at the careers of five legendary directors who put their Hollywood lives on freeze-frame while they went off to fight in the only ways they knew how. As riveting and revealing as a film by an Oscar winner."
"Publishers Weekly"
"Insightful. Harris pens superb exegeses of the ideological currents coursing through this most political of cinematic eras, and in the arcs of his vividly drawn protagonists...we see Hollywood abandoning sentimental make-believe to confront the starkest realities."
"Library Journal"
"Harris surpasses previous scholarship on the directors who are the focus here... This well-researched book is essential for both film enthusiasts and World War II aficionados."

"The Wall Street Journal"
Mr. Harris has a huge story to tell, and he does so brilliantly, maintaining suspense in a narrative whose basic outcome will be known ahead of time. "Five Came Back" is packed with true stories that, according to the proverb, are stranger than fiction. Mr. Harris's story of five particular directors at one particular moment of history tells us much about the motion-picture industry, about the nature of filmmaking and, more generally, about the relation of art to the larger demands of society. Although "Five Came Back" at first seems to be chronicling a collective enterprise, it turns out to be an inspirational, if cautionary, tale of the triumph of the individual over the collective, of personal vision over groupthink, and ultimately of art over propaganda.
"The New York Times"
A tough-minded, information-packed and irresistibly readable work of movie-minded cultural criticism. Like the best World War II films, it highlights marquee names in a familiar plot to explore some serious issues: the human cost of military service, the hypnotic power of cinema and the tension between artistic integrity and the exigencies of war.
"The Washington Post"
"Five Came Back," by Mark Harris, has all the elements of a good movie: fascinating characters, challenges, conflicts and intense action. This is Harris s second brilliant book about movies. Both books demonstrate meticulous research and exceptional skill at telling intersecting and overlapping stories with clarity and power. Five Came Back enables us to watch the films of Ford, Capra, Wyler, Huston and Stevens with new insight.
"The New Yorker"
A splendidly written narrative.
"San Francisco Chronicle"
Can't-put-it-down history of World War II propaganda film.
"The Los Angeles Times"
Meticulously researched, page-turning.
"Cleveland Plain Dealer"
Mark Harris writes the old-fashioned way. His books are not quick and slick but meticulous. Definitive. In these lush, informative pages, Harris indeed reaffirms his commitment to writing the old-fashioned way, the way that evinces profound respect for his craft, his material and his readers.
"Booklist" (starred):
It s hardly news that the movies affect and are affected by the broader canvas of popular culture and world history, but Harris perhaps more successfully than any other writer, past or present manages to find in that symbiotic relationship the stuff of great stories. Every chapter contains small, priceless nuggets of movie history, and nearly every page offers an example of Harris ability to capture the essence of a person or an event in a few, perfectly chosen words. Narrative nonfiction that is as gloriously readable as it is unfailingly informative.
"Kirkus Reviews"
A comprehensive, clear-eyed look at the careers of five legendary directors who put their Hollywood lives on freeze-frame while they went off to fight in the only ways they knew how. As riveting and revealing as a film by an Oscar winner.
"Publishers Weekly"
Insightful. Harris pens superb exegeses of the ideological currents coursing through this most political of cinematic eras, and in the arcs of his vividly drawn protagonists we see Hollywood abandoning sentimental make-believe to confront the starkest realities.
"Library Journal"
Harris surpasses previous scholarship on the directors who are the focus here This well-researched book is essential for both film enthusiasts and World War II aficionados. "

