Hailed as a literary masterpiece, Robertson Davies' The Cornish Trilogy comes to a brilliant conclusion in the bestselling Lyre of Orpheus.
There is an important decision to be made. The Cornish Foundation is thriving under the directorship of Arthur Cornish when Arthur and his beguiling wife, Maria Theotoky, decide to undertake a project worthy of Francis Cornish -- connoisseur, collector, and notable eccentric -- whose vast fortune endows the Foundation. The grumpy, grimy, extraordinarily talented music student Hulda Schnakenburg is commissioned to complete E. T .A. Hoffmann’s unfinished opera Arthur of Britain, or The Magnanimous Cuckold; and the scholarly priest Simon Darcourt finds himself charged with writing the libretto.
Complications both practical and emotional arise: the gypsy in Maria’s blood rises with a vengeance; Darcourt stoops to petty crime; and various others indulge in perjury, blackmail, and other unsavory pursuits. Hoffmann’s dictum, "the lyre of Orpheus opens the door of the underworld," seems to be all too true -- especially when the long-hidden secrets of Francis Cornish himself are finally revealed.
Baroque and deliciously funny, this third book in The Cornish Trilogy shows Robertson Davies at his very considerable best.
"Robertson Davies is the sort of novelist readers can hardly wait to tell their friends about." -- The Washington Post Book World
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Robertson Davies (1913-1995) had three successive careers during the time he became an internationally acclaimed author: actor, publisher, and, finally, professor at the University of Toronto. The author of twelve novels and several volumes of essays and plays, he was the first Canadian to be inducted into the American Academy of Arts and Letters.From AudioFile:
No other Canadian novelist is lauded and read as widely outside his homeland as Robertson Davies. His characters fascinate, and his gentle, graceful style makes no demands on the reader. His civilized prose should read well aloud--indeed, Davidson helps one hear its strengths. He provides an intelligent, expressive, well-paced rendering of the narrative about a Canadian university professor, as well as vivid impersonations of the characters. However, he has trouble with the "authorial voice." In his mouth, the narrative has a sarcastic, even cynical, edge, whereas Davies's words, though not without humor and irony, are far more empathetic. Y.R. (c)AudioFile, Portland, Maine
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Descripción Penguin Books, 1990. Paperback. Estado de conservación: New. book. Nº de ref. de la librería M0140114335
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