Mark Harris may be the best film writer ever.
-Quentin Tarantino
The Wall Street Journal
Mr. Harris has a huge story to tell, and he does so brilliantly, maintaining suspense in a narrative whose basic outcome will be known ahead of time. "Five Came Back" is packed with true stories that, according to the proverb, are stranger than fiction. Mr. Harris's story of five particular directors at one particular moment of history tells us much about the motion-picture industry, about the nature of filmmaking and, more generally, about the relation of art to the larger demands of society. Although "Five Came Back" at first seems to be chronicling a collective enterprise, it turns out to be an inspirational, if cautionary, tale of the triumph of the individual over the collective, of personal vision over groupthink, and ultimately of art over propaganda.
"The New York Times"
A tough-minded, information-packed and irresistibly readable work of movie-minded cultural criticism. Like the best World War II films, it highlights marquee names in a familiar plot to explore some serious issues: the human cost of military service, the hypnotic power of cinema and the tension between artistic integrity and the exigencies of war.
"The Washington Post"
"Five Came Back," by Mark Harris, has all the elements of a good movie: fascinating characters, challenges, conflicts and intense action. This is Harris s second brilliant book about movies. Both books demonstrate meticulous research and exceptional skill at telling intersecting and overlapping stories with clarity and power. Five Came Back enables us to watch the films of Ford, Capra, Wyler, Huston and Stevens with new insight.
"The New Yorker"
A splendidly written narrative.
"San Francisco Chronicle"
Can't-put-it-down history of World War II propaganda film.
"The Los Angeles Times"
Meticulously researched, page-turning.
"Cleveland Plain Dealer"
Mark Harris writes the old-fashioned way. His books are not quick and slick but meticulous. Definitive. In these lush, informative pages, Harris indeed reaffirms his commitment to writing the old-fashioned way, the way that evinces profound respect for his craft, his material and his readers.
"Booklist" (starred):
It s hardly news that the movies affect and are affected by the broader canvas of popular culture and world history, but Harris perhaps more successfully than any other writer, past or present manages to find in that symbiotic relationship the stuff of great stories. Every chapter contains small, priceless nuggets of movie history, and nearly every page offers an example of Harris ability to capture the essence of a person or an event in a few, perfectly chosen words. Narrative nonfiction that is as gloriously readable as it is unfailingly informative.
"Kirkus Reviews"
A comprehensive, clear-eyed look at the careers of five legendary directors who put their Hollywood lives on freeze-frame while they went off to fight in the only ways they knew how. As riveting and revealing as a film by an Oscar winner.
"Publishers Weekly"
Insightful. Harris pens superb exegeses of the ideological currents coursing through this most political of cinematic eras, and in the arcs of his vividly drawn protagonists we see Hollywood abandoning sentimental make-believe to confront the starkest realities.
"Library Journal"
Harris surpasses previous scholarship on the directors who are the focus here This well-researched book is essential for both film enthusiasts and World War II aficionados. "

The Wall Street Journal
Mr. Harris has a huge story to tell, and he does so brilliantly, maintaining suspense in a narrative whose basic outcome will be known ahead of time. "Five Came Back" is packed with true stories that, according to the proverb, are stranger than fiction. Mr. Harris's story of five particular directors at one particular moment of history tells us much about the motion-picture industry, about the nature of filmmaking and, more generally, about the relation of art to the larger demands of society. Although "Five Came Back" at first seems to be chronicling a collective enterprise, it turns out to be an inspirational, if cautionary, tale of the triumph of the individual over the collective, of personal vision over groupthink, and ultimately of art over propaganda.
"The New York Times"
A tough-minded, information-packed and irresistibly readable work of movie-minded cultural criticism. Like the best World War II films, it highlights marquee names in a familiar plot to explore some serious issues: the human cost of military service, the hypnotic power of cinema and the tension between artistic integrity and the exigencies of war.
"The Washington Post"
"Five Came Back," by Mark Harris, has all the elements of a good movie: fascinating characters, challenges, conflicts and intense action. This is Harris s second brilliant book about movies. Both books demonstrate meticulous research and exceptional skill at telling intersecting and overlapping stories with clarity and power. Five Came Back enables us to watch the films of Ford, Capra, Wyler, Huston and Stevens with new insight.
"The New Yorker"
A splendidly written narrative.
"San Francisco Chronicle"
Can't-put-it-down history of World War II propaganda film.
"The Los Angeles Times"
Meticulously researched, page-turning.
"Cleveland Plain Dealer"
Mark Harris writes the old-fashioned way. His books are not quick and slick but meticulous. Definitive. In these lush, informative pages, Harris indeed reaffirms his commitment to writing the old-fashioned way, the way that evinces profound respect for his craft, his material and his readers.
"Booklist" (starred):
It s hardly news that the movies affect and are affected by the broader canvas of popular culture and world history, but Harris perhaps more successfully than any other writer, past or present manages to find in that symbiotic relationship the stuff of great stories. Every chapter contains small, priceless nuggets of movie history, and nearly every page offers an example of Harris ability to capture the essence of a person or an event in a few, perfectly chosen words. Narrative nonfiction that is as gloriously readable as it is unfailingly informative.
"Kirkus Reviews"
A comprehensive, clear-eyed look at the careers of five legendary directors who put their Hollywood lives on freeze-frame while they went off to fight in the only ways they knew how. As riveting and revealing as a film by an Oscar winner.
"Publishers Weekly"
Insightful. Harris pens superb exegeses of the ideological currents coursing through this most political of cinematic eras, and in the arcs of his vividly drawn protagonists we see Hollywood abandoning sentimental make-believe to confront the starkest realities.
"Library Journal"
Harris surpasses previous scholarship on the directors who are the focus here This well-researched book is essential for both film enthusiasts and World War II aficionados. "

The Wall Street Journal
Mr. Harris has a huge story to tell, and he does so brilliantly, maintaining suspense in a narrative whose basic outcome will be known ahead of time. Five Came Back is packed with true stories that, according to the proverb, are stranger than fiction. Mr. Harris's story of five particular direc...

Reseña del editor:

The extraordinary wartime experience of five of Hollywood's most important directors, all of whom put their stamp on World War II and were changed by it forever
Here is the remarkable, untold story of how five major Hollywood directors John Ford, George Stevens, John Huston, William Wyler, and Frank Capra changed World War II, and how, in turn, the war changed them. In a move unheard of at the time, the U.S. government farmed out its war propaganda effort to Hollywood, allowing these directors the freedom to film in combat zones as never before. They were on the scene at almost every major moment of America s war, shaping the public s collective consciousness of what we ve now come to call the good fight. The product of five years of scrupulous archival research, Five Came Back provides a revelatory new understanding of Hollywood s role in the war through the life and work of these five men who chose to go, and who came back."

"Sobre este título" puede pertenecer a otra edición de este libro.

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Descripción Penguin Books, United States, 2015. Paperback. Estado de conservación: New. Reprint. 208 x 132 mm. Language: English . Brand New Book. Now a Netflix original documentary series, also written by Mark Harris, premiering on March 31,2017: the extraordinary wartime experience of five of Hollywood s most important directors, all of whom put their stamp on World War II and were changed by it forever Here is the remarkable, untold story of how five major Hollywood directors--John Ford, George Stevens, John Huston, William Wyler, and Frank Capra--changed World War II, and how, in turn, the war changed them. In a move unheard of at the time, the U.S. government farmed out its war propaganda effort to Hollywood, allowing these directors the freedom to film in combat zones as never before. They were on the scene at almost every major moment of America s war, shaping the public s collective consciousness of what we ve now come to call the good fight. The product of five years of scrupulous archival research, Five Came Back provides a revelatory new understanding of Hollywood s role in the war through the life and work of these five men who chose to go, and who came back. Five Came Back . . . is one of the great works of film history of the decade. --Slate A tough-minded, information-packed and irresistibly readable work of movie-minded cultural criticism. Like the best World War II films, it highlights marquee names in a familiar plot to explore some serious issues: the human cost of military service, the hypnotic power of cinema and the tension between artistic integrity and the exigencies of war. --The New York Times. Nº de ref. de la librería ABZ9780143126836

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Descripción Penguin Books, United States, 2015. Paperback. Estado de conservación: New. Reprint. 208 x 132 mm. Language: English . Brand New Book. Now a Netflix original documentary series, also written by Mark Harris, premiering on March 31,2017: the extraordinary wartime experience of five of Hollywood s most important directors, all of whom put their stamp on World War II and were changed by it forever Here is the remarkable, untold story of how five major Hollywood directors--John Ford, George Stevens, John Huston, William Wyler, and Frank Capra--changed World War II, and how, in turn, the war changed them. In a move unheard of at the time, the U.S. government farmed out its war propaganda effort to Hollywood, allowing these directors the freedom to film in combat zones as never before. They were on the scene at almost every major moment of America s war, shaping the public s collective consciousness of what we ve now come to call the good fight. The product of five years of scrupulous archival research, Five Came Back provides a revelatory new understanding of Hollywood s role in the war through the life and work of these five men who chose to go, and who came back. Five Came Back . . . is one of the great works of film history of the decade. --Slate A tough-minded, information-packed and irresistibly readable work of movie-minded cultural criticism. Like the best World War II films, it highlights marquee names in a familiar plot to explore some serious issues: the human cost of military service, the hypnotic power of cinema and the tension between artistic integrity and the exigencies of war. --The New York Times. Nº de ref. de la librería ABZ9780143126836

